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  1. Julia Kristeva (2003). Revolt, She Said. Ars Disputandi 3.
     
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  2. Julia Kristeva (1984). Powers of Horror: An Essay on Abjection. Columbia University Press.
     
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  3.  13
    Julia Kristeva (1984). Revolution in Poetic Language. Columbia University Press.
    Julia Kristeva. alteration has been identified, one is able to detect a similar ferment in the essential writings of other historical periods. A few definitions or clarifications are in order. That there has been a conceptual "revolution" is, 1 believe, ...
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  4. Julia Kristeva (1991). Strangers to Ourselves. Columbia University Press.
     
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  5.  2
    Julia Kristeva (1989). Tales of Love. Columbia University Press.
    In 'Tales of Love' Julia Kristeva pursues her exploration of the basic emotions that affect the human psyche. The processes are similar to those followed in 'Powers of Horror'.
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  6. Julia Kristeva (2001). Hannah Arendt. Columbia University Press.
    This is the story of the clattering of elevated subways and the cacophony of crowded neighborhoods, the heady optimism of industrial progress and the despair of economic recession, and the vibrancy of ethnic cultures and the resilience of ...
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  7.  5
    Julia Kristeva (1992). Black Sun: Depression and Melancholia. Columbia University Press.
    Looks at the psychological nature of depression and discusses its portrayal in literature and art.
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  8. Birgitte Huitfeldt Midttun & Julia Kristeva (2006). Crossing the Borders: An Interview with Julia Kristeva. Hypatia 21 (4):164-177.
    : In this June 2004 interview, Julia Kristeva takes us through her long and extraordinary career as a writer, an intellectual, and an academic. She speaks of her early years as a radical poststructuralist, postmodern feminist, and discusses how her scope has broadened with the addition of psychoanalytical theory and practice. She answers questions about her work on the abject, melancholy, motherhood, and love, and reveals how personal experiences, like the death of her father, have shaped parts of her literary (...)
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  9. Julia Kristeva (1995). New Maladies of the Soul. Columbia University Press.
     
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  10. Julia Kristeva (1987). In the Beginning Was Love: Psychoanalysis and Faith. Columbia University Press.
  11.  5
    Julia Kristeva (1993). Nations Without Nationalism. Columbia University Press.
    Is the Confucian tradition compatible with the Western understanding of human rights?
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  12. Julia Kristeva (2010). Hatred and Forgiveness. Columbia University Press.
    She sources the Bible and texts by Marguerite Duras, St. Teresa of Avila, Roland Barthes, Simone de Beauvoir, and Georgia O'Keefe.
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  13.  13
    Julia Kristeva, Leon S. Roudiez, Thomas Gora Roudiez & Alice Jardine (1981). Desire in Language. Journal of Aesthetics and Art Criticism 40 (1):93-94.
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  14.  1
    Julia Kristeva (2000). The Sense and Non-Sense of Revolt: The Powers and Limits of Psychoanalysis. Columbia University Press.
    The book also offers an illuminating discussion of Freud's groundbreaking work on rebellion, focusing on the symbolic function of patricide in his Totem and Taboo and discussing his often neglected vision of language.
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  15. Catherine Clément & Julia Kristeva (2003). The Feminine and the Sacred. Columbia University Press.
  16. Julia Kristeva (1969). Semeiotike Recherches Pour Une Sémanalyse. Éditions du Seuil.
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  17.  2
    Julia Kristeva (2002). Intimate Revolt: The Powers and Limits of Psychoanalysis. Columbia University Press.
    This is the story of the clattering of elevated subways and the cacophony of crowded neighborhoods, the heady optimism of industrial progress and the despair of economic recession, and the vibrancy of ethnic cultures and the resilience of ...
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  18. Julia Kristeva (1988). Étrangers À Nous-Mêmes.
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  19. Julia Kristeva (2001). Melanie Klein. Columbia University Press.
    In her first biography of a fellow psychoanalyst, the prolific Kristeva considers Klein's life and intellectual development, weaving a narrative that covers the history of psychoanalysis and illuminates Kristeva's own life and work.
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  20. Julia Kristeva (1997). Hannah Arendt's Concept of" Life". Common Knowledge 6:159-169.
     
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  21.  3
    Julia Kristeva (2008). REFOUNDATION AS SURVIVAL An Interrogation of Hannah Arendt. Common Knowledge 14 (3):353-364.
    This guest column suggests that we should follow Hannah Arendt in resisting the urge to expound doctrines or systems and, instead, should disclose the processes of our thought as they are “in motion.” While we should not hesitate to express judgments, our aim in intellectual work should be to occasion (and experience) surprise. Like Arendt, we should candidly express “the bliss of thought” as we think and write. On this basis, the political arena can become “a space for self-analysis and (...)
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  22. Julia Kristeva (1974). La Révolution du Langage Poétique l'Avant-Garde À la Fin du Xixe Siècle : Lautréamont Et Mallarmé.
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  23. Julia Kristeva (2010). Giotto's Joy : Holbein's Dead Christ. In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press
     
