Works by Jeanette Bicknell ( view other items matching `Jeanette Bicknell`, view all matches )

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  1. Jeanette Bicknell & John Andrew Fisher (2013). Introduction: Making a Space for Song. Journal of Aesthetics and Art Criticism 71 (1):1-11.
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  2. Jeanette Bicknell & John Andrew Fisher (eds.) (2013). Song, Songs, and Singing. John Wiley & Sons.
     
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  3. Jeanette Bicknell & John Andrew Fisher (2011). Call for Papers Song, Songs, and Singing. Journal of Aesthetics and Art Criticism 69 (4):vii-vii.
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  4. Jeanette Bicknell (2010). Love, Beauty, and Yeats's "Anne Gregory". Philosophy and Literature 34 (2):348-358.
    So begins "For Anne Gregory," published by W. B. Yeats in 1933. It is surely one of his most charming poems.1 The poem's lilting rhythm and affectionate tone effectively soften—even disguise—what is arguably a dark and dismaying message. Anne is destined to be loved not for herself alone, but for an accidental physical attribute—her blond hair. Why do I claim that the poem's message is dark? Why should it dismay Anne if she is loved for the beauty of her hair? (...)
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  5. Jeanette Bicknell (2009). Reflections on “John Henry”: Ethical Issues in Singing Performance. Journal of Aesthetics and Art Criticism 67 (2):173-180.
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  6. Jeanette Bicknell (2009). Why Music Moves Us. Palgrave Macmillan.
    The tears of Odysseus -- History : music gives voice to the ineffable -- Tears, chills, and broken bones -- The music itself -- Explaining strong emotional responses to music I -- Explaining strong emotional responses to music II -- The sublime, revisited -- Conclusion : values.
     
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  7. Jeanette Bicknell (2007). Explaining Strong Emotional Responses to Music:. Journal of Consciousness Studies 14 (12):5-23.
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  8. Jeanette Bicknell (2005). Just a Song? Exploring the Aesthetics of Popular Song Performance. Journal of Aesthetics and Art Criticism 63 (3):261–270.
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  9. Jeanette Bicknell (2004). Self-Knowledge and the Limitations of Narrative. Philosophy and Literature 28 (2):406-416.
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  10. Jeanette Bicknell (2003). Descartes's Rhetoric: Roads, Foundations, and Difficulties in the Method. Philosophy and Rhetoric 36 (1):22-38.
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  11. Jeanette Bicknell (2002). Can Music Convey Semantic Content? A Kantian Approach. Journal of Aesthetics and Art Criticism 60 (3):253–261.
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  12. Jeanette Bicknell (2001). The Problem of Reference in Musical Quotation: A Phenomenological Approach. Journal of Aesthetics and Art Criticism 59 (2):185–191.
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