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Jeffrey Hanson [9]Jeffrey A. Hanson [1]
  1. Jeffrey Hanson (2013). Francois-David Sebbah: Testing the Limit: Derrida, Henry, Levinas, and the Phenomenological Tradition (Translated by Stephen Barker). Continental Philosophy Review 46 (4):609-616.
    Sebbah’s noteworthy book is perhaps the first sustained inquiry into the relationship between three thinkers in the French phenomenological tradition, two of whom are well known in the Anglophone world (Levinas, Derrida) and one of whom (Henry) is gradually better understood by English-speaking audiences. That all three are arrayed together in this study makes it a pioneering enterprise and one that allows the English reader to apprise the worthiness of Henry’s association with his better-known compatriots.The strongest and most extensive portions (...)
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  2. Jeffrey Hanson (2012). The Shipwreck of the Aesthetic and Ethical. Graduate Faculty Philosophy Journal 32 (2):371-405.
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  3. Jeffrey Hanson (ed.) (2010). Kierkegaard as Phenomenologist: An Experiment. Northwestern University Press.
    Kierkegaard has undoubtedly influenced phenomenological thinking, but he has rarely if ever been read as a phenomenologist himself.
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  4. Jeffrey Hanson (2010). Michel Henry's Theory of Disclosive Moods. In Bruce Ellis Benson & Norman Wirzba (eds.), Words of Life: New Theological Turns in French Phenomenology. Fordham University Press.
     
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  5. Jeffrey Hanson (2010). Returning (to) the Gift of Death: Violence and History in Derrida and Levinas. International Journal for Philosophy of Religion 67 (1):1 - 15.
    The purpose of this paper is to establish a proper context for reading Jacques Derrida's The Gift of Death, which, I contend, can only be understood fully against the backdrop of "Violence and Metaphysics." The later work cannot be fully understood unless the reader appreciates the fact that Derrida returns to "a certain Abraham" not only in the name of Kierkegaard but also in the name of Levinas himself. The hypothesis of the reading that follows therefore would be that Derrida (...)
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  6. Jeffrey Hanson (2009). Michel Henry's Critique of the Limits of Intuition. Studia Phaenomenologica 9:97-111.
    Intuition is surely a theme of singular importance to phenomenology, and Henry writes sometimes as if intuition should receive extensive attention from phenomenologists. However, he devotes relatively little attention to the problem of intuition himself. Instead he off ers a complex critique of intuition and the central place it enjoys in phenomenological speculation. This article reconstructs Henry’s critique and raises some questions for his counterintuitive theory of intuition. While Henry cannot make a place for the traditional sort of intuition given (...)
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  7. Jeffrey Hanson (2009). Michel Henry and S⊘ Ren Kierkegaard on Paradox and the Phenomenality of Christ. International Journal of Philosophical Studies 17 (3):435 - 454.
    For Henry the question ?Can the truth be learned?? is as much an aporia as it was for Kierkegaard, and both thinkers ask this question not in order to solve some abstract or pedantic epistemological issue but because the truth they seek is the one that is appropriate to human beings and their salvation. This paper examines Henry?s and Kierkegaard?s answers to the question of how the truth is learned, and in the course of this examination will necessarily have occasion (...)
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  8. Jeffrey A. Hanson (2009). At the Limits of Religion Without Religion. Philosophy Today 53 (2):137-147.
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  9. Jeffrey Hanson (2006). Kierkegaard's Concept of Despair. Review of Metaphysics 59 (3):685-687.
  10. Jeffrey Hanson (2000). Admiring Kieslowski. Film-Philosophy 4 (1).
    Geoff Andrew _The 'Three Colours' Trilogy_ (BFI Modern Classics) London: British Film Institute ISBN: 0-85170-569-3 96 pp.
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