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Julian Young [38]Julian P. Young [2]
  1. Julian P. Young (forthcoming). On Compelling Chance to Dance in Star-Rounds: Nietzsche, History and Hegel. Journal of Nietzsche Studies.
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  2. Julian Young (2012). Nietzsche's New Religion. In P. D. Bubbio & P. Redding (eds.), Religion After Kant: God and Culture in the Idealist Era. Cambridge Scholars Press.
     
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  3. Julian Young (2012). Second Reply to Professor Anderson. Journal of Nietzsche Studies 43 (2):362-365.
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  4. Julian Young (2011). Heidegger's Heimat. International Journal of Philosophical Studies 19 (2):285 - 293.
    International Journal of Philosophical Studies, Volume 19, Issue 2, Page 285-293, May 2011.
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  5. Julian Young (2011). Reply to Professor Anderson. Journal of Nietzsche Studies 42 (1):121-121.
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  6. Julian Young (2010). Friedrich Nietzsche: A Philosophical Biography. Cambridge University Press.
    Da Capo -- Pforta -- Bonn -- Leipzig -- Schopenhauer -- Basel -- Richard Wagner and the birth of The birth of tragedy -- War and aftermath -- Anal philology -- Untimely meditations -- Aimez-vous Brahms? -- Auf Wiedersehen Bayreuth -- Sorrento -- Human, all-too-human -- The wanderer and his shadow -- Dawn -- The gay science -- The Salomé affair -- Zarathustra -- Nietzsche's circle of women -- Beyond good and evil -- Clearing the decks -- The genealogy of (...)
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  7. Julian Young (2010). Review of Jonathan R. Cohen, Science, Culture, and Free Spirits: A Study of Nietzsche's Human, All-Too-Human. [REVIEW] Notre Dame Philosophical Reviews 2010 (7).
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  8. Julian Young (2008). Richard Wagner and the Birth of the Birth of Tragedy. International Journal of Philosophical Studies 16 (2):217 – 245.
    Nietzsche writes that the 'real task' of The Birth of Tragedy is to 'solve the puzzle of Wagner's relation to Greek tragedy'. The 'puzzle', I suggest, is the intermingling in his art and writings of earlier socialist optimism with later Schopenhauerian pessimism. According to the former the function of the 'rebirth of Greek tragedy' in the 'collective artwork' is to 'collect', and so create, community. According to the second the function of the artwork is to intimate a realm 'beyond' this (...)
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  9. Julian Young (2008). Schopenhauer, Nietzsche, Death and Salvation. European Journal of Philosophy 16 (2):311-324.
  10. Julian Young (2007). Nihilism and the Meaning of Life. In Brian Leiter & Michael Rosen (eds.), The Oxford Handbook of Continental Philosophy. Oxford University Press.
  11. Julian Young (2007). Nietzsche on Art. British Journal of Aesthetics 47 (4):442-444.
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  12. Julian Young (2006). The Fourfold. In Charles B. Guignon (ed.), The Cambridge Companion to Heidegger. Cambridge University Press. 2--373.
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  13. Julian Young (2005). Death and Transfiguration: Kant, Schopenhauer and Heidegger on the Sublime. Inquiry 48 (2):131 – 144.
    The feeling of the sublime is, says Kant, the bitter-sweet combination of fear and utter security that one experiences in the face of, for instance, the night sky or the raging torrent. Fear of what? Fear of - this, I suggest, was Kant's seminal insight - death. But how can these feelings co-exist? Surely the one cancels the other out? Schopenhauer's great insight, I argue, was that the explanation of the sublime requires a division of the personality into two - (...)
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  14. Julian Young (2005). Review of Lawrence Hatab, Nietzsche's Life Sentence: Coming to Terms with Eternal Recurrence. [REVIEW] Notre Dame Philosophical Reviews 2005 (12).
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  15. Julian Young (2005). Schopenhauer. Routledge.
    Arthur Schopenhauer (1788-1860) was one of the greatest writers and German philosophers of the nineteenth century. His work influenced figures as diverse as Wagner, Freud and Nietzsche. Best known as a pessimist, he was one of the few philosophers read and admired by Wittgenstein. In this comprehensive introduction, Julian Young covers all the main aspects of Schopenhauer's philosophy. Beginning with an overview of Schopenhauer's life and work, he introduces the central aspects of his metaphysics fundamental to understanding his work as (...)
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  16. Julian Young (2004). Heidegger's Philosophy of Art. Cambridge University Press.
    This book, the first comprehensive study in English of Heidegger's philosophy of art, starts in the mid-1930s with Heidegger's discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational 'truth', and that, by this criterion, art in modernity is 'dead'. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the art of (...)
