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  1. Jason Gaiger (2000). Schiller's Theory of Landscape Depiction. Journal of the History of Ideas 61 (1):115-132.
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  2. Jason Gaiger & Nicholas Walker (eds.) (1996). The Enigma of Health. Monograph Collection (Matt - Pseudo).
    The book brings together thirteen essays presented to medical and psychiatric societies, mainly during the 1970's and 1980's. In these essays, Gadamer justifies the reasons for a philosophical interest in health and medicine, and a corresponding need for health practitioners to enter into a dialogue with philosophy.
     
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  3.  18
    Jason Gaiger (2002). The Analysis of Pictorial Style. British Journal of Aesthetics 42 (1):20-36.
    Drawing on recent attempts to critically reconstruct the ideas of Heinrich Wölfflin, this paper argues that there is a specific ‘logic of depiction’ that is distinctive to visual as opposed to verbal forms of representation. The aim is to provide a set of objective parameters that can allow a comparative analysis of the formal organization of pictures despite differences in period, subject matter, format, etc. The paper seeks to show that such an analysis is possible and that it possesses explanatory (...)
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  4.  20
    Jason Gaiger (2005). A Past Passed By. The Philosophers' Magazine 30:89-89.
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  5.  98
    Jason Gaiger (2002). The Life of a Style: Beginnings and Endings in the Narrative of Art History. British Journal of Aesthetics 42 (2):202-205.
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  6.  54
    Jason Gaiger (1999). Constraints and Conventions: Kant and Greenberg on Aesthetic Judgement. British Journal of Aesthetics 39 (4):376-391.
  7.  82
    Jason Gaiger (2009). Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy. British Journal of Aesthetics 49 (1):43-58.
    This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood as a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and (...)
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  8.  65
    Jason Gaiger (2001). The Philosophy and Politics of Abstract Expressionism. British Journal of Aesthetics 41 (4):455-457.
  9.  64
    Jason Gaiger (2001). The Fake: Forgery and its Place in Art. Sándor Radnóti. British Journal of Aesthetics 41 (3):339-341.
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  10.  32
    Jason Gaiger (2006). For Sins Re: Kant. The Philosophers' Magazine 34 (34):91-91.
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  11.  27
    Jason Gaiger (2000). The True Judge of Beauty and the Paradox of Taste. European Journal of Philosophy 8 (1):1–19.
    This paper addresses two key works in the eighteenth‐century debate on the problem of taste: the Abbé Du Bos's Réflexions critiques sur la poésie et sur la peinture and David Hume's ‘Of the Standard of Taste’ . A successful solution to the ‘paradox of taste’ should sustain the democratising impulse behind Du Bos's appeal to the judgment of the ‘public’ whilst, at the same time, acknowledging the role of learning and discovery which underpins Hume's recourse to the opinion of the (...)
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  12.  24
    Jason Gaiger (2009). Sense and Sensibility: Evaluating Pictures by Dominic Lopes. European Journal of Philosophy 17 (3):447-451.
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  13.  3
    Jason Gaiger (2015). Intuition and Representation: Wölfflin's Fundamental Concepts of Art History. Journal of Aesthetics and Art Criticism 73 (2):164-171.
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  14.  3
    Jason Gaiger (2014). The Idea of a Universal Bildwissenschaft. Estetika: The Central European Journal of Aesthetics 51 (2):208-229.
    The emergence of Bildwissenschaft as a new interdisciplinary formation that is intended to encompass all images calls for an analysis of the grounds on which the claim to universality can be upheld. I argue that whereas the lifting of scope restrictions imposes only a weak universality requirement, the identification of features that belong to the entire class of entities that are categorized as images imposes a strong universality requirement. Reflection on this issue brings into focus the distinctive character of Bildwissenschaft (...)
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  15. Jason Gaiger (2006). Catching Up with History: Hegel and Abstract Painting. In Katerina Deligiorgi (ed.), Hegel: New Directions.
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  16.  1
    Jason Gaiger (2014). Costelloe, Timothy M. The British Aesthetic Tradition: From Shaftesbury to Wittgenstein. Cambridge University Press, 2013, X + 350 Pp., 11 B&W Illus., $34.99 Paper. [REVIEW] Journal of Aesthetics and Art Criticism 72 (3):335-337.
  17. Jason Gaiger & Paul Wood (2003). Art of the Twentieth Century a Reader.
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  18. Jason Gaiger (2004). Beat Wyss’s Hegel's Art History And The Critique Of Modernity , James J Sheehan’s Museums In The German Art World: From The End Of The Old Regime To The Rise Of Modernism. [REVIEW] Bulletin of the Hegel Society of Great Britain 49:178-182.
     
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  19. Jason Gaiger (1996). Pragmatism. [REVIEW] Radical Philosophy 79.
     
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  20. Jason Gaiger & Nicholas Walker (eds.) (1996). The Enigma of Health: The Art of Healing in a Scientific Age. Stanford University Press.
    The book brings together thirteen essays presented to medical and psychiatric societies, mainly during the 1970's and 1980's. In these essays, Gadamer justifies the reasons for a philosophical interest in health and medicine, and a corresponding need for health practitioners to enter into a dialogue with philosophy.
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  21. Charles Harrison, Paul Wood & Jason Gaiger (2003). Art in Theory 1648-1815: An Anthology of Changing Ideas. [REVIEW] Journal of Aesthetics and Art Criticism 61 (2):201-203.
     
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  22. Charles Harrison, Paul Wood & Jason Gaiger (1998). Art in Theory, 1815-1900 an Anthology of Changing Ideas.
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