Search results for 'Katherine Carroll' (try it on Scholar)

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  1. Katherine Carroll & Catherine Waldby (2012). Informed Consent and Fresh Egg Donation for Stem Cell Research. Journal of Bioethical Inquiry 9 (1):29-39.score: 240.0
    This article develops a model of informed consent for fresh oöcyte donation for stem cell research, during in vitro fertilisation (IVF), by building on the importance of patients’ embodied experience. Informed consent typically focuses on the disclosure of material information. Yet this approach does not incorporate the embodied knowledge that patients acquire through lived experience. Drawing on interview data from 35 patients and health professionals in an IVF clinic in Australia, our study demonstrates the uncertainty of IVF treatment, and the (...)
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  2. Justine M. Naylor, Rajat Mittal, Katherine Carroll & Ian A. Harris (2012). Introductory Insights Into Patient Preferences for Outpatient Rehabilitation After Knee Replacement: Implications for Practice and Future Research. Journal of Evaluation in Clinical Practice 18 (3):586-592.score: 240.0
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  3. Katherine M. Carroll (1963). Gordon Hullfish: Liberal. Educational Theory 13 (3):216-217.score: 240.0
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  4. Ab Carroll (forthcoming). Corporate Citizenship: Social Responsibility, Responsiveness, and Performance. In. CARROLL, AB; BUCHHOLTZ, AK. Business and Society.score: 180.0
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  5. William E. Carroll (1998). Cornell College: Program in Science and Religion. Zygon 33 (2):271-274.score: 90.0
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  6. John W. Carroll, Laws of Nature. Stanford Encyclopedia of Philosophy.score: 60.0
    John Carroll undertakes a careful philosophical examination of laws of nature, causation, and other related topics. He argues that laws of nature are not susceptible to the sort of philosophical treatment preferred by empiricists. Indeed he shows that emperically pure matters of fact need not even determine what the laws are. Similar, even stronger, conclusions are drawn about causation. Replacing the traditional view of laws and causation requiring some kind of foundational legitimacy, the author argues that these phenomena are (...)
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  7. Jim Woodward, Barry Loewer, John Carroll & Marc Lange (2011). Counterfactuals All the Way Down? Metascience 20 (1):27-52.score: 60.0
    Counterfactuals all the way down? Content Type Journal Article DOI 10.1007/s11016-010-9437-9 Authors Jim Woodward, History and Philosophy of Science, 1017 Cathedral of Learning, University of Pittsburgh, Pittsburgh, PA 15260, USA Barry Loewer, Department of Philosophy, Rutgers University, New Brunswick, NJ 08901, USA John W. Carroll, Department of Philosophy and Religious Studies, North Carolina State University, Raleigh, NC 27695-8103, USA Marc Lange, Department of Philosophy, University of North Carolina at Chapel Hill, CB#3125—Caldwell Hall, Chapel Hill, NC 27599-3125, USA Journal Metascience (...)
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  8. Noël Carroll (1996). Theorizing the Moving Image. Cambridge University Press.score: 60.0
    A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a (...)
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  9. Noel Carroll (1998). A Philosophy of Mass Art. Clarendon Press.score: 60.0
    We live in a world dominated by mass art. Movies, TV, pulp literature, comics, rock music -- both broadcast and recorded -- surround us everywhere in the industrialized world and beyond. However, despite the fact that for the majority mass art supplies the primary source of aesthetic experience, the area has been neglected entirely by analytic philosophers of art. -/- In A Philosophy of Mass Art, Noël Carroll, a leading figure in the field of aesthetic philosophy, attempts to address (...)
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  10. Archie B. Carroll (2003). Corporate Social Responsibility. Business Ethics Quarterly 13 (4):503-530.score: 60.0
    Extrapolating from Carroll’s four domains of corporate social responsibility (1979) and Pyramid of CSR (1991), an alternative approach to conceptualizing corporate social responsibility (CSR) is proposed. A three-domain approach is presented in which the three core domains of economic, legal, and ethical responsibilities are depicted in a Venn model framework. The Venn framework yields seven CSR categories resulting from the overlap of the three core domains. Corporate examples are suggested and classified according to the new model, followed by a (...)
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  11. Lewis Carroll, John Tenniel, Richard Clay, Macmillan & Co ) & Dalziel Brothers ), Through the Looking Glass.score: 60.0
    (Citation/Reference) Williams, S. H. Lewis Carroll handbook.
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  12. Lewis Carroll, John Tenniel & Macmillan & Co ), Alice's Adventures in Wonderland and Through the Looking-Glass.score: 60.0
    (Statement of Responsibility) by Lewis Carroll ; with ninety-two illustrations by John Tenniel.