     
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  17. Julian Young (2003). The Death of God and the Meaning of Life. Routledge.
    What is the meaning of life? In the post-modern, post-religious scientific world, this question is becoming a preoccupation. But it also has a long history: many major figures in philosophy had something to say on the subject. This book begins with an historical overview of philosophers from Plato to Hegel and Marx who have believed in some sort of meaning of life, either in some supposed "other" world or in the future of this world. Young goes on to look at (...)
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  18. Julian Young (2001). Heidegger and Modern Art. Cambridge University Press.
  19. Julian Young (2001). Heidegger's Later Philosophy. Cambridge University Press.
    Heidegger's later philosophy has often been regarded as a lapse into unintelligible mysticism. While not ignoring its deep and difficult complexities, Julian Young's book explains in simple and straightforward language just what it is all about. It examines Heidegger's identification of loss of 'the gods', the violence of technology, and humanity's 'homelessness' as symptoms of the destitution of modernity, and his notion that overcoming 'oblivion of Being' is the essence of a turning to a post-destitute, genuinely post-modern existence. Young argues (...)
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  20. Julian Young (2000). On How Not to Cross the Great Divide. Dialogue 39 (01):157-.
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  21. Julian Young (1999). Artwork and Sportwork: Heideggerian Reflections. Journal of Aesthetics and Art Criticism 57 (2):267-277.
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  22. Julian Young (1999). Poets and Rivers: Heidegger on Hölderlin's “Der Ister”. Dialogue 38 (02):391-.
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  23. Julian Young (1998). Death and Authenticity. In J. E. Malpas & Robert C. Solomon (eds.), Death and Philosophy. Routledge. 112--19.
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  24. Julian Young (1996). Schopenhauer, Heidegger, Art, and the Will. In Dale Jacquette (ed.), Schopenhauer, Philosophy, and the Arts. Cambridge University Press. 162--80.
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  25. Julian Young (1996). Theories of Human Nature Peter Loptson Peterborough, ON: Broadview Press, 1995, X + 262 Pp., $24.95 Paper. [REVIEW] Dialogue 35 (03):620-.
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  26. Julian Young (1995). Being and Value. International Studies in Philosophy 27 (3):105-116.
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  27. Julian Young (1995). Being and Value: Heidegger Contra Nietzsche. International Studies in Philosophy 27 (3):105-116.
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  28. Julian Young (1995). Contextual Authority and Aesthetic Truth. International Studies in Philosophy 27 (2):117-118.
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  29. Julian Young (1992). Nietzsche's Philosophy of Art. Cambridge University Press.
    This is the first comprehensive treatment of Nietzsche's Philosophy of Art to appear in English. Julian Young argues that Nietzsche's thought about art can only be understood in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence and the idea of the Ubermensch. Young then divides Nietzsche's career, and his philosophy of art, into four distinct phases, but suggests that (...)
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  30. Julian Young (1988). Is Schopenhauer an Irrationalist? Schopenhauer-Jahrbuch 69:85-100.
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  31. Julian Young (1987). A Schopenhauerian Solution to Schopenhauerian Pessimism. Schopenhauer-Jahrbuch 68:53-69.
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  32. Julian Young (1987). Willing and Unwilling: A Study in the Philosophy of Arthur Schopenhauer. Distributors, Kluwer Academic Publishers.
    Chapter 1 Idealism § 1 Introduction Schopenhauer says that his philosophy grows out of Kant's, as from its "parent stem" (WR I p.501). ...
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  33. Julian P. Young (1987). The Standpoint of Eternity: Schopenhauer on Art. Kant-Studien 78 (1-4):424-441.
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  34. Julian Young (1984). Kant's Theory of Mind. Philosophical Studies 30:247-252.
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  35. Julian Young (1984). Schopenhauer's Critique of Kantian Ethics. Kant-Studien 75 (1-4):191-212.
    The paper examines fine criticisms schopenhauer makes of kant's ethics: (1) it makes the moral life too intellectual (2) he attempts to base morality on rationality or failure (3) the notion of a "categorical" imperative is unintelligible (4) kant's ethics is in fact endaemonic and his moral theology circular (5) universalisability commits kant to psychological egoism. schopenhauer is agreed with on (1) and (2), otherwise rejected.
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  36. Julian Young (1984). Wittgenstein, Kant, Schopenhauer, and Critical Philosophy. Theoria 50 (2-3):73-105.
  37. Julian Young (1981). Evidence and Assurance. Philosophical Studies 28:392-395.
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  38. Julian Young (1973). Intentionality. Review of Metaphysics 26 (4):696-722.
  39. Julian Young (1972). Rabbits. Philosophical Studies 23 (3):170 - 185.
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