I argue that there is a great deal in common between a Daoist sage and a contemporary moderator of deliberative dialogues. The most fundamental similarity is harmonious interaction of people facing the challenges of contemporary life. As they encourage and facilitate community action, the actions of the moderator of deliberative dialogue exemplify noncoercive action, wuwei, in the way such dialogue is eventually structured and in the ways the moderator acts to help all participants realize some common ground from which they (...) may take action. The paper gives an example of wuwei that is not located in some agrarian, golden age of the past, but in contemporary, deliberative dialogue. It looks to discussion of wuwei in the Daodejing for further insight in how deliberative dialogue may be cultivated and facilitated. And it looks to deliberative dialogue for further insight into how wuwei can be understood when applied to contemporary community activities. (shrink)
In this paper, I argue that journalists who report on tragedies need to avoid two extremes in reader reaction: a state of titillation, as well as a state of revulsion, with regard to the facts of the story. Either reaction distances the reader from experiencing the full reality of the tragic event. I suggest the benefit of studying Aristotle’s writings. In his Poetics and Rhetoric, Aristotle not only describes states of mind which the tragic dramatist takes care to avoid, but (...) he also describes how such authors avoided these extremes. Reporters are not dramatists, but if reporters can apply Aristotle’s understanding of good tragic drama to their reporting, they can better avoid extremes in reader reaction which turn readers away from the full reality of disasters and atrocities, and thereby help them better cope with news that is often profoundly disturbing. (shrink)
In the West, it is widely believed that, since Africans lack an emotional experience with romanticism and transcendentalism, they do not possess the philosophical prerequisites necessary to protect wilderness. However, the West’s disdain for African systems of thought has precluded examination of customary African views of wilderness. Examination of ethnographic reports on Kenya’s Highland Bantu reveals a complex view of phenomena that the West generally associates with wilderness. For the Bantu, wilderness is an extension of human living space, and (...) through concerted social action rather than individual initiative, it is, or at least can be, dominated by society. Wildlife is unnatural and alienated from human society, which is natural. Because wilderness is, consequently, understood to be fearsome and hostile, it is not a place that can provide inspiration or self-actualization. Almost all forests have a special spiritual relationship with humankind, and some trees have a special relationship with God. Althoughtraditional Bantu thought is contrary to a concept of wilderness as conserved, managed space filled with tourists and recreators, it does embrace a concept of wilderness as wildlands. The Bantu have gone to considerable length to develop an approach to wilderness that minimizes individual contact while requiring association with wilderness as a social activity. Population growth and want of vocational opportunities continue to thrust Highland Bantu into wilderness as a fundamental and traditional survival technique. (shrink)
During his historic Galápagos visit in 1835, Darwin spent nine days making scientific observations and collecting specimens on Santiago (James Island). In the course of this visit, Darwin ascended twice to the Santiago highlands. There, near springs located close to the island's summit, he conducted his most detailed observations of Galapagos tortoises. The precise location of these springs, which has not previously been established, is here identified using Darwin's own writings, satellite maps, and GPS technology. Photographic evidence from excursions (...) to the areas where Darwin climbed, including repeat photography over a period of four decades, offers striking evidence of the deleterious impact of feral mammals introduced after Darwin's visit. Exploring the impact that Darwin's Santiago visit had on his thinking - especially focusing on his activities in the highlands - raises intriguing questions about the depth of his understanding of the evolutionary evidence he encountered while in the Galápagos. These questions and related insights provide further evidence concerning the timing of Darwin's conversion to the theory of evolution, which, despite recent claims to the contrary, occurred only after his return to England. (shrink)
The organizers of the 1992 Highlands Institute seminar were kind enough to invite me to comment as a neo-pragmatist on John E. Smith's keynote paper "Experience, God, and Classical American Philosophy." It is my pleasure to do so. I read portions of both GOD AND EXPERIENCE and THE ANALOGY OF EXPERIENCE when they were published. I was impressed then, and continue to be impressed, with Professor Smith's intellectually responsible and powerful defense of Christianity, carried out, as it was, in a (...) philosophical environment where that was not the most popular thing to do. More recently, in preparation for this event, I have profited from reading THE SPIRIT OF AMERICAN PHILOSOPHY, particularly the chapters on James and Dewey. And, I can only second his presidential call in "The New Need for a Recovery of Philosophy" for a live-and-let-live attitude amongst the cacophonous multitude of those of us who call ourselves "philosophers.". (shrink)
