Search results for 'John O.’Dea' (try it on Scholar)

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  1. J. E. Harrison (1914). The Syrian Goddess, Being a Translation of Lucian's De Dea Syria, with a Life of Lucian, by Professor Herbert A. Strong, M.A., LL.D., Edited with Notes and an Introduction by John Garstang, M.A., D.Sc. Pp. Ix + 111, with Frontispiece Phototype, and 8 Figs. In Text. Constable & Co., 10, Orange Street, Leicester Square, 1913. [REVIEW] The Classical Review 28 (02):61-62.score: 36.0
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  2. John O'Dea (2011). A Proprioceptive Account of the Senses. In Fiona Macpherson (ed.), The Senses: Classical and Contemporary Philosophical Perspectives. Oxford University Press.score: 29.0
    Representationalist theories of sensory experience are often thought to be vulnerable to the existence of apparently non-representational differences between experiences in different sensory modalities. Seeing and hearing seem to differ in their qualia, quite apart from what they represent. The origin of this idea is perhaps Grice’s argument, in “Some Remarks on the Senses,” that the senses are distinguished by “introspectible character.” In this chapter I take the Representationalist side by putting forward an account of sense modalities which is consistent (...)
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  3. John O'Dea (2006). Representationalism, Supervenience, and the Cross-Modal Problem. Philosophical Studies 130 (2):285-95.score: 29.0
    The representational theory of phenomenal experience is often stated in terms of a supervenience thesis: Byrne recently characterises it as the thesis that “there can be no difference in phenomenal character without a difference in content”, while according to Tye, “[a]t a minimum, the thesis is one of supervenience: necessarily, experiences that are alike in their representational contents are alike in their phenomenal character.” Consequently, much of the debate over whether representationalism is true centres on purported counter-examples – that is (...)
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  4. John O'Dea (2008). Transparency and the Unity of Experience. In E. Wright (ed.), The Case for Qualia. MIT Press.score: 29.0
    If we assume that the operation of each sense modality constitutes a different experience – a visual experience, an auditory experience, etc – we are faced with the problem of how those distinct experiences come together to form a unified perceptual encounter with the world. Michael Tye has recently argued that the best way to get around this problem is to deny altogether that there are such things as purely visual (and so forth) experiences. Here I aim to show not (...)
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  5. John O'Dea (2002). The Indexical Nature of Sensory Concepts. Philosophical Papers 32 (2):169-181.score: 29.0
    This paper advances the thesis that sensory concepts have as a semantic component the first person indexical.
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  6. John O'Dea (2010). Frank Cameron Jackson. In Graham Oppy, Nick Trakakis, Steve Gardner, Fiona Leigh & Lynda Burns (eds.), Companion to Philosophy in Australia and New Zealand. Monash University Publishing.score: 29.0
    Entry for the Companion to Philosophy in Australia and New Zealand.
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  7. John O.’Dea, Normativity in Perceptual Experience.score: 29.0
    What is normativity in perception? The Arguments for Normativity Empirical evidence Kelly’s constitutive claim A Motivation Problem The argument from blurry vision Evaluating the Argument What is Normativity in Perception? Normativity in Perception as Perceptual Confidence What is Perceptual Confidence?
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  8. John O'Dea (2007). A Higher-Order, Dispositional Theory of Qualia. The Annals of the Japan Association for Philosophy of Science 15 (2):29-41.score: 29.0
    Higher-order theories of consciousness, such as those of Armstrong, Rosenthal and Lycan, typically distinguish sharply between consciousness and phenomenal character, or qualia. The higher-order states posited by these theories are intended only as explanations of consciousness, and not of qualia. In this paper I argue that the positing of higher-order perceptions may help to explain qualia. If we are realists about qualia, conceived as those intrinsic properties of our experience of which we are introspectibly aware, then higher-order perception might have (...)
     
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  9. John O'Dea (2007). The Value in Equal Opportunity: Reply to Kershnar. Journal of Applied Philosophy 24 (2):177–187.score: 29.0
    Stephen Kershnar (2004) recently argues that under its most plausible interpretation, equality of opportunity is simply not something worth pursuing; at least, not for itself. In this paper I try to show that even if we accept Kershnar's characterisation of equality of opportunity in terms of weighted aggregate chances, none of his objections succeed. Opportunities, not outcomes, are the appropriate focus of EO advocates; hedonic treadmills are irrelevant to the issue; we do not need to assume general equality in some (...)
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  10. Michael O'Dea (ed.) (2010). Rousseau Et les Philosophes. Voltaire Foundation.score: 28.0
    Michael O'Dea, Introduction -- Situer Rousseau -- Lire Rousseau -- Dialogues et confrontations -- Rousseau aujourd'hui.
     
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  11. Terence Parsons, Supposi T I o N as Quant I F I C a T I o N Versus Supposi T I o N as Globa L Quant I F I C a T I o N a L Ef Fec T.score: 21.0
    Spade 1988 sugges t s tha t t he r e are ac tua l l y two theo r i e s t o address t h i s ques t i o n t o , an ear l y one and a l a t e r one . 2 Most o f the presen t pape r i s a deve l o pmen t o f t h i s i dea . I sugges t (...)
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  12. Jane O'dea (1993). Phronesis in Musical Performance. Journal of Philosophy of Education 27 (2):233–243.score: 14.0
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  13. Jane W. O'dea (1994). Pursuing Truth in Narrative Research. Journal of Philosophy of Education 28 (2):161–172.score: 14.0
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  14. Jane W. O'Dea (1994). Authenticity in Musical Performance: Personal or Historical? British Journal of Aesthetics 34 (4):363-375.score: 14.0
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  15. Jane O'Dea (1997). Integrity and the Feminist Teacher. Journal of Philosophy of Education 31 (2):267–282.score: 14.0
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  16. Jane O'Dea (2000). Virtue or Virtuosity?: Explorations in the Ethics of Musical Performance. Greenwood Press.score: 14.0
    Uses a virtue-based approach to the ethical dimension and to the roles of virtuosity and historical authenticity in musical performance.
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  17. Thomas F. O'Dea (1960). Human Freedom and Its Cultural Repression. Thought 35 (2):204-222.score: 14.0
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  18. Thomas F. O.’Dea (1956). The Catholic Immigrant and the American Scene. Thought 31 (2):251-270.score: 14.0
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  19. Jane W. O'Dea (1993). Virtue in Musical Performance. Journal of Aesthetic Education 27 (1):51-62.score: 14.0
     
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  20. David M. Rosenthal, Explicarea Conştiinţei.score: 12.0
    Dintre fenomenele mentale, nici unul nu pare să reziste atât de bine explicaţiei precum conştiinţa. Parţial, dificultatea se datorează faptului că folosim termenul „conştient” şi alţii înrudiţi să dea seama de anumite fenomene distincte ale căror legături nu sunt întotdeauna clare. Iar acest lucru duce adesea la amestecarea acestor fenomene distincte. De aceea, orice încercare de a explica conştiinţa trebuie să înceapă prin a distinge diferitele lucruri pe care le numim conştiinţă. Un astfel de fenomen este strâns legat de simplul (...)
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