Search results for 'Jeffery L. Painter' (try it on Scholar)

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  1. Gary H. Merrill, Patrick B. Ryan & Jeffery L. Painter (2008). Using SNOMED to Normalize and Aggregate Drug References in the SafetyWorks Observational Pharmacovigilance Project. Idamap (Intelligent Data Analysis in Medicine and Pharmacology.
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  2.  3
    L. H. Jeffery & J. Berard (1958). La Colonisation Grecque de l'Italie Meridionale Et de la Sicile Dans L'Antiquite. Journal of Hellenic Studies 78:155.
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  3.  7
    Corinne Painter (1998). L'esperienza Dell'istante. Review of Metaphysics 52 (1):135-137.
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  4. D. M. Lewis & L. H. Jeffery (1963). The Local Scripts of Archaic Greece. Journal of Hellenic Studies 83:175.
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  5.  7
    L. H. Jeffery & G. M. A. Richter (1963). The Archaic Gravestones of Attica. Journal of Hellenic Studies 83:176.
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  6.  7
    L. H. Jeffery (1977). An Athenian Mason Steven V. Tracy: The Lettering of an Athenian Mason. (Hesperia, Supplement XV.) Pp. Xxiii + 134; 40 Plates. Princeton, New Jersey: American School of Classical Studies at Athens, 1975. Paper. [REVIEW] The Classical Review 27 (02):251-.
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  7.  6
    L. H. Jeffery (1977). An Athenian Mason. The Classical Review 27 (02):251-.
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  8.  16
    L. H. Jeffery (1982). A. G. Woodhead: The Study of Greek Inscriptions. Second Edition. Pp. Xi + 150; 4 Plates, 3 Text-Figures. Cambridge University Press, 1981. £15 (Paper, £5.50). [REVIEW] The Classical Review 32 (02):299-300.
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  9.  5
    L. H. Jeffery (1978). The Athenian Agora Donald W. Bradeen: The Athenian Agora: Results of Excavations Conducted by the American School of Classical Studies at Athens. Volume Xvii. Inscriptions: The Funerary Monuments. Pp. Xii + 240; 85 Plates. Princeton, N.J.: American School of Classical Studies Athens, 1974. Cloth, $ 10. [REVIEW] The Classical Review 28 (1):122-123.
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  10.  5
    Paul Cartledge & L. H. Jeffery (1977). Archaic Greece: The City-States C. 700-500 B.C. Journal of Hellenic Studies 97:205.
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  11.  5
    L. H. Jeffery & J. S. Callaway (1953). Sybaris. Journal of Hellenic Studies 73:173.
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  12.  4
    L. H. Jeffery (1939). A Peculiar Form of Omega in Two Sixth-Century Inscriptions. Journal of Hellenic Studies 59:139.
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  13.  1
    L. H. Jeffery & J. H. Croon (1953). The Herdsman of the Dead. Journal of Hellenic Studies 73:177.
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  14.  4
    L. H. Jeffery, Hymettos & M. K. Langdon (1978). A Sanctuary of Zeus on Mount Hymettos. Journal of Hellenic Studies 98:202.
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  15.  9
    L. H. Jeffery & Paul Cartledge (1982). Sparta and Samos: A Special Relationship? Classical Quarterly 32 (02):243-.
    The relationship between the United Kingdom and the United States seems to embody most fully the type of the ‘special relationship’ today. It is a relationship founded ultimately on biological kinship, structured by mutual economic and strategic interests and cemented by a sense of political and ‘spiritual’ affinity. At least the broad contours of such contemporary ‘special relationships’ are sufficiently clear. This is far from being the case with those of the Archaic and Classical Greek world, for two main reasons. (...)
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  16.  3
    L. H. Jeffery & W. Peek (1958). Griechische Vers-Inschriften. Band I, Grab-Epigramme. Journal of Hellenic Studies 78:144.
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  17.  9
    L. H. Jeffery (1978). The Athenian Agora. The Classical Review 28 (01):122-.
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  18.  3
    L. H. Jeffery (1949). Comments on Some Archaic Greek Inscriptions. Journal of Hellenic Studies 69:25.
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  19.  1
    L. H. Jeffery & J. T. Hooker (1982). The Ancient Spartans. Journal of Hellenic Studies 102:266.
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  20.  2
    L. H. Jeffery & C. Karusos (1964). Aristodikos: zur Geschichte der spatarchaisch-attischen Plastik und der Grabstatue. Journal of Hellenic Studies 84:231.
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  21.  2
    L. H. Jeffery, A. J. Graham & J. Seibert (1966). Colony and Mother City in Ancient GreeceMetropolis und Apoikie: historische Beitrage zur Geschichte ihrer gegenseitigen Beziehungen. [Diss.]. Journal of Hellenic Studies 86:242.
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  22.  1
    L. H. Jeffery (1964). Review: [Les murailles, I:les portes sculptées à images divines]. [REVIEW] Journal of Hellenic Studies 84:220-221.
