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  1. John M. Carvalho (2013). “Strange Fruit”: Music Between Violence and Death. Journal of Aesthetics and Art Criticism 71 (1):111-119.
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  2. John M. Carvalho (2012). Nietzsches Musikästhetik der Affekte (review). Journal of Nietzsche Studies 43 (1):147-149.
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  3. John M. Carvalho (2010). Refractions of Reality: Philosophy and the Moving Image by Mullarkey, John. Journal of Aesthetics and Art Criticism 68 (4):428-431.
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  4. John M. Carvalho (2010). Repetition and Self-Realization in Jazz Improvisation. Journal of Aesthetics and Art Criticism 68 (3):285-290.
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  5. John M. Carvalho (1998). Terror. Philosophy Today 42 (9999):85-93.
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  6. John M. Carvalho (1995). The Use and Abuse of Ancient Political Theory in Contemporary Social Theories. Social Philosophy Today 10:35-47.
  7. John M. Carvalho (1994). John Rajchman, Philosophical Events: Essays of The'80s Reviewed By. Philosophy in Review 14 (2):106-110.
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  8. John M. Carvalho (1994). Peter McCormick, Modernity, Aesthetics, and the Bounds of Art Reviewed By. Philosophy in Review 14 (2):106-110.
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  9. John M. Carvalho (1991). Repetitions. Philosophy Today 35 (4):307-324.
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  10. John M. Carvalho (1990). The Imperative of Responsibility. International Studies in Philosophy 22 (1):109-109.
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  11. John M. Carvalho (1989). Richard Kearney, Modern Movements in European Philosophy Reviewed By. Philosophy in Review 9 (8):312-315.
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