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Jenefer Robinson [47]J. A. Robinson [36]Julia Robinson [35]J. Robinson [23]
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Profile: Jenefer Robinson (University of Cincinnati)
Profile: Julia Robinson (Shippensburg University)
Profile: John Robinson (University of Oklahoma)
Profile: John Robinson
Profile: James Robinson
Profile: Joanne Robinson (Australian Catholic University)
Profile: José Carlos Robinson
Profile: Jacqueline Robinson (University of Queensland)
Profile: Joshua Robinson (Concordia University)
Profile: Jess Robinson
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  1. Jenefer Robinson (2005). Deeper Than Reason: Emotion and its Role in Literature, Music, and Art. Clarendon Press.
    Jenefer Robinson takes the insights of modern scientific research on the emotions and uses them to illuminate questions about our emotional involvement with the arts. Laying out a theory of emotion supported by the best evidence from current empirical work, she examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone interested in the emotions and how they work, as well as anyone (...)
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  2. J. Robinson (1985). Are We Teaching Students That Patients Don't Matter? Journal of Medical Ethics 11 (1):19-26.
    Medical students may fear that their training leeches away the caring attitudes which attracted them to medicine. Some research suggests they are right. The medical school has a duty to support and encourage their values, but the reverse may happen. Students are taught about legal consent but not ethical consent. They may see or participate in concealment of medical mistakes and learn to practise deceit. The use of unconscious females for gynaecology teaching may encourage the wrong attitudes to patients. Trainee (...)
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  3. Jennifer Robinson (1991). Post-Marxism with Apologies. Theoria 78:159-171.
     
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  4.  99
    Nico H. Frijda & Jenefer M. Robinson (2010). Bob Solomon's Legacy: Introduction. Emotion Review 2 (1):3-4.
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  5. Jim Robinson (1992). Teaching the Allegory of the Cave. Teaching Philosophy 15 (4):329-335.
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  6. John P. Robinson & Geoffrey Godbey (2005). Busyness as Usual. Social Research: An International Quarterly 72 (2):407-426.
    Books and articles about the acceleration of daily life are themselves accelerating. A theoretical basis for expecting the inevitability of these trends has been traced in the writings of major sociologists including Durkheim, Marx, Weber and Sorkin. As deTocqueville observed more than 150 years ago, “The American is always in a hurry.” Economists have also weighed in on these issues of time compression, perhaps starting with Linder’s insightful treatise The Harried Leisure Class, predicting the frantic pace of modern life and (...)
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  7.  5
    Joan H. Robinson (2016). Review of Peoples' Science: Bodies and Rights on the Stem Cell Frontier. [REVIEW] Spontaneous Generations 8 (1):112-114.
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  8. J. Robinson (2013). Antithetical Arts. [REVIEW] Philosophical Review 122 (1):139-143.
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  9.  48
    S. Davies, R. Hopkins, J. Robinson & M. Padro (2004). On Richard Wollheim. British Journal of Aesthetics 44 (3):213-225.
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  10. Julia Robinson (1949). Definability and Decision Problems in Arithmetic. Journal of Symbolic Logic 14 (2):98-114.
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  11. Jenefer Robinson (2005). Deeper Than Reason: Emotion and its Role in Literature, Music and Art. Oxford University Press Uk.
    Deeper than Reason takes the insights of modern psychological and neuroscientific research on the emotions and brings them to bear on questions about our emotional involvement with the arts. Robinson begins by laying out a theory of emotion, one that is supported by the best evidence from current empirical work on emotions, and then in the light of this theory examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her (...)
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  12. Jenefer M. Robinson (2004). Emotion: Biological Fact or Social Construction. In Robert C. Solomon (ed.), Thinking About Feeling: Contemporary Philosophers on Emotions. Oxford University Press
     
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  13. Jenefer M. Robinson (1981). Style and Significance in Art History and Art Criticism. Journal of Aesthetics and Art Criticism 40 (1):5-14.
