66 found
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  1.  32
    Joachim Schulte (1995). Experience and Expression: Wittgenstein's Philosophy of Psychology. Clarendon Press.
    In this book, translated from the German by the author, Joachim Schulte uses the discussions of psychological concepts in Wittgenstein's late manuscripts as a basis of reconstructing the central arguments and ideas developed by Wittgenstein during that period. This reconstruction yields valuable insights not only in the philosophy of psychology, but also in aesthetics and the theory of meaning.
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  2.  35
    Joachim Schulte (2013). Music and Language-Games. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1):173-185.
    This paper aims to clarify certain aspects of the connections between music and (word) language alluded to in various manuscript passages by Wittgenstein. Three points are emphasized: (1) Wittgenstein’s willingness to speak of music as a language; (2) the importance of context; (3) the possibility of distinguishing various ways of explaining our hearing certain sequences of sounds as expressive of gestures or states of mind etc. Several attempts at elucidating the idea of understanding music lead to the realization that, according (...)
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  3.  23
    Joachim Schulte (1989). Wittgenstein's Notion of Secondary Meaning and Davidson's Account of Metaphor — A Comparison. Grazer Philosophische Studien 36:141-148.
    There are similarities between Davidson's theory of meaning and that of Wttgenstein's Tractatus. But in Wittgenstein's later work the relation between meaning and use is seen in a completely different way and not in the least similar to Davidson's conception. In spite of this divergence, however, certain parallels exist between Wittgenstein's treatment of expressions which can be said to have secondary meanings and Davidson's notion of the metaphorical use of certain expressions.
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  4.  19
    Joachim Schulte (2014). Wittgenstein's Metaphilosophy, by Paul Horwich. Australasian Journal of Philosophy 92 (1):194-197.
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  5.  29
    Joachim Schulte (1988). World-Picture and Mythology. Inquiry 31 (3):323 – 334.
    Partly by way of contrast with a conception described by Kleist, Wittgenstein's notions of world?picture and mythology are explained and three types of statement playing a particularly important role with respect to our world?picture or pictures distinguished. Problems concerning sentences which contain normative elements are discussed and a test for what to count as a statement giving information about our world?picture is proposed. A mythology in Wittgenstein's sense is characterized as a structured, systematic set of models permitting analogical development and (...)
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  6. L. F. S., Joachim Schulte, W. H. Brenner & J. F. Holley (1996). Wittgenstein: An Introduction. Philosophical Quarterly 46 (183):281.
    Joachim Schulte’s introduction provides a distinctive and masterful account of the full range of Wittgenstein’s thought. It is concise but not compressed, substantive but not overloaded with developmental or technical detail, informed by the latest scholarship but not pedantic. Beginners will find it accessible and seasoned students of Wittgenstein will appreciate it for the illuminating overview it provides.
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  7.  7
    Joachim Schulte (1992). The Happy Man. Grazer Philosophische Studien 42:3-21.
    The question of who or what the happy man mentioned in Wittgenstein's Tractatus really is leads to a discussion of connected issues, e.g. the question of the Schopenhauerian origins of certain key notions of Wittgenstein's early philosophy, the import of the concept of a world-soul (with its Goethian overtones), the topic of solipsism, and the puzzling question of what is involved in the self's identification with the world.
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  8. Ludwig Wittgenstein & Joachim Schulte (2001). Philosophische Untersuchungen Kritisch-Genetische Edition.
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  9.  5
    Joachim Schulte (1984). Chor und Gesetz. Grazer Philosophische Studien 21:1-32.
    Zwischen Goethes Morphologiebegriff und Wittgensteins philosophischer Methode bestehen deutliche Parallelen, insofern man sie als Verfahren oder Anleitungen zur Erklärung und Darstellung natürlicher Phänomene (Goethe) bzw. der Begriffsbildung und -Verwendung (Wittgenstein) betrachtet. Den von Goethe als Entwicklungsmodelle und Vergleichshilfen gedeuteten Begriffen "Typus" und "Urbild" entsprechen Wittgensteins "Paradigmen" und "Muster"; beiden geht es um "übersichtliche" Darstellungen, und beide betonen die erklärungsrelevante Rolle der "Urphänomene".
