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  1. Jerome Stolnitz (1998). A Contested Term: What is" Aesthetic"? In Carolyn Korsmeyer (ed.), Aesthetics: The Big Questions. Blackwell Publishers. 2--78.
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  2. Jerome Stolnitz (1992). On the Cognitive Triviality of Art. British Journal of Aesthetics 32 (3):191-200.
  3. Jerome Stolnitz (1991). On the Historical Triviality of Art. British Journal of Aesthetics 31 (3):195-202.
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  4. Jerome Stolnitz (1986). The Actualities of Non-Aesthetic Experience. In Michael H. Mitias (ed.), Possibility of the Aesthetic Experience. Distributors for the U.S. And Canada, Kluwer Academic. 27--45.
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  5. Jerome Stolnitz (1985). On the Apparent Demise of Really High Art. Journal of Aesthetics and Art Criticism 43 (4):345-358.
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  6. Jerome Stolnitz (1984). "The Aesthetic Attitude" in the Rise of Modern Aesthetics: Again. Journal of Aesthetics and Art Criticism 43 (2):205-208.
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  7. Jerome Stolnitz (1984). You Can't Separate the Work of Art From the Artist. Philosophy and Literature 8 (2):209-221.
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  8. Jerome Stolnitz (1979). Aesthetic Disinterestedness and the Current Avant-Garde. Philosophical Inquiry 1 (4):269-283.
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  9. Jerome Stolnitz (1979). The Artistic and the Aesthetic "in Interesting Times". Journal of Aesthetics and Art Criticism 37 (4):401-413.
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  10. Jerome Stolnitz (1978). "The Aesthetic Attitude" in the Rise of Modern Aesthetics. Journal of Aesthetics and Art Criticism 36 (4):409-422.
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  11. Jerome Stolnitz (1977). The Boatman of Kaizu: A Study in Movie Fantasy. Philosophy and Literature 1 (2):222-237.
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  12. Michael P. Malloy, Jerome Stolnitz & Stewart Umphrey (1976). Book Reviews. [REVIEW] Journal of Value Inquiry 10 (3):234-239.
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  13. Jerome Stolnitz (1974). Kracauer: Thing, Word, and Interiority in the Movies. British Journal of Aesthetics 14 (4):351-367.
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  14. Jerome Stolnitz (1973). The Artistic Values in Aesthetic Experience. Journal of Aesthetics and Art Criticism 32 (1):5-15.
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  15. Jerome Stolnitz (1967). Beauty. In Paul Edwards (ed.), The Encyclopedia of Philosophy. New York, Macmillan. 1--263.
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  16. Jerome Stolnitz (1963). Locke and the Categories of Value in Eighteenth-Century British Aesthetic Theory. Philosophy 38 (143):40 - 51.
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  17. Jerome Stolnitz (1963). A Third Note on Eighteenth-Century "Disinterestedness". Journal of Aesthetics and Art Criticism 22 (1):69-70.
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  18. Jerome Stolnitz (1963). Notes on Analytic Philosophy and Aesthetics. British Journal of Aesthetics 3 (3):210-222.
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  19. Jerome Stolnitz (1961). On the Origins of "Aesthetic Disinterestedness". Journal of Aesthetics and Art Criticism 20 (2):131-143.
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  20. Jerome Stolnitz (1961). On the Significance of Lord Shaftesbury in Modern Aesthetic Theory. Philosophical Quarterly 11 (43):97-113.
  21. Jerome Stolnitz (1961). Some Questions Concerning Aesthetic Perception. Philosophy and Phenomenological Research 22 (1):69-87.
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  22. Jerome Stolnitz (1960). On Objective Relativism in Aesthetics. Journal of Philosophy 57 (8):261-276.
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  23. Jerome[from old catalog] Stolnitz (1960). Aesthetics and Philosophy of Art Criticism. Boston, Houghton Mifflin.
     
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  24. Jerome Stolnitz (1958). Notes on Ethical Indeterminancy. Journal of Philosophy 55 (9):353-367.
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  25. Jerome Stolnitz (1956). On Artistic Familiarity and Aesthetic Value. Journal of Philosophy 53 (8):261-276.
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  26. Jerome Stolnitz (1955). Notes on Comedy and Tragedy. Philosophy and Phenomenological Research 16 (1):45-60.
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  27. Jerome Stolnitz (1953). On Esthetic Valuing and Evaluation. Philosophy and Phenomenological Research 13 (4):467-476.
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  28. Jerome Stolnitz (1952). On the Formal Structure of Esthetic Theory. Philosophy and Phenomenological Research 12 (3):346-364.
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