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  14.  69
    Stephen Davies, Robert Hopkins, Jenefer Robinson & Elisabeth Schellekens (2004). Aesthetics and Subjectivity: From Kant to Nietzsche. British Journal of Aesthetics 44 (3):304-307.
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  15. Jenefer Robinson (1995). Startle. Journal of Philosophy 92 (2):53-74.
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  16. Jenefer Robinson (2000). Languages of Art at the Turn of the Century. Journal of Aesthetics and Art Criticism 58 (3):213-218.
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  17. Jenefer Robinson (1977). Syntax, Meaning and Context: A Reply to Keenan. Philosophical Quarterly 27 (107):162-164.
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  18. Jenefer M. Robinson (1988). Personal Identity and Survival. Journal of Philosophy 85 (June):319-28.
  19.  66
    Jenefer Robinson (2013). Savoring Disgust: The Foul and Fair in Aesthetics, by Carolyn Korsmeyer. [REVIEW] Mind 122 (486):fzt077.
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  20.  88
    Jenefer Robinson (1994). The Expression and Arousal of Emotion in Music. Journal of Aesthetics and Art Criticism 52 (1):13-22.
  21.  3
    J. A. Robinson (1966). A Machine-Oriented Logic Based on the Resolution Principle. Journal of Symbolic Logic 31 (3):515-516.
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  22.  16
    Jackson W. Robinson (2002). Double Yield. Business Ethics 16 (5/6):21-22.
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  23.  77
    Jenefer Robinson (2008). Do All Musical Emotions Have the Music Itself as Their Intentional Object? Behavioral and Brain Sciences 31 (5):592-593.
    Juslin & Vll (J&V) think that all emotions aroused by music have the music itself as their Some of the mechanisms they discuss almost certainly involve both cognitive appraisals and intentional objects. But some of the mechanisms are non-cognitive: they involve neither cognitive appraisals nor intentional objects. Partly for this reason they may produce moods rather than emotions proper.
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  24.  23
    Jenefer Robinson (2014). Aesthetic Disgust? Royal Institute of Philosophy Supplement 75:51-84.
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  25.  10
    Heath Demaree, Brandon Schmeichel, Jennifer Robinson & D. Erik Everhart (2004). Behavioural, Affective, and Physiological Effects of Negative and Positive Emotional Exaggeration. Cognition and Emotion 18 (8):1079-1097.
  26.  10
    Gregory Karl & Jenefer Robinson (2015). Yet Again, ‘Between Absolute and Programme Music’. British Journal of Aesthetics 55 (1):19-37.
    In this paper, we contest Peter Kivy’s claim that there is a clear opposition between ‘absolute music’ and programme music and between musical form and musical expressiveness. We argue, on the contrary, that much music falls somewhere between absolute and programme music as Kivy conceives the categories, and that such music is often primarily organized not on purely formal principles but by means of the overall ‘expressive trajectory’ or ‘poetic idea’ of the piece. Kivy is dismissive of all ‘narrativist’ interpretations (...)
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  27.  72
    J. A. Robinson (1962). Hume's Two Definitions of "Cause". Philosophical Quarterly 12 (47):162-171.
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  28.  66
    Jenefer M. Robinson (1985). Style and Personality in the Literary Work. Philosophical Review 94 (2):227-247.
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  29.  79
    Jenefer Robinson (2009). Review of Charles O. Nussbaum, The Musical Representation: Meaning, Ontology, and Emotion. [REVIEW] Notre Dame Philosophical Reviews 2009 (3).
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  30.  3
    Jonnell A. Robinson, Evan Weissman, Susan Adair, Matthew Potteiger & Joaquin Villanueva (forthcoming). An Oasis in the Desert? The Benefits and Constraints of Mobile Markets Operating in Syracuse, New York Food Deserts. Agriculture and Human Values.