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  13. G. B. & Noel Carroll (1991). The Philosophy of Horror or Paradoxes of the Heart. Philosophical Quarterly 41 (165):519.score: 60.0
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure (...)
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  14. David Carroll (1987). Paraesthetics: Foucault, Lyotard, Derrida. Methuen.score: 60.0
    Paraesthetics' is a neologism invented by David Carroll to unlock the extra-aesthetic relationship between art and literature in the work of Michel Foucault, ...
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  15. Lewis Carroll, John Tenniel, Gilbert H. McKibbin & Manhattan Press ), Through the Looking-Glass, and What Alice Found There.score: 60.0
    (Statement of Responsibility) by Lewis Carroll ; with illustrations in colors.
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  16. Noël Carroll (2014). Humour: A Very Short Introduction. Oup Oxford.score: 60.0
    Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
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  17. Noël Carroll (2009). On Criticism. Routledge.score: 60.0
    Drawing on his knowledge of the worlds of art, criticism, and philosophy, Noèel Carroll argues that appraisal and evaluation of art are an indispensable part of the conversation of life.
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  18. NoË Carroll & L. (2013). Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures. Wiley-Blackwell.score: 60.0
    Minerva’s Night Out presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture.
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  19. Noël Carroll (2001). Beyond Aesthetics: Philosophical Essays. Cambridge University Press.score: 60.0
    Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical theorizing with (...)
     
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  20. Sean B. Carroll (2009). Remarkable Creatures: Epic Adventures in the Search for the Origins of Species. Houghton Mifflin Harcourt.score: 60.0
    An award-wining biologist takes us on the dramatic expeditions that unearthed the history of life on our planet. Just 150 years ago,most of our world was an unexplored wilderness.Our sense of how old it was? Vague and vastly off the mark. And our sense of our own species’ history? A set of fantastic myths and fairy tales. Fossils had been known for millennia, but they were seen as the bones of dragons and other imagined creatures. In the tradition of The (...)
     
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  21. Katherine Thomson-Jones (2008). The Philosophy of Motion Picturesby Carroll, Noël. Journal of Aesthetics and Art Criticism 66 (4):401-403.score: 36.0
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  22. Noel Carroll (1984). Hume's Standard of Taste. Journal of Aesthetics and Art Criticism 43 (2):181-194.score: 30.0
  23. Noël Carroll (1987). The Nature of Horror. Journal of Aesthetics and Art Criticism 46 (1):51-59.score: 30.0
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  24. Thomas D. Carroll (2008). The Traditions of Fideism. Religious Studies 44 (1):1-22.score: 30.0
    Philosophers and theologians acknowledge that "fideism" is difficult to define but rarely agree on what the best characterization of the term is. In this article, I investigate the history of use of "fideism" to explore why its meaning has been so contested and thus why it has not always been helpful for resolving philosophical problems. I trace the use of the term from its origins in French theology to its current uses in philosophy and theology, concluding that "fideism" is helpful (...)
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  25. Noël Carroll (2000). Art and Ethical Criticism: An Overview of Recent Directions of Research. Ethics 110 (2):350-387.score: 30.0
  26. Noël Carroll (2002). The Wheel of Virtue: Art, Literature, and Moral Knowledge. Journal of Aesthetics and Art Criticism 60 (1):3–26.score: 30.0
    In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge.
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  27. John Carroll (2008). Nailed to Hume's Cross? In Theodore Sider, John Hawthorne & Dean W. Zimmerman (eds.), Contemporary Debates in Metaphysics. Blackwell Pub.. 67--81.score: 30.0
    Some scientists try to discover and report laws of nature. And, they do so with success. There are many principles that were for a long time thought to be laws that turned out to be useful approximations, like Newton’s gravitational principle. There are others that were thought to be laws and still are considered laws, like Einstein’s principle that no signals travel faster than light. Laws of nature are not just important to scientists. They are also of great interest to (...)
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  28. Lewis Carroll (1895). What the Tortoise Said to Achilles. Mind 4 (14):278-280.score: 30.0
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  29. Noël Carroll (1999). Horror and Humor. Journal of Aesthetics and Art Criticism 57 (2):145-160.score: 30.0
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  30. Noël Carroll (2007). Narrative Closure. Philosophical Studies 135 (1):1 - 15.score: 30.0
    In this article, “Narrative Closure,” a theory of the nature of narrative closure is developed. Narrative closure is identified as the phenomenological feeling of finality that is generated when all the questions saliently posed by the narrative are answered. The article also includes a discussion of the intelligibility of attributing questions to narratives as well as a discussion of the mechanisms that achieve this. The article concludes by addressing certain recent criticisms of the view of narrative expounded by this article.
