21 found
Order:
See also:
Profile: Jonathan Gilmore (City University of New York)
  1.  50
    Jonathan Gilmore (2015). Lamarque, Peter. The Opacity of Narrative. Lanham, Maryland: Rowman & Littlefield, 2014, Xv + 213 Pp., £19.95 Paper. [REVIEW] Journal of Aesthetics and Art Criticism 73 (3):349-351.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  2. Jonathan Gilmore (2004). Between Philosophy and Art. In Taylor Carman (ed.), Cambridge Companion to Merleau Ponty. Cambridge University Press
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  3. Jonathan Gilmore (2013). Grief and Belief. British Journal of Aesthetics 53 (1):103-107.
    Direct download (8 more)  
     
    Export citation  
     
    My bibliography  
  4.  91
    Jonathan Gilmore (2013). That Obscure Object of Desire: Pleasure in Painful Art. In Jerrold Levinson (ed.), Suffering Art Gladly: The Paradox of Negative Emotions in Art. Palgrave/Macmillan
  5.  62
    Jonathan Gilmore (2014). The Epistemology of Fiction and the Question of Invariant Norms. Royal Institute of Philosophy Supplement 75:105-126.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  6.  70
    Jonathan Gilmore (2011). Aptness of Emotions for Fictions and Imaginings. Pacific Philosophical Quarterly 92 (4):468-489.
    Many philosophical accounts of the emotions conceive of them as susceptible to assessments of rationality, fittingness, or some other notion of aptness. Analogous assumptions apply in cases of emotions directed at what are taken to be only fictional or only imagined. My question is whether the criteria governing the aptness of emotions we have toward what we take to be real things apply invariantly to those emotions we have toward what we take to be only fictional or imagined. I argue (...)
    Direct download (9 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  7. Jonathan Gilmore (1995). Reply to Carrier. Journal of Aesthetics and Art Criticism 53 (4):429.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  8.  67
    Jonathan Gilmore (2011). A Functional View of Artistic Evaluation. Philosophical Studies 155 (2):289-305.
    I develop and defend the following functional view of art: a work of art typically possesses as an essential feature one or more points, purposes, or ends with reference to the satisfaction of which that work can be appropriately evaluated. This way of seeing a work’s artistic value as dependent on its particular artistic ends (whatever they may be) suggests an answer to a longstanding question of what sort of internal relation, if any, exists between the wide variety of values (...)
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  9.  86
    Jonathan Gilmore (2011). Expression as Realization: Speakers' Interests in Freedom of Speech. Law and Philosophy 30 (5):517-539.
  10.  16
    Jonathan Gilmore (2005). Symposium: Arthur Danto, the Abuse of Beauty. Inquiry 48 (2):145 – 154.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  11.  1
    Arthur C. Danto & Jonathan Gilmore (2004). The Philosophical Disenfranchisement of Art. Cup.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, (...)
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography   1 citation  
  12.  43
    Jonathan Gilmore (2011). Ethics, Aesthetics, and Artistic Ends. Journal of Value Inquiry 45 (2):203-214.
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  13.  16
    Jonathan Gilmore (2013). Normative and Scientific Approaches to the Understanding and Evaluation of Art. Behavioral and Brain Sciences 36 (02):144-145.
    The psycho-historical framework proposes that appreciators' responses to art vary as a function of their sensitivity to its historical dimensions. However, the explanatory power of that framework is limited insofar as it assimilates relevantly different kinds of appreciation and insofar as it eschews a normative account of when a response succeeds in qualifying as an appreciation of art qua art.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  14.  39
    Jonathan Gilmore, Internal Beauty.
    In the title essay of The Philosophical Disenfranchisement of Art Arthur Danto describes two dominant strains of the philosophy of art in its Platonic beginnings: one that art is dangerous, and thus subject to political censorship or control, and the other that art exists at several removes from the ordinary reality, impotent to effect any meaningful change in the human world.1 These two ways of understanding art, really two charges laid at art’s door, seem contradictory, he writes, until one realizes (...)
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  15.  49
    Jonathan Gilmore (2000). The Life of a Style: Beginnings and Endings in the Narrative History of Art. Cornell University Press.
    In The Life of a Style, Jonathan Gilmore claims that such narrative developments inhere in the history of art itself.By exploring such topics as the discovery ...
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  16.  16
    Jonathan Gilmore, Philosophy of Literature. Oxford Bibliographies Online.
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  17.  7
    Jonathan Gilmore (2013). Criticism. In Gaut and Lopes (ed.), Routledge Companion to Aesthetics. Routledge
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography  
  18.  8
    Jonathan Gilmore (1998). The Aesthete in the City. International Studies in Philosophy 30 (2):122-123.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  19.  10
    Jonathan Gilmore (1995). David Carrier's Art History. Journal of Aesthetics and Art Criticism 53 (1):39-47.
    It is a commonplace now among art historians that to say, with Ruskin, that an artist had an "innocent eye" was to give the artist an empty compliment. It would have been to say that the artist possessed something no one could possess, and that, if we follow E. H. Gombrich, the artist was not part of the history of art. Gombrich's goal was to show that the history of art was constituted by artists "making and matching" as they saw (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  20. Jonathan Gilmore & Judith Surkis, Opinion.
    The recent arrest of Roman Polanski, the film director who fled to France from the United States in 1978 on the eve of sentencing for having unlawful sex with a 13-year-old girl, has caused an international ruckus. The French culture minister, Frédéric Mitterrand, and the French foreign minister, Bernard Kouchner, both issued statements of support for Mr. Polanski. But many others in France have expressed outrage at that support and said he should face justice for the crime.
    No categories
    Translate
     
     
    Export citation  
     
    My bibliography  
  21. Jonathan Gilmore (1998). Pictorial Realism. In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press 4--109.
     
    Export citation  
     
    My bibliography