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  1. Jinhee Choi (2011). A Philosophy of Cinematic Art by Gaut, Berys. Journal of Aesthetics and Art Criticism 69 (2):235-237.
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  2. NoË Carroll, L. & Jinhee Choi (eds.) (2009). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
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  3. Jinhee Choi (2006). Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism 64 (1):165–172.
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  4. NoË Carroll, L. & Jinhee Choi (eds.) (2005). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
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  5. Jinhee Choi (2005). Leaving It Up to the Imagination: POV Shots and Imagining From the Inside. Journal of Aesthetics and Art Criticism 63 (1):17–25.
  6. Jinhee Choi (2003). All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics 43 (3):308-321.
    Cognitive theories of emotions have provided us with explanations of how we emotionally engage with fiction, when we are aware that what is depicted is fictional. However, these theories left an important question unanswered: namely, what kinds of emotional responses to fiction are warranted responses. The main focus of this paper is how our emotional responses to fiction can be aesthetically warranted—that is, how emotions directed to fiction can be warranted given the fact that its object is an artwork. I (...)
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  7. Jinhee Choi (2003). Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism 61 (2):149–157.
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  8. Jinhee Choi (2001). A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism 59 (3):317–318.
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  9. Jinhee Choi (2001). Bergson: Before the Deleuze. Film-Philosophy 5 (2).
    _The New Bergson_ Edited by John Mullarkey Manchester and New York: Manchester University Press, 1999 ISBN 0719053803 hb; 0719055539 pb 235 pp.
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