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  10.  7
    Joachim Schulte (1995). Die Hinnahme von Sprachspielen und Lebensformen. Wittgenstein-Studien 2 (2).
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  11.  35
    Joachim Schulte (2007). Rules and Reason. Ratio 20 (4):464–480.
    Wittgenstein's rule‐following considerations have often been discussed in terms of the debate occasioned by Kripke's interpretation of the so‐called ‘paradox’ of rule‐following. In the present paper, some of the remarks that stood in the centre of that debate are looked at from a very different perspective. First, it is suggested that these remarks are, among other things, meant to bring out that, to the extent we can speak of ‘reason’ in the context of rule‐following, it is a very restricted form (...)
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  12.  33
    Joachim Schulte (1987). Feeling and Expression. Topoi 6 (2):83-87.
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  13.  9
    Joachim Schulte (1989). Stilfragen. Grazer Philosophische Studien 33:143-156.
    Anhand eines Vergleichs mit den Stilbegriffen Spenglers und Goethes lassen sich in Wittgensteins Schriften wenigstens drei Bedeutungen des Wortes "Stil" auseinanderhalten: (1) Stil im Sinne einer individuellen, persönlichen Eigenart; (2) Stil im Sinnes des Geistes einer Kultur oder Epoche; (3) Stil im Sinne einer zeit- oder kulturtypischen Ausdrucksform, die zwar prägend, aber nicht zwingend verbindlich ist. Eine Erörterung des Stils in den Bedeutungen (2) und (3) zeigt, inwieweit dieser Begriff bei Wittgenstein "relativistisch" — d.h. kultur- und epochengebunden — aufgefaßt wird.
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  14.  3
    Joachim Schulte (1994). Leaving the Past Where It Belongs. In Brian McGuiness & Gianluigi Oliveri (eds.), The Philosophy of Michael Dummett. Kluwer 241--254.
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  15.  3
    Joachim Schulte (2011). Waismann as Spokesman for Wittgenstein. Vienna Circle Institute Yearbook 15:225-241.
    In 1929 Wittgenstein left Vienna for Cambridge, and Waismann grew into the role of spokesman for his absent hero. The story of his relation with the man so greatly esteemed by his much-admired mentor Schlick contains dramatic elements: there were moments of friction and of coldness, announcements of withdrawal from a shared project, accusations of plagiarism or, at least, insuffi cient acknowledgement. What we know of this story has been told by Brian McGuinness and Gordon Baker. If one wishes to (...)
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  16.  11
    Joachim Schulte (forthcoming). Did Wittgenstein Write on Shakespeare? Nordic Wittgenstein Review.
    It is often claimed that certain remarks by Wittgenstein reveal him to have been an unsympathetic reader of Shakespeare and an unappreciative judge of the latter’s achievements. In the present paper, I attempt to show that this sort of observation is not only wrong but due to an inadequate perspective. An examination of the relevant remarks may bring to light a number of more or less interesting principles of evaluation, or aesthetic maxims and appraisals, but these do not say much (...)
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  17.  24
    Joachim Schulte (2003). Wittgenstein's Nachlass: The Bergen Electronic Edition. Oxford: Oxford University Press, 2000. Grazer Philosophische Studien 65 (1):237-246.
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  18.  2
    Joachim Schulte (2014). We Have a Colour System as We Have a Number System. In Stefan Riegelnik & Frederik A. Gierlinger (eds.), Wittgenstein on Colour. De Gruyter 21-32.
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  19.  7
    Joachim Schulte (2014). Anmerkungen zum Regelbegriff. Wittgenstein-Studien 5 (1).
    Name der Zeitschrift: Wittgenstein-Studien Jahrgang: 5 Heft: 1 Seiten: 133-144.
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  20.  6
    Joachim Schulte (1994). Weltseele. Wittgenstein-Studien 1 (2).
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  21.  6
    Joachim Schulte (1982). Bedeutung und Verifikation. Grazer Philosophische Studien 16:241-253.
