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  1. Jeanette Bicknell (forthcoming). Explaining Strong Emotional Responses to Music: Sociality and Intimacy. Journal of Consciousness Studies.
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  2. Jeanette Bicknell (2014). What Do Artists Know? British Journal of Aesthetics 54 (1):102-104.
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  3. Jeanette Bicknell & John Andrew Fisher (2013). Introduction: Making a Space for Song. Journal of Aesthetics and Art Criticism 71 (1):1-11.
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  4. Jeanette Bicknell & John Andrew Fisher (eds.) (2013). Song, Songs, and Singing. John Wiley & Sons.
     
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  5. E. M. Dadlez & Jeanette Bicknell (2013). Not Moderately Moral: Why Hume Is Not a "Moderate Moralist&Quot;. Philosophy and Literature 37 (2):330-342.
    If philosophers held popularity contests, David Hume would be a perennial winner. Witty, a bon vivant, and champion of reason over bigotry and superstition, it is not surprising that many contemporary thinkers want to recruit him as an ally or claim his views as precursors to their own. In the debate over the moral content of artworks and its possible relevance for artistic and aesthetic value, the group whose views are known variously as “ethicism,” “moralism,” or “moderate moralism” has claimed (...)
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  6. Bruce Ellis Benson, Jeanette Bicknell, Stephen Blum, Lee B. Brown & Malcolm Budd (2011). Notes On. In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. Routledge.
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  7. Jeanette Bicknell & John Andrew Fisher (2011). Call for Papers Song, Songs, and Singing. Journal of Aesthetics and Art Criticism 69 (4).
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  8. Jeanette Bicknell (2010). Love, Beauty, and Yeats's "Anne Gregory". Philosophy and Literature 34 (2):348-358.
    So begins "For Anne Gregory," published by W. B. Yeats in 1933. It is surely one of his most charming poems.1 The poem's lilting rhythm and affectionate tone effectively soften—even disguise—what is arguably a dark and dismaying message. Anne is destined to be loved not for herself alone, but for an accidental physical attribute—her blond hair. Why do I claim that the poem's message is dark? Why should it dismay Anne if she is loved for the beauty of her hair? (...)
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  9. Jeanette Bicknell (2010). Self-Righteousness as a Moral Problem. Journal of Value Inquiry 44 (4):477-487.
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  10. Jeanette Bicknell (2010). Ted Cohen, Thinking of Others: On the Talent for Metaphor Reviewed By. Philosophy in Review 29 (4):244-245.
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  11. Jeanette Bicknell (2009). Reflections on “John Henry”: Ethical Issues in Singing Performance. Journal of Aesthetics and Art Criticism 67 (2):173-180.
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  12. Jeanette Bicknell (2009). Ted Cohen, Thinking of Others: On the Talent for Metaphor. Philosophy in Review 29 (4):244.
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  13. Jeanette Bicknell (2009). Why Music Moves Us. Palgrave Macmillan.
    The tears of Odysseus -- History : music gives voice to the ineffable -- Tears, chills, and broken bones -- The music itself -- Explaining strong emotional responses to music I -- Explaining strong emotional responses to music II -- The sublime, revisited -- Conclusion : values.
     
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  14. Jeanette Bicknell (2007). Explaining Strong Emotional Responses to Music:. Journal of Consciousness Studies 14 (12):5-23.
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  15. Jeanette Bicknell (2007). What Is Offensive About Offensive Jokes? Philosophy Today 51 (4):458-465.
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  16. Jeanette Bicknell (2005). Aaron Ridley, The Philosophy of Music: Theme and Variations Reviewed By. Philosophy in Review 25 (3):210-212.
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  17. Jeanette Bicknell (2005). Just a Song? Exploring the Aesthetics of Popular Song Performance. Journal of Aesthetics and Art Criticism 63 (3):261–270.
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  18. Jeanette Bicknell (2005). Philosophy of Music: An Introduction. British Journal of Aesthetics 45 (4):447-448.
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  19. Jeanette Bicknell (2004). George Yancy, Ed., The Philosophical I: Personal Reflections on Life in Philosophy Reviewed By. Philosophy in Review 24 (1):72-74.
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  20. Jeanette Bicknell (2004). Self-Knowledge and the Limitations of Narrative. Philosophy and Literature 28 (2):406-416.
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  21. Jeanette Bicknell (2003). Descartes's Rhetoric: Roads, Foundations, and Difficulties in the Method. Philosophy and Rhetoric 36 (1):22-38.
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  22. Jeanette Bicknell (2002). Can Music Convey Semantic Content? A Kantian Approach. Journal of Aesthetics and Art Criticism 60 (3):253–261.
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  23. Jeanette Bicknell (2002). Self-Scrutiny in Maimonides' Ethical and Religious Thought. Laval Théologique Et Philosophique 58 (3):531-543.
  24. Jeanette Bicknell (2002). Scruton on Understanding Music. Nordic Journal of Aesthetics 14 (25-26).
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  25. Jeanette Bicknell (2001). Music, Listeners, and Moral Awareness. Philosophy Today 45 (3):266-274.
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  26. Jeanette Bicknell (2001). The Problem of Reference in Musical Quotation: A Phenomenological Approach. Journal of Aesthetics and Art Criticism 59 (2):185–191.
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  27. Jeanette Bicknell (2000). Stan Godlovitch, Musical Performance: A Philosophical Study Reviewed By. Philosophy in Review 20 (1):31-33.
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  28. Jeanette Bicknell (1999). Jerrold Levinson, Music in the Moment Reviewed By. Philosophy in Review 19 (3):205-207.
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  29. Jeanette Bicknell (1997). Jay Newman, Religion Vs. Television: Competitors in Cultural Context Reviewed By. Philosophy in Review 17 (3):193-194.
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