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  1. Jason Gaiger (2014). Costelloe, Timothy M. The British Aesthetic Tradition: From Shaftesbury to Wittgenstein. Cambridge University Press, 2013, X + 350 Pp., 11 B&W Illus., $34.99 Paper. [REVIEW] Journal of Aesthetics and Art Criticism 72 (3):335-337.
  2. Jason Gaiger (2014). The Idea of a Universal Bildwissenschaft. Estetika: The Central European Journal of Aesthetics 51 (2):208-229.
    The emergence of Bildwissenschaft as a new interdisciplinary formation that is intended to encompass all images calls for an analysis of the grounds on which the claim to universality can be upheld. I argue that whereas the lifting of scope restrictions imposes only a weak universality requirement, the identification of features that belong to the entire class of entities that are categorized as images imposes a strong universality requirement. Reflection on this issue brings into focus the distinctive character of Bildwissenschaft (...)
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  3. Jason Gaiger (2009). Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy. British Journal of Aesthetics 49 (1):43-58.
    This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood as a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and (...)
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  4. Jason Gaiger (2009). Sense and Sensibility: Evaluating Pictures by Dominic Lopes. European Journal of Philosophy 17 (3):447-451.
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  5. Jason Gaiger (2006). For Sins Re: Kant. The Philosophers' Magazine 34 (34):91-91.
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  6. Jason Gaiger (2006). Catching Up with History: Hegel and Abstract Painting. In Katerina Deligiorgi (ed.), Hegel: New Directions.
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  7. Jason Gaiger (2005). A Past Passed By. The Philosophers' Magazine 30:89-89.
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  8. Jason Gaiger (2002). The Analysis of Pictorial Style. British Journal of Aesthetics 42 (1):20-36.
    Drawing on recent attempts to critically reconstruct the ideas of Heinrich Wölfflin, this paper argues that there is a specific ‘logic of depiction’ that is distinctive to visual as opposed to verbal forms of representation. The aim is to provide a set of objective parameters that can allow a comparative analysis of the formal organization of pictures despite differences in period, subject matter, format, etc. The paper seeks to show that such an analysis is possible and that it possesses explanatory (...)
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  9. Jason Gaiger (2002). The Life of a Style: Beginnings and Endings in the Narrative of Art History. British Journal of Aesthetics 42 (2):202-205.
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  10. Jason Gaiger (2001). The Fake: Forgery and its Place in Art. Sándor Radnóti. British Journal of Aesthetics 41 (3):339-341.
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  11. Jason Gaiger (2001). The Philosophy and Politics of Abstract Expressionism. British Journal of Aesthetics 41 (4):455-457.
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  12. Jason Gaiger (2000). The True Judge of Beauty and the Paradox of Taste. European Journal of Philosophy 8 (1):1–19.
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  13. Jason Gaiger (2000). Schiller's Theory of Landscape Depiction. Journal of the History of Ideas 61 (1):115-132.
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  14. Jason Gaiger (1999). Constraints and Conventions: Kant and Greenberg on Aesthetic Judgement. British Journal of Aesthetics 39 (4):376-391.