Sheila Davaney’s Pragmatic Historicism provides yet another opportunity for us to discuss disagreements between two kinds of pragmatism. One, which I espouse, is a non-metaphysical pragmatism. It is rooted in James’s and Dewey’s appropriation of Darwinian biology for philosophical purposes and, more recently, Donald Davidson’s philosophy of language. Richard Rorty is its most influential contemporary spokesman. The other is a metaphysical pragmatism. It is rooted in James’s radical empiricism and Whitehead’s process philosophy. In the Highlands Institute, William Dean (...) and now Davaney, among others, advocate versions of metaphysical pragmatism. (shrink)
Touching your mother's foot is incest because all the rest is a matter of degree (or so said Diogenes). That's just one expression of the puzzle of vagueness. Here's another: the passage of one second cannot mark the transition from being a pupa to being a butterfly--if something is a pupa at one time then in all close instants it remains a pupa; alas, it follows from this, via trivial logic, that there are no butterflies. Or again: it's vague where (...) the Highlands of Scotland begin and end, so, a small step in the direction of London cannot mark the boundary between the Lowlands and the Highlands. But then it follows, via trivial logic, that one is unable to leave the Highlands (even when in London). What's driving these paradoxical arguments seems to be the very vagueness of the terms involved: such terms as 'incest', 'butterfly', 'pupa', 'The Highlands' are all vague and such vagueness seems to make them tolerant to marginal change. The puzzles of vagueness are not only deep (in that they admit of no uncontroversial and entirely satisfactory solution), they are also broad, for vague language is everywhere. In this course, you will be introduced to the various puzzles of vagueness and whether and how we might best address them. We will tackle such as questions as: Does the possibility of vagueness entail that there simply cannot be a logic of natural language? Does it entail that language is governed by inconsistent rules? Or does vagueness require some special or deviant logic? Is vagueness a special species of ignorance? Is the world, in some sense, vague? Is there an uncontroversial definition of vagueness or can we only isolate the phenomenon from within some substantive and controversial conception? What is higher-order vagueness and why is it considered to be such a puzzling phenomenon? Must the truth about vagueness be so strange? In what exact way are vague expressions tolerant? (shrink)
Only rarely does life imitate art in the starkness and directness of its message. When that message is a tragic one the effect becomes indelible. Such was the impact on Peru of the events of Uchuraccay, a small village located in its central highlands. Peru’s Truth and Reconciliation Commission called it “an emblematic referent of the violence and pain in the collective memory of the country” (TRC, 121). [i] In the twenty-year turmoil that engulfed Peru at the end of the (...) last century, 69280 violent deaths were recorded. What makes Uchuraccay emblematic of this carnage is not just its own destruction; it is the web of misunderstandings that entangled the participants. On January 23, 1983, eight journalists from Lima were caught in this web. Mistaken for terrorists, they and their guide were attacked by the natives of the village. Remarkably, one of the journalists left a photographic record of their slaughter. There also exists a photograph of the bodies of the journalists after they were exhumed a few days later. In it, their eyeless sockets are clearly evident.[ii] When I saw the photo in Lima, it reminded me of the moment in Greek tragedy that is called “recognition.” This is the point when the veil of illusion is stripped from the characters. The most striking example of this is Oedipus’ appearance after he has blinded himself. In his eyeless state, the audience recognizes his previous blindness to his unnatural condition. This moment of recognition is a public exhibition. It is a disclosure of the way things actually were during the events depicted. In what follows, I am going to take this final image of the journalists as a disclosure of the communal blindness that engulfed Peru. My aim is to relate this blindness to the violence that was its tragic correlate. (shrink)
Art itself is a cultural universal; that is, there are no known human cultures in which there cannot be found some form of what we might reasonably term aesthetic or artistic interest, performance, or artifact production — including sculptures and paintings, dancing and music, oral and written fictional narratives, body adornment, and decoration. This does not mean that all cultures possess all the various arts. For example, there is no clear analogue in European tradition for the Japanese tea ceremony, which (...) is nevertheless considered by many to be an art form (Okakura 1906). On the other hand, are cases such as the Dinka, a Nilotic herding people who have no developed indigenous visual art or carving. Instead, their aesthetic interests seem to be directed toward poetic expression and, in the visual realm, toward the markings on the cattle that are so important to their lives: they are, so to speak, keen connoisseurs of cattle markings (Coote 1992). Even within the same cultural region there may be sharp contrasts: in the Sepik River region of the northern New Guinea there is an enormous variety of wood carving, while in the Highlands of the same country there is very little carving, with vast effort channelled instead into body adornment and the production of decorated fighting shields. (shrink)
