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  1.  98
    John Holloway (1997). A Note on Alienation. Historical Materialism 1 (1):146-149.
  2.  3
    John Holloway & Sol Picciotto (1982). State and Capital: A Marxist Debate. Studies in Soviet Thought 23 (2):148-150.
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  3.  1
    John Holloway (2015). Read Capital: The First Sentence. Historical Materialism 23 (3):3-26.
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  4.  4
    John Holloway & William Empson (1953). The Structure of Complex Words. Philosophical Quarterly 3 (13):370.
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  5.  6
    T. M. Knox & John Holloway (1953). The Victorian Sage. Studies in Argument. Philosophical Quarterly 3 (13):382.
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  6.  5
    John Holloway (1975). Narrative Structure and Text Structure: Isherwood's "A Meeting by the River," and Muriel Spark's "The Prime of Miss Jean Brodie". Critical Inquiry 1 (3):581-604.
    Some recent discussions of narrative structure consider the narrative as a sequence of events, and assume that the structure is what is manifested by the relation between any given event and the event 1, or perhaps the whole sequence from the first event up to the th event in the book. In the present discussion this approach will be modified in two ways. It will be modified, later on, by considering what would be happening if the writer were revising his (...)
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  7.  13
    John Holloway (2002). Going in the Wrong Direction: Or, Mephistopheles – Not Saint Francis of Assisi. Historical Materialism 10 (1):79-91.
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  8.  16
    J. N. Findlay, Iris Murdoch, A. C. A. Rainer, G. J. Warnock, John Holloway, G. C. Stead, R. I. Aaron, P. T. Geach, A. H. Armstrong, R. H. Thouless, R. J. Spilsbury & W. B. Gallie (1950). New Books. [REVIEW] Mind 59 (234):262-284.
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  9.  4
    John Holloway & Radoslav A. Tsanoff (1951). The Ways of Genius. Philosophical Quarterly 1 (5):474.
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  10. John Holloway (1951). Language and Intelligence. Macmillan.
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  11.  7
    John Holloway (2005). No. Historical Materialism 13 (4):265-284.
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  12.  1
    John Holloway & William Elton (1956). Aesthetics and Language. Philosophical Quarterly 6 (22):92.
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  13.  7
    Austin Duncan-Jones, C. D. Broad, William Kneale, Martha Kneale, L. J. Russell, D. J. Allan, S. Körner, Percy Black, J. O. Urmson, Stephen Toulmin, J. J. C. Smart, Antony Flew, R. C. Cross, George E. Hughes, John Holloway, D. Daiches Raphael, J. P. Corbett, E. A. Gellner, G. P. Henderson, W. von Leyden, P. L. Heath, Margaret Macdonald, B. Mayo, P. H. Nowell-Smith, J. N. Findlay & A. M. MacIver (1950). New Books. [REVIEW] Mind 59 (235):389-431.
  14.  2
    John Holloway & Morris Weitz (1953). Philosophy of the Arts. Philosophical Quarterly 3 (11):191.
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  15.  3
    John Holloway (1950). Science and Literary Criticism. By Herbert Dingle. (Nelson. 1949. 7s. 6d.). Philosophy 25 (95):361-.
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  16.  1
    John Holloway (1947). Ethical Qualities. Proceedings of the Aristotelian Society 48:13 - 28.
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  17.  2
    John Holloway (1953). Critical Notices. Mind 62 (245):99-106.
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  18.  1
    A. H. Hannay, John Holloway & M. Macdonald (1949). Symposium: What Are the Distinctive Features of Arguments Used in Criticism of the Arts. Aristotelian Society Supplementary Volume 23:165 - 194.
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  19.  1
    John Holloway (1950). New Books. [REVIEW] Mind 59 (234):415-417.
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  20. Werner Bonefeld & John Holloway (1994). Post-Fordism and Social Form: A Marxist Debate on the Post-Fordist State. Science and Society 58 (2):243-245.
     
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  21. John Holloway (1995). From Scream of Refusal to Scream of Power: The Centrality of Work. In Werner Bonefeld, Richard Gunn & Kosmas Psychopedis (eds.), Open Marxism. Pluto Press 3--155.
     
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  22. John Holloway (1947). La philosophie contemporaine en grande bretagne. Les Etudes Philosophiques 2 (2):171 - 187.
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  23. John Holloway (1950). No Title Available: PHILOSOPHY. Philosophy 25 (95):361-363.
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  24. John Holloway (2006). Qué es revolución? Un millón de picaduras de abeja, un millón de dignidades. Agora Philosophica 7:7-10.
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  25. John Holloway (1976). Supposition and Supersession: A Model of Analysis for Narrative Structure. Critical Inquiry 3 (1):39-55.
    The first and preliminary part of this discussion examines Todorov's remark, in his article "Structural Analysis of Narrative" , on certain tales in the Decameron. These are advanced as dealing with a "concrete problem" which "illustrates" what Todorov "conceive[s] to be the structural approach to literature." The second part offers an alternative analysis of the Decameron tales. The third part comprises some observations, from a similar point of view, on Crime and Punishment. The anterior purpose of the whole discussion is (...)
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  26. John Holloway (1983). The Slumber of Apollo: Reflections on Recent Art, Literature, Language and the Individual Consciousness. Cambridge University Press.
    In this challenging 1993 book John Holloway explores one of the most significant aspects of contemporary culture, arguing that over the last hundred years or so there has been a radical change in the very nature of individual consciousness. He traces a crucial shift from an 'Apollonian' ideal of human involvement in the widest range of experience to a narrower and less integrated engagement with the world. He plots this shift through a number of quite different fields: there are chapters (...)
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  27.  5
    John Holloway (1983/2005). The Slumber of Apollo: Reflections on Recent Art, Literature, Language, and the Individual Consciousness. Cambridge University Press.
    In this challenging new book John Holloway explores one of the most significant aspects of contemporary culture, arguing that over the last hundred years or so there has been a radical change in the very nature of individual consciousness. He traces a crucial shift from an 'Apollonian' ideal of human involvement in the widest range of experience (implying a sense of the individual consciousness as spacious, orderly, and comprehensive) to a narrower and less integrated engagement with the world (and a (...)
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  28. John Holloway (1968). The Situation of the Universities in Greece. Minerva 6 (3):427-431.
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  29. John Holloway (1954). The Victorian Sage. Philosophy 29 (110):265-266.
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  30. John Holloway (1950). Vii.—New Books. [REVIEW] Mind 59 (234):273-275.
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  31. John Holloway & Morris Weitz (1950/1964). Philosophy of the Arts. Cambridge, Harvard University Press.
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