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  23.  1
    L. H. Jeffery, P. Cartledge, L. F. Fitzhardinge & T. A. Boring (1981). Sparta and Lakonia: A Regional History 1300-362 B.C.The SpartansLiteracy in Ancient Sparta. Journal of Hellenic Studies 101:190.
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  24. L. H. Jeffery, Thasos & C. Picard (1964). Les Murailles, I:Les Portes Sculptees a Images Divines. Journal of Hellenic Studies 84:220.
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  25. Julia Tao, Anthony B. L. Cheung, Martin Painter & Chenyang Li (eds.) (2015). Governance for Harmony in Asia and Beyond. Routledge.
    Harmony has become a major challenge for modern governance in the twenty-first century because of the multi-religious, multi-racial and multi-ethnic character of our increasingly globalized societies. Governments all over the world are facing growing pressure to integrate the many diverse elements and subcultures which make up modern pluralistic societies. This book examines the idea of harmony, and its place in politics and governance, both in theory and practice, in Asia, the West and elsewhere. It explores and analyses the meanings, mechanisms, (...)
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  26.  3
    Gary H. Jeffery & Donna L. Patterson (1987). Field Dependence and Sensitivity to Facial Affect Cues. Semiotica 64 (3-4):335-342.
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  27.  5
    Daniel Dombrowski, Don Garrett, Stanley Hauerwas, Sheridan L. Hough, Hugh LaFollette, Ariela Lazar, S. E. Marshall, Corinne M. Painter, Rosamond Rhodes & Mary Anne Warren (2002). Book Notes. [REVIEW] Ethics 112 (3):651-657.
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  28.  4
    A. -L. L. (1958). L'analyse du langage a Royaumont. Revue Philosophique de la France Et de l'Etranger 148:257 - 259.
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  29.  8
    C. L. (1957). Nietzsche, Ou l'Histoire d'Un Égocentrisme Athée. Review of Metaphysics 11 (1):165-165.
  30.  5
    Peter Seipel (2013). Reason, Tradition and the Good: MacIntyre's Tradition-Constituted Reason and Frankfurt School Critical Theory. By Jeffery L. Nicholas. International Philosophical Quarterly 53 (2):207-211.
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  31.  4
    Joan Braune (2013). Reason, Tradition, and the Good: MacIntyre's Tradition-Constituted Reason and Frankfurt School Critical Theory. By Jeffery L. Nicholas. American Catholic Philosophical Quarterly 87 (4):793 - 796.
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  32. S. Kaiser (2002). Ruth M. Krulfeld and Jeffery L. Macdonald (Eds), Power, Ethics, and Human Rights: Anthropological Studies of Refugee Research and Action. [REVIEW] Ethics, Policy and Environment 5:88-90.
     
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  33.  4
    M. M. Austin (1977). Archaic Greece (2) L. H. Jeffery: Archaic Greece. The City-States C. 700–500 B.C. Pp. 272; 46 Plates. London and Tonbridge; Ernest Benn, Ltd., 1976. Cloth, £10–50. [REVIEW] The Classical Review 27 (02):213-215.
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  34.  17
    D. M. Lewis (1991). L. H. Jeffery: The Local Scripts of Archaic Greece. A Study of the Origin of the Greek Alphabet and its Development From the Eighth to the Fifth Centuries B.C. Revised Edition with a Supplement by A. W. Johnston. (Oxford Monographs on Classical Archaeology.) Pp. Xx + 481; 80 Plates, 1 Table and 46 Figures. Oxford: Clarendon Press, 1990. £80.00. [REVIEW] The Classical Review 41 (01):265-266.
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  35.  8
    A. M. Woodward (1962). Archaic Greek Scripts L. H. Jeffery: The Local Scripts of Archaic Greece. Pp. Xx+4.16; 47 Text-Figs., 72 Plates. Oxford: Clarendon Press, 1961. Cloth, £7. 7s. Net. [REVIEW] The Classical Review 12 (03):257-261.
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  36.  6
    F. R. Serra Ridgway (1989). Etruscan Vases Birgitte Ginge: Ceramiche Etrusche a Figure Nere. (Archaeologica 72: Materiali Del Museo Archeologico Nazionale di Tarquinia, 12.) Pp. 117; 105 Plates. Rome: Bretschneider, 1987. Paper, L. 250,000. Nigel Jonathan Spivey: The Micali Painter and His Followers. (Oxford Monographs on Classical Archaeology.) Pp. Xv + 103; 19 Figures; 40 Plates. Oxford: Clarendon Press, 1987. £30. [REVIEW] The Classical Review 39 (02):341-344.
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  37. Jeffery Aubin (2014). La religion, et l’opposition sacré et profane, dans les Diuinae institutiones de Lactance : les limites d’une dichotomie moderne. Laval Théologique et Philosophique 70 (2):227-239.
    Jeffery Aubin | : Les Diuinae institutiones de Lactance sont souvent citées lorsqu’il s’agit d’analyser le passage du mot religio de la langue latine à la pensée du christianisme. On ne doit toutefois pas lire ce texte du ive siècle de notre ère avec la conception moderne du mot religion. Les sociologues du xxe siècle ont élaboré des définitions de la religion à partir de l’opposition sacré/profane, mais cette dichotomie n’est toutefois pas une catégorie interprétative valide dans l’ouvrage de (...)