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  24.  13
    Julia Kristeva (2004). Is There a Feminine Genius? Critical Inquiry 30 (3):493-504.
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  25. Julia Kristeva (1998). L'avenir d'Une Révolte. Monograph Collection (Matt - Pseudo).
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  26.  9
    Julia Kristeva (1998). Europhilia, Europhobia. Constellations 5 (3):321-332.
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  27.  13
    Julia Kristeva (2013). Stockholm: Going Beyond the Human Through Dance. Journal of French and Francophone Philosophy 21 (1):1-12.
    I will then uphold that new political actors are incarnating and realizing this refoundation of humanism which the globalized world direly needs. I take as examples two of these experiences which cruelly lack a means of expression in today’s codes of humanism: adolescents in want of ideals and maternal passion at the cross-roads of biology and meaning. At these crossroads of body and meaning, of biology and sublimation it is perhaps dance more than other trans-linguistic experience that informs and accompanies (...)
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    Julia Kristeva & Timothy Hackett (2011). Reading The Second Sex Sixty Years Later. Philosophia 1 (2):137-149.
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  29. Julia Kristeva (1990). Lettre Ouverte À Harlem Désir. Monograph Collection (Matt - Pseudo).
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  30.  5
    Julia Kristeva (1969). Narration Et Transformation. Semiotica 1 (4).
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  31.  14
    Julia Kristeva (1999). Maternal Politics: An Interview with Julia Kristeva. Studies in Practical Philosophy 1 (2):133-143.
  32.  6
    Paul Alpers, Donald Davie & Julia Kristeva (1983). Responses to "The Politics of Interpretation". Critical Inquiry 9 (3):631-633.
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  33.  3
    Louis Marin, Julia Kristeva, Paolo Valesio & Paul Deman (1981). Panel Discussion. Semiotica 37 (s1):105-115.
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    Julia Kristeva (2007). Rethinking" Normative Conscience": The Task of the Intellectual Today. Common Knowledge 13 (2):219-226.
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  35.  4
    Julia Kristeva & Margaret Waller (1982). Psychoanalysis and the Polis. Critical Inquiry 9 (1):77-92.
    The essays in this volume convince me of something which, until now was only a hypothesis of mine. Academic discourse, and perhaps American university discourse in particular, possesses an extraordinary ability to absorb, digest, and neutralize all of the key, radical or dramatic moments of thought, particularly, a fortiori, of contemporary though. Marxism in the United States, though marginalized, remains deafly dominant and exercises a fascination that we have not seen in Europe since the Russian Proletkult of the 1930s. Post-Heideggerian (...)
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  36. Julia Kristeva (1969). Semelotike. Éditions du Seuil.
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  37.  2
    John Fletcher, Andrew Benjamin & Julia Kristeva (1992). Abjection, Melancholia, and Love: The Work of Julia Kristeva. Journal of Aesthetics and Art Criticism 50 (3):270-271.
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  38.  3
    Julia Kristeva (2007). Imre Toth Philosophy and Its Place in the Space of Western Spirituality: An Apology. Diogenes 216:107-109.
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  39.  2
    Julia Kristeva (2014). New Forms of Revolt. Journal of French and Francophone Philosophy 22 (2):1-19.
    Popular uprisings, indignant youth, toppled dictators, oligarchic presidents dismissed, hopes dashed, liberties crushed in prisons, fixed trials, and bloodbaths. How are we to read these images? Could revolt, or what is called “riot” on the Web, be waking humanity from its dream of hyperconnectedness? Or could it just be a trick played on us so that the culture of spectacle can last longer? But what “revolt” are we talking about? Is it even possible?
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  40.  2
    Julia Kristeva (2004). 14 Beyond the Dialectic of Law and Transgression. In Sinkwan Cheng (ed.), Law, Justice, and Power: Between Reason and Will. Stanford University Press 261.
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  41.  2
    Julia Kristeva (2006). La réinvention du couple. Diogène 216 (4):36.
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  42.  1
    Julia Kristeva (2011). A European in China. Critical Inquiry 37 (3):419-433.
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  43. Simone de Beauvoir, Michele Le Doeuff, Christine Delphy, Colette Guillaumin, Monique Wittig, Julia Kristeva, Luce Irigaray & Helene Cixous (2000). French Feminism Reader. Rowman & Littlefield Publishers.
    French Feminism Reader is a collection of essays representing the authors and issues from French theory most influential in the American context. The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique (...)
     
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  44. Marie de Solemne & Julia Kristeva (1999). Entre Désir Et Renoncement.
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  45. Josette Feral, Julia Kristeva & Penny Kritzman (1976). China, Women and the Symbolic An Interview with Julia Kristeva. Substance 5 (13):9.
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  46. Elizabeth Grosz, Dana Heller, E. Ann Kaplan, Julia Kristeva, Kelly Oliver & Benigno Trigo (2008). Feminist Time Against Nation Time: Gender, Politics, and the Nation-State in an Age of Permanent War. Lexington Books.
    Feminist Time Against Nation Time offers a series of essays that explore the complex and oftentimes contradictory relationship between feminism and nationalism through a problematization of contemporality. The collection pursues the following questions: how do the specific temporalities of nationalism and war limit and delimit public spaces in which dissent might happen; and how might we account for the often contradictory and ambiguous relationship of "feminism" and "nationalism" through an exploration of the problem of time?
     
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  47. Julia Kristeva (1997). Au Commencement Était l'Amour Psychanalyse Et Foi ; Suivi de À Propos de l'Athéisme de Sartre. Monograph Collection (Matt - Pseudo).
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  48.  23
    Julia Kristeva, Josette Rey-Debove & Donna Jean Umike-Sebeok (eds.) (1971). Essays in Semiotics. The Hague,Mouton.
    INTRODUCTION: LE LIEU SÉMIOTIQUE JULIA KRISTEVA Les stoïciens furent probablement les premiers à developper une théorie détaillée du SIGNE - du ...
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  49. Julia Kristeva & Frank Collins (2001). Hannah Arendt Life is a Narrative. Monograph Collection (Matt - Pseudo).
     
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  50. Julia Kristeva, Carolyn Abbate, Carlo Ginzburg, Mark Seltzer, Mark Hansen, Clark Lunberry & Dipesh Chakrabarty (2004). 1. Is There a Feminine Genius? Is There a Feminine Genius?(Pp. 493-504). Critical Inquiry 30 (3).
     
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