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  31. John W. Carroll (1987). Ontology and the Laws of Nature. Australasian Journal of Philosophy 65 (3):261 – 276.score: 30.0
    An argument for realism (i.E., The ontological thesis that there exist universals) has emerged in the writings of david armstrong, Fred dretske, And michael tooley. These authors have persuasively argued against traditional reductive accounts of laws and nature. The failure of traditional reductive accounts leads all three authors to opt for a non-Traditional reductive account of laws which requires the existence of universals. In other words, These authors have opted for accounts of laws which (together with the fact that there (...)
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  32. Noël Carroll (2008). Review: On the Aesthetic Function of Art. [REVIEW] Philosophical Quarterly 58 (233):732 - 740.score: 30.0
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  33. Noël Carroll (2010). At the Crossroads of Ethics and Aesthetics. Philosophy and Literature 34 (1):pp. 248-259.score: 30.0
    Art, Emotion, and Ethics is a brilliant book with many important, useful, insightful, and even profound things to say about a range of topics including the relation of the imagination to art, understanding, and ethics, and the paradox of fiction, as well as sensitive and in-depth interpretations of masterpieces by the likes of Rembrandt and Nabokov. It is very convincing in its jousts with autonomists for people like me who favor the view that sometimes ethical blemishes are aesthetic blemishes and (...)
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  34. John Carroll (1990). The Humean Tradition. Philosophical Review 99 (2):185-219.score: 30.0
  35. Joseph Carroll (2008). The Cuckoo's History: Human Nature in Wuthering Heights. Philosophy and Literature 32 (2):pp. 241-257.score: 30.0
    Wuthering Heights has proved exceptionally elusive to interpretation. By foregrounding the idea of human nature, Darwinian literary theory provides a framework within which we can assimilate previous insights about Wuthering Heights , delineate the norms Brontë shares with her projected audience, analyze her divided impulses, and explain the generic forms in which those impulses manifest themselves. Brontë herself presupposes a folk understanding of human nature in her audience. Evolutionary psychology converges with that folk understanding but provides explanations that are broader (...)
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  36. William E. Carroll (2008). Divine Agency, Contemporary Physics, and the Autonomy of Nature. Heythrop Journal 49 (4):582-602.score: 30.0
  37. Noël Carroll (1999). Philosophy of Art: A Contemporary Introduction. Routledge.score: 30.0
    Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It aims to introduce the techniques of analytic philosophy in addition to a selection of the major topics in this field of inquiry. These include the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art, as well as historical approaches to the nature of art. Throughout the book, abstract philosophical theories are illustrated by examples of both traditional (...)
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  38. Noël Carroll (2010). Movies, the Moral Emotions, and Sympathy. Midwest Studies in Philosophy 34 (1):1-19.score: 30.0
  39. Noël Carroll (2002). Aesthetic Experience Revisited. British Journal of Aesthetics 42 (2):145-168.score: 30.0
    In this article I divide theories of aesthetic experience into three sorts: the affectoriented approach, the axiologically oriented approach, and the content-oriented approach. I then go on to defend a version of the content-oriented approach.
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  40. J. Carroll (1997). Review. Laws of Nature: Essays on the Philosophical, Scientific and Historical Dimension. Friedel Weinert (Ed). British Journal for the Philosophy of Science 48 (4):625-627.score: 30.0
  41. John Gibson & Noel Carroll (eds.) (2011). Narrative, Emotion, and Insight. Penn State UP.score: 30.0
    While narrative has been one of liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? Narrative, Emotion, and Insight explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The book (...)
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  42. Noël Carroll (1996). Moderate Moralism. British Journal of Aesthetics 36 (3):223-238.score: 30.0
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  43. Noël Carroll (2010). Art in Three Dimensions. Oxford University Press.score: 30.0
    Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art.
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  44. Noel Carroll (1998). Moderate Moralism Versus Moderate Autonomism. British Journal of Aesthetics 38 (4):419-424.score: 30.0
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  45. Sean Carroll (2005). Why (Almost All) Cosmologists Are Atheists. Faith and Philosophy 22 (5):622-635.score: 30.0
    Science and religion both make claims about the fundamental workings of the universe. Although these claims are not a priori incompatible (we could imaginebeing brought to religious belief through scientific investigation), I will argue that in practice they diverge. If we believe that the methods of science can be used to discriminate between fundamental pictures of reality, we are led to a strictly materialist conception of the universe. While the details of modern cosmology are not a necessary part of this (...)
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