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  1. Kaja Silverman (2009). Flesh of My Flesh. Stanford University Press.
    Through a wide-ranging discussion, that extends from Ovid and Leonardo da Vinci to Gerhard Richter, and from philosophy and literature to time-based art, Kaja ...
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  2. Kaja Silverman (1999). The Subject. In Jessica Evans & Stuart Hall (eds.), Visual Culture: The Reader. Sage Publications in Association with the Open University. 340--55.
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  3. Kaja Silverman (1996). The Threshold of the Visible World. Routledge.
    The Threshold of the Visible World advances a revolutionary new political aesthetic--Kaja Silverman explores the possibilities for looking beyond the restrictive mandates of the self, and the normative aspects of the cultural image-repertoire. She provides a detailed account of the social and psychic forces which constrain us to look and identify in normative ways, and the violence which that normativity implies. Accounting for these phenomena on both a conscious and an unconcious level, Silverman analyzes the psychic and textual conditions under (...)
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  4. Kaja Silverman (1990). [Book Review] the Acoustic Mirror, the Female Voice in Psychoanalysis and Cinema. [REVIEW] Feminist Studies 16:151-169.
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