    Das (wie die erhaltenen historischen Belege zeigen) zuerst von Wittgenstein vorgeschlagene Verifikationsprinzip fungiert als Sinnkriterium wie auch als Kriterium der Sinribestimmung. Durch Waismanns Vermittlung wird es in der letzteren Funktion zur ausschließlichen Grundlage von Schlicks Semantik, die jedoch einerseits an ungenügenden Unterscheidungen zwischen Wahrheitsbedingungen, Verifikationsbedmgungen und Verifikationsmethode krankt, andererseits durch eme zu optimistische, die intersubjektive Kontrollierbarkeit entbehrende Sprachauffassung an Überzeugungskraft verliert. Wittgenstems späteres hochkomplexes Bedeutungskonzept, das durch Einbeziehung von Kontext und Äußerungssituation das Verifikationsprinzip zu emem unter mehrerenbedeutungsrelevanten Momenten sprachlicher Äußerungen (...)
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  22.  15
    Brian McGuinness & Joachim Schulte (2009). Correspondance de Ludwig Wittgenstein dans les années 1930. Cités 2 (2):149-161.
    Les lettres reproduites ici furent échangées au début de 1935 entre Ludwig et son frère Paul, le pianiste qui avait perdu un bras à la guerre, et dédicataire des concerti pour la main gauche de Ravel et Prokofiev entre autres... La relation entre les deux frères était toute de spontanéité, dénuée de contrainte et de formalisme. Nous verrons en quoi..
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  23.  5
    Joachim Schulte (2004). Readings of" Natural History" and Ways of Making Sense of Other People. In Tamás Demeter (ed.), Essays on Wittgenstein and Austrian Philosophy. Rodopi 38--179.
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  24. Joachim Schulte (1987). Erlebnis Und Ausdruck Wittgensteins Philosophie der Psychologie. Monograph Collection (Matt - Pseudo).
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  25.  21
    Joachim Schulte (2006). The Pneumatic Conception of Thought. Grazer Philosophische Studien 71 (1):39-55.
    This paper is an attempt at presenting a convincing reading of the first sentences of PI § 109, especially of its third sentence. There Wittgenstein mentions what he calls "the pneumatic conception of thought", which by Miss Anscombe is translated as "the conception of thought as a gaseous medium". By comparing the relevant sentences with their sources in Wittgenstein's manuscripts and additional parallels it is found that Anscombe's rendering is liable to be misleading. Wittgenstein's notion of "pneuma" is likely to (...)
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  26.  15
    Joachim Schulte (2004). The Builders' Language: The Opening Sections. In Erich Ammereller & Eugen Fisher (eds.), Wittgenstein at Work: Method in the Philosophical Investigations. Routledge 22--41.
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  27.  2
    Joachim Schulte (2006). Wittgenstein on Time. In Michael Stöltzner & Friedrich Stadler (eds.), Time and History: Proceedings of the 28. International Ludwig Wittgenstein Symposium, Kirchberg Am Wechsel, Austria 2005. De Gruyter 557-568.
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  28.  14
    Joachim Schulte (2003). The Reception of Wittgenstein's Philosophy in Finland. Poznan Studies in the Philosophy of the Sciences and the Humanities 80 (1):391-409.
  29.  1
    Brian Mcguinness, Joachim Schulte, Desmond Lee & Alice Ambrose (1981). Ludwig Wittgenstein and the Vienna Circle: Conversations Recorded by Friedrich Waismann. Philosophical Review 90 (3):444-448.
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  30. Ludwig Wittgenstein, Brian Mcguinness & Joachim Schulte (1989). Logisch-Philosophische Abhandlung Kritische Edition = Tractatus Logico-Philosophicus.
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  31. Ludwig Wittgenstein & Joachim Schulte (1989). Vortrag Èuber Ethik Und Andere Kleine Schriften.
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  32.  1
    Joachim Schulte (2011). On a Remark by Jukundus. In Enzo De Pellegrin (ed.), Interactive Wittgenstein. Springer 183--208.
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  33.  3
    Joachim Schulte (2013). Did Wittgenstein Write on Shakespeare? Nordic Wittgenstein Review 2 (1):1-32.
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  34.  1
    Joachim Schulte (2013). Invited Paper: Did Wittgenstein Write on Shakespeare? Nordic Wittgenstein Review 2 (1):7-32.
    Name der Zeitschrift: Nordic Wittgenstein Review Jahrgang: 2 Heft: 1 Seiten: 7-32.
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  35.  1
    Joachim Schulte (1992). Criss-Crossing a Philosophical Landscape. Grazer Philosophische Studien 42:3-21.