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  31.  45
    Jenefer M. Robinson (1983). Emotion, Judgement, and Desire. Journal of Philosophy 80 (November):731-740.
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  32.  9
    Joan Robinson (1962). Economic Philosophy. Aldinetransaction.
    Metaphysics, morals and science -- The classics : value -- The neo-classics : utility -- The Keynesian revolution -- Development and under-development -- What are the rules of the game?
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  33.  74
    Jenefer Robinson (2002). Review: Aesthetics and Ethics: Essays at the Intersection. [REVIEW] Mind 111 (443):687-693.
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  34.  3
    Alison Shaw & John Robinson (2013). Relevant But Not Prescriptive. Philosophy Today 48 (Supplement):84-95.
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  35.  60
    Jenefer Robinson (1995). L'éducation Sentimentale. Australasian Journal of Philosophy 73 (2):212 – 226.
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  36.  30
    Jenefer Robinson (2012). On Being Moved by Architecture. Journal of Aesthetics and Art Criticism 70 (4):337–353.
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  37.  1
    Dov M. Gabbay, C. J. Hogger, J. A. Robinson & D. Nute (2000). Handbook of Logic in Artificial Intelligence and Logic Programming, Volume 3, Nonmonotonic Reasoning and Uncertain Reasoning. Bulletin of Symbolic Logic 6 (4):480-484.
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  38.  10
    Jason C. Robinson (2005). Hans-Georg Gadamer: A Biography. Dialogue 44 (1):204-206.
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  39.  37
    Jim Robinson (1993). A Change in Plato's Conception of the Good. Journal of Philosophical Research 18:231-241.
    One of the most interesting passages in the Republic is the comparison of the Form of the Good with the Sun. Although this depiction of the Good was never repeated, many hold that the Good retained its privileged place in Plato’s metaphysics.I shall argue that there are good reasons for thinking that Plato, when writing the Sophist, no longer held his earlier view of the Good. Specifically, I shall contend that he ceased to believe that as the Sun makes its (...)
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  40.  17
    John Mansley Robinson (1971). Studies in Presocratic Philosophy. Vol. 1 : The Beginnings of Philosophy. [REVIEW] Journal of the History of Philosophy 9 (4):500-508.
  41.  50
    Gregory Karl & Jenefer Robinson (1995). Shostakovich's Tenth Symphony and the Musical Expression of Cognitively Complex Emotions. Journal of Aesthetics and Art Criticism 53 (4):401-415.
  42.  58
    Jenefer Robinson (1979). Some Remarks on Goodman's Language Theory of Pictures. British Journal of Aesthetics 19 (1):63-75.
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  43.  8
    Jackson W. Robinson (1998). Investing Against Global Warming. Business Ethics 12 (2):20-22.
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  44. Dov M. Gabbay, Christopher John Hogger & J. A. Robinson (1993). Handbook of Logic in Artificial Intelligence and Logic Programming. Monograph Collection (Matt - Pseudo).
     
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  45.  8
    Jason Robinson (2008). The Philosophical Challenge of September 11. Dialogue 47 (2):400-402.
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  46.  49
    Jenefer Robinson (2008). This is Your Brain on Music: The Science of a Human Obsession by Levitin, Daniel J. Journal of Aesthetics and Art Criticism 66 (1):91–94.
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  47.  20
    James Burnell Robinson (1983). 'The Great Art' of Ramon Lull. Semiotics:169-179.
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  48.  7
    James T. Robinson (1998). Reflections on “Science Teaching and the Nature of Science”. Science and Education 7 (6):635-642.
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  49.  2
    S. Davies, R. Hopkins, J. Robinson & A. Chasid (2004). Win The Pictorial Relation is Not Reference. British Journal of Aesthetics 44 (3):226-247.
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  50.  3
    S. Davies, R. Hopkins, J. Robinson & G. Dammann (2004). The Idea of Form: Rethinking Kant's Aesthetics. British Journal of Aesthetics 44 (3):313-315.
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