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  38. Jeffery L. Johnson & Donald W. Crowley (1986). T.L.O. And the Student's Right to Privacy. Educational Theory 36 (3):211-224.
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  39.  3
    Michael Fried (1982). Painter Into Painting: On Courbet's "After Dinner at Ornans" and "Stonebreakers". Critical Inquiry 8 (4):619-649.
    In the pages that follow I looked closely at two major paintings by Gustave Courbet : the After Dinner at Ornans, perhaps begun in the small town of the title but certainly completed in Paris during the winter of 1848-49; and the Stonebreakers, painted wholly in Ornans just under a year later. The After Dinner and the Stonebreakers are the first in a series of large multifigure compositions--others are the Burial at Ornans and the Peasants of Flagey Returning from the (...)
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  40.  1
    Arnold Hauser & Kenneth Northcott (1979). The "l'Art Pour l'Art" Problem. Critical Inquiry 5 (3):425-440.
    EDITORIAL NOTE.—Arnold Hauser died in February 1978 shortly after returning to his native Hungary; he had lived nearly half of his 85 years in a kind of self-imposed exile. He is considered, by those who know his work, to be perhaps the greatest sociologist of art, though his last years were spent in comparative neglect and obscurity. We present here as a testament to the importance of both the critic and the discipline he helped shape a section from the translation (...)
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  41.  1
    Marcello La Matina (2011). L'inscrutabile voce della triade. I tintinnabuli di Arvo Pärt tra filosofia e liturgia. Doctor Virtualis 10:263-285.
    Può il brusio di una voce essere anche il luogo di una lingua? E vale questa topica anche nel caso in cui la voce sia quella di uno strumento musicale? Queste domande sono alla base della indagine sulla tecnica compositiva della tintinnabulatio, inventata e sperimentata dal musicista estone Arvo Pärt . I tintinnabuli consistono di due elementi apparentemente contraddittori: la sonorità pastosa dello zvod e l’armonia della triade perfetta. Muovendo da un disco ricevuto in dono e dalla interpretazione in parte (...)
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  42.  4
    Jeffery Nicholas (2014). The Persistence of the Sacred in Modern Thought. Ed. Chris L. Firestone and Nathan A. Jacobs. Augustinian Studies 45 (2):318-322.
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  43.  15
    Jeffery Nicholas (2013). Getting Real About God, Suffering, Sin, and Evil: A Pastor Rethinks the Age-Old Problem. By Jill L. McNish. Augustinian Studies 44 (1):146-149.
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  44.  8
    Ludmila Bejenaru & Vladlen Babcinetchi (2005). L'icône russe. Cultura 2 (2):91-100.
    The Russian icon was always related to the soul of the Russian painter, his anxiety and his emotions. Through the icon the russian has always expressed his faith and mentained the bundle with God. The icon has been considered by the russian people a bridge between human and divinity. The Russian people belive into an russian Christ. The Russian icon embodys the russian nature, his strength of creation and of adaption, but especially the russian soul. It is been capitalized (...)
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  45.  1
    Martin Robertson & L. Burn (1990). The Meidias Painter. Journal of Hellenic Studies 110:269.
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  46.  10
    T. B. L. Webster (1947). Attic Potters J. D. Beazley: Potter and Painter in Ancient Athens. Pp. 43; 8 Plates. London: Oxford University Press, 1945. Paper, 7s. 6d. Net. [REVIEW] The Classical Review 61 (01):25-26.
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  47.  6
    Wiebke‑Marie Stock (2011). Peintres et sculpteurs de l'âme dans la philosophie de l'Antiquité tardive païenne et chrétienne. Chôra 9:149-167.
    The epimeleia tês psyches, that is, the formation and purification of the soul, is an important topic in Ancient Philosophy. As the soul is immaterial it can be difficult to understand what is meant by the idea of a formation of the soul. Many philosophers in Antiquity try to explain the meaning of the formation of the soul by using linguistic imagery, that is, similes, metaphors and myths. In this paper some of these images, in particular, the images of the (...)
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  48. Marcello Barison (2016). Rilke E l'Oriente by Daniela Liguori. Philosophy East and West 66 (2):653-655.
    Der Berg, a poem written between 1906 and 1907, is perhaps one of the most emblematic places to approach the relationship between Rainer Maria Rilke and the East. The mountain we are speaking of is Fujiyama, to which the celebrated Japanese painter Katsushika Hokusai dedicated two woodcut cycles. Presumably, Rilke came into contact with Japanese art through Edmond Goncourt, who had devoted precisely to Hokusai a major critical study in 1908. Another version of the story sees Rilke as having (...)
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  49. Jeffery Kurtzman (2011). The Psychic Disintegration of a Demi-God: Conscious and Unconscious in Striggio and Monteverdi's L'Orfeo. In David Clarke & Eric Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. OUP Oxford
     
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  50. H. L. Robinson (1907). Weir, The Greek Painter's Art. Classical World: A Quarterly Journal on Antiquity 1:229.
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