Works by John Richardson ( view other items matching `John Richardson`, view all matches )

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  1. Ken Gemes & John Richardson (eds.) (forthcoming). The Oxford Handbook of Nietzsche. Oxford University Press.
     
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  2. John Richardson & Ken Gemes (eds.) (forthcoming). Oxford Handbook of Nietzsche. Oxford.
  3. John Richardson (2011). An Eye for Music: Popular Music and the Audiovisual Surreal. Oxford University Press.
    Introduction -- Navigating the neosurreal : background and premises -- Neosurrealist tendencies in recent films -- Neosurrealist metamusicals, flow and camp aesthetics -- In tandem with the random : loose synchronisation and remediation in Philip Glass's -- La Belle et la Bête and The dark side of Oz -- The surrealism of the virtual band in the digital age : Gorillaz' "Clint Eastwood" and "Feel good inc." -- Back to the garden? Performing the disaffected acoustic imaginary in the digital age (...)
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  4. John Richardson (2009). Nietzsche's Freedoms. In Ken Gemes & Simon May (eds.), Nietzsche on Freedom and Autonomy. Oxford University Press.
  5. John Adkins Richardson (2008). The Rembrandt Book (Review). Journal of Aesthetic Education 42 (2):pp. 115-117.
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  6. John Richardson (2007). Replies to Clark and Reginster. International Studies in Philosophy 39 (3):135-147.
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  7. John D. Richardson (2007). A Case for Qualitatively Distinct Emotion. Journal of Theoretical and Philosophical Psychology 27 (1):19-34.
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  8. John Richardson (2005). Nietzschean and Kantian Freedoms. International Studies in Philosophy 37 (3):149-162.
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  9. John Richardson (2004/2008). Nietzsche's New Darwinism. Oxford University Press.
    Nietzsche wrote in a scientific culture transformed by Darwin. He read extensively in German and British Darwinists, and his own works dealt often with such obvious Darwinian themes as struggle and evolution. Yet most of what Nietzsche said about Darwin was hostile: he sharply attacked many of his ideas, and often slurred Darwin himself as mediocre. So most readers of Nietzsche have inferred that he must have cast Darwin quite aside. But in fact, John Richardson argues, Nietzsche was deeply and (...)
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  10. John Richardson (2003). APPIAN ON AFRICA P. Goukowsky: Appien : Histoire Romaine. Tome Iv, Livre Viii. Le Livre Africain (Collection des Universités de France Publiée Sous le Patronage de l'Association Guillaume Budé). Pp. Cxxxvi + 228, Ills. Paris: Les Belles Lettres, 2001. Cased, €60. ISBN: 2-251-00494-. [REVIEW] The Classical Review 53 (02):318-.
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  11. John Richardson (2002). Nietzsche Contra Darwin. Philosophy and Phenomenological Research 65 (3):537-575.
    Nietzsche attributes 'will power' to all living things, but this seems in sharp conflict with other positions important to him-and implausible besides. The doctrine smacks of both metaphysics and anthropomorphizing, which he elsewhere derides. Will to power seems to be an intentional end-directedness, involving cognitive or representational powers he is rightly loath to attribute to all organisms, and tends to downplay even in persons. This paper argues that we find a stronger reading of will to power-both more plausible and more (...)
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  12. John Richardson (2002). The Roman Constitution A. Lintott: The Constitution of the Roman Republic . Pp. XI + 297. Oxford: Clarendon Press, 1999. Cased, £47. Isbn: 0-19-815068-. [REVIEW] The Classical Review 52 (01):120-.
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  13. John Richardson & Brian Leiter (eds.) (2001). Nietzsche. Oxford University Press.
    The latest volume in the Oxford Readings in Philosophy series, this work brings together some of the best and most influential recent philosophical scholarship on Nietzsche. Opening with a substantial introduction by John Richardson, it covers: Nietzsche's views on truth and knowledge, his 'doctrines' of the eternal recurrence and will to power, his distinction between Apollinian and Dionysian art, his critique of morality, his conceptions of agency and self-creation, and his genealogical method. For each of these issues, the papers show (...)
     
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  14. John Richardson (2000). Clark on Will to Power. International Studies in Philosophy 32 (3):107-117.
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  15. John Richardson (1997). Is There a Nietzschean Post-Analytic Method? International Studies in Philosophy 29 (3):29-36.
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  16. John Richardson (1996). Nietzsche's System. Oxford University Press.
    This book argues, against recent interpretations, that Nietzsche does in fact have a metaphysical system--but that this is to his credit. Rather than renouncing philosophy's traditional project, he still aspires to find and state essential truths, both descriptive and valuative, about us and the world. These basic thoughts organize and inform everything he writes; by examining them closely we can find the larger structure and unifying sense of his strikingly diverse views. With rigor and conceptual specificity, Richardson examines the will-to-power (...)
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  17. John Adkins Richardson (1996). A Rejoinder to Nan Stalnaker. Journal of Aesthetics and Art Criticism 54 (3):291-293.
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  18. John Adkins Richardson (1995). On the "Multiple Viewpoint" Theory of Early Modern Art. Journal of Aesthetics and Art Criticism 53 (2):129-137.
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  19. John Richardson (1989). Reply to Professor Robin SmalI. International Studies in Philosophy 21 (2):135-138.
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  20. John Richardson (1986). Existential Epistemology: A Heideggerian Critique of the Cartesian Project. Oxford University Press.
    A lucid introduction to the "existential phenomenology" of Martin Heidegger, particularly as developed in his major work, Being and Time, this work focuses on how Heidegger's ideas bear on the central problem in epistemology--that of how we can have objective knowledge. The author constructs fresh arguments clarifying Heidegger's contribution to the theory of knowledge, and shows why Heidegger deemed misguided the search for knowledge of the way things are in themselves.
     
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  21. John Adkins Richardson (1982). Estrangement as a Motif in Modern Painting. British Journal of Aesthetics 22 (3):195-210.
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  22. John T. E. Richardson (1976). The Grammar of Justification: An Interpretation of Wittgenstein's Philosophy of Language. Published for Sussex University Press by Chatto & Windus.
     
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  23. John Adkins Richardson (1971). Illustration and Art. Thematic Content and Aesthetic Standards. British Journal of Aesthetics 11 (4):354-368.
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  24. John Adkins Richardson & John I. Ades (1970). D. H. Lawrence on Cézanne: A Study in the Psychology of Critical Intuition. Journal of Aesthetics and Art Criticism 28 (4):441-453.
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  25. John Adkins Richardson (1966). Dada, Camp, and the Mode Called Pop. Journal of Aesthetics and Art Criticism 24 (4):549-558.
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  26. John T. Richardson (1954). The Virtue of Gratitude According to the Mind of Saint Thomas. Washington.
     
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