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  36. P. M. S. Hacker & Joachim Schulte (eds.) (2009). Philosophical Investigations. John Wiley & Sons.
    Incorporating significant editorial changes from earlier editions, the fourth edition of Ludwig Wittgenstein's _Philosophical Investigations_ is the definitive _en face_ German-English version of the most important work of 20th-century philosophy The extensively revised English translation incorporates many hundreds of changes to Anscombe’s original translation Footnoted remarks in the earlier editions have now been relocated in the text What was previously referred to as ‘Part 2’ is now republished as _Philosophy of Psychology – A Fragment_, and all the remarks in it (...)
     
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  37. P. M. S. Hacker & Joachim Schulte (eds.) (2009). Philosophical Investigations. Wiley-Blackwell.
    Incorporating significant editorial changes from earlier editions, the fourth edition of Ludwig Wittgenstein's _Philosophical Investigations_ is the definitive _en face_ German-English version of the most important work of 20th-century philosophy The extensively revised English translation incorporates many hundreds of changes to Anscombe’s original translation Footnoted remarks in the earlier editions have now been relocated in the text What was previously referred to as ‘Part 2’ is now republished as _Philosophy of Psychology – A Fragment_, and all the remarks in it (...)
     
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  38. Hidé Ishiguro & Joachim Schulte (1989). Texte Zum Tractatus Aufsätze.
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  39. Brian McGuinness & Joachim Schulte (2009). Correspondance de Ludwig Wittgenstein dans les années 1930. Cités 38 (2):149.
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  40.  1
    Brian Mcguinness, Mathieu Marion, Friedrich Waismann, Alexander Bird, Joachim Schulte & Hadwig Kraeutler (2011). Friedrich Waismann - Causality and Logical Positivism. Springer Netherlands.
    These are commented on in this volume, which will also include a publication of new or previously scattered material and an overview of Waismann 's life.
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  41. Joachim Schulte (1989). Aesthetic Correctness. Revue Internationale de Philosophie 43 (169):298.
     
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  42. Joachim Schulte (1989). Aesthetic Correctness in Wittgenstein (1889-1989). Revue Internationale de Philosophie 43 (169):298-310.
     
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  43. Joachim Schulte (2004). B:«The Life of the Sign»: Wittgenstein on Reading a Poem. In John Gibson Wolfgang Huemer (ed.), The Literary Wittgenstein. Routledge 146--164.
     
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  44. Joachim Schulte (1979). Bedeutungsbegriff und Bedeutungstheorie. Philosophische Rundschau 26:213.
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  45.  2
    Joachim Schulte & Göran Sundholm (eds.) (1992). Criss-Crossing a Philosophical Landscape: Essays on Wittgensteinian Themes. Dedicated to Brian Mcguinness. Rodopi.
    Essays on Wittgensteinian Themes Dedicated to Brian McGuinness Joachim Schulte, Göran Sundholm. PREFACE For thirty-five years the international community of philosophers have known Brian McGuinness as a major authority on the ...
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  46. Joachim Schulte (1990). Chor Und Gesetz Wittgenstein Im Kontext.
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  47. Joachim Schulte, Brian Mcguinness & Rainer Hegselmann (1992). Einheitswissenschaft.
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  48. Joachim Schulte (2005). Experience and Expression: Wittgenstein's Philosophy of Psychology. Oxford University Press Uk.
    BL Translated from German with additions and amendmentsThe writings preserved in Wittgenstein's manuscripts from 1945 to 1949, after he had completed the first part of Philosophical Investigations, chiefly concern the nature of certain psychological concepts. Joachim Schulte here uses these manuscripts - not just the selections from them published so far - as a basis for reconstructing the central arguments and conceptual elucidations developed by Wittgenstein during that period.
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  49. Joachim Schulte (1984). Frege und... kein Ende. Philosophische Rundschau 31:60.
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  50. Joachim Schulte (2014). Ideen mit den Augen sehen Goethe und Wittgenstein über Morphologie. In Jonas Maatsch (ed.), Morphologie Und Moderne: Goethes >Anschauliches Denken< in den Geistes- Und Kulturwissenschaften Seit 1800. De Gruyter 141-156.
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