18 found
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  1. Jinhee Choi (2003). Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism 61 (2):149–157.
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  2.  39
    Jinhee Choi (2005). Leaving It Up to the Imagination: POV Shots and Imagining From the Inside. Journal of Aesthetics and Art Criticism 63 (1):17–25.
  3. NoË Carroll, L. & Jinhee Choi (eds.) (2005). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
     
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  4. Noël Carroll & Jinhee Choi (eds.) (2005). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear (...)
     
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  5.  48
    Jinhee Choi (2003). All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics 43 (3):308-321.
    Cognitive theories of emotions have provided us with explanations of how we emotionally engage with fiction, when we are aware that what is depicted is fictional. However, these theories left an important question unanswered: namely, what kinds of emotional responses to fiction are warranted responses. The main focus of this paper is how our emotional responses to fiction can be aesthetically warranted—that is, how emotions directed to fiction can be warranted given the fact that its object is an artwork. I (...)
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  6.  15
    Jinhee Choi (2001). A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism 59 (3):317–318.
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  7.  22
    Jinhee Choi (2011). A Philosophy of Cinematic Art by Gaut, Berys. Journal of Aesthetics and Art Criticism 69 (2):235-237.
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    Jinhee Choi (2006). Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism 64 (1):165–172.
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  9. NoË Carroll, L. & Jinhee Choi (eds.) (2005). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
     
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  10. NoË Carroll, L. & Jinhee Choi (eds.) (2009). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
     
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  11. NoË Carroll, L. & Jinhee Choi (eds.) (2009). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
     
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  12. Noël Carroll & Jinhee Choi (eds.) (2009). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear (...)
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  13. Noël Carroll & Jinhee Choi (eds.) (2005). Philosophy of Film and Motion Pictures: An Anthology. Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear (...)
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  14. Jinhee Choi (1999). Art and Truth a Critical Analysis of Gadamer's Approach to Visual Art.
     
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  15. Jinhee Choi (2001). Bergson: Before the Deleuze. Film-Philosophy 5 (2).
    _The New Bergson_ Edited by John Mullarkey Manchester and New York: Manchester University Press, 1999 ISBN 0719053803 hb; 0719055539 pb 235 pp.
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  16. Jinhee Choi (1999). Emotion, Fiction, and Rationality: Cognitivism Vs. Non-Cognitivism. Dissertation, The University of Wisconsin - Madison
    The focus of this dissertation is on the rationality of emotion directed toward fiction. The launch of the cognitive theory of emotion in philosophy of mind and in psychology provides us with a way to show how emotion is not, by nature, opposed to reason and rationality. However, problems still remain with respect to emotion directed toward fiction, because we are emotionally involved with a story about people that do not exist and events that did not happen. This is called (...)
     
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  17. Eileen John, Dominic McIver Lopes, Noël Carroll & Jinhee Choi (eds.) (2008). Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack. Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: _ _ Philosophy of Literature_: Contemporary and Classic Readings_ _Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 _ Philosophy of Film and Motion Pictures_: An Anthology _Edited by No ë l Carroll and Jinhee Choi ISBN: 9781405120272.
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  18. Dominic Mciver Lopes, NoëL Carroll & Jinhee Choi (2008). Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack. John Wiley & Sons.
     
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