Search results for 'Kevin Hopkins' (try it on Scholar)

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  1. Kevin Hopkins & Christopher Roederer (2004). Righting the Wrongs of Apartheid Justice for Victims and Unjust Profiteers. Theoria 51 (105):129-153.score: 120.0
  2. Paul Jeffrey Hopkins (1987). Jeffrey Hopkins Responds to David Tracy. Buddhist-Christian Studies 7.score: 120.0
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  3. James Hopkins, Mind as Metaphor: A Physicalistic Approach to the Problem of Consciousness.score: 60.0
    In what follows I present an approach to the problem of consciousness, which I take to be suggested by Wittgenstein's remarks on sensation. As sketched here, this consists of a number of empirical hypotheses about the mind and how we represent it, and a series of arguments that these hypotheses explain phenomena which constitute the problem of consciousness, in such a way as to render them neither mysterious nor problematic.
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  4. Robert Hopkins (1998). Picture, Image and Experience: A Philosophical Inquiry. Cambridge University Press.score: 60.0
    How do pictures represent? In this book Robert Hopkins casts new light on an ancient question by connecting it to issues in the philosophies of mind and perception. He starts by describing several striking features of picturing that demand explanation. These features strongly suggest that our experience of pictures is central to the way they represent, and Hopkins characterizes that experience as one of resemblance in a particular respect. He deals convincingly with the objections traditionally assumed to be (...)
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  5. David Hopkins & Anna Katharina Schaffner (eds.) (2006). Neo-Avant-Garde. Rodopi.score: 60.0
    'ART' AND 'LIFE'... AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT- GARDE IRONY DAVID HOPKINS Peter Bürger charges avant-garde art of the and 60s ...
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  6. Steven P. Hopkins (2007). An Ornament for Jewels: Love Poems For The Lord of Gods, by Vedantadesika. OUP USA.score: 60.0
    In this companion volume to Singing the Body of God (Oxford 2002), Steven P. Hopkins has translated into contemporary American English verse poems written by the South Indian Srivaisnava philosopher and saint-poet Venkatesa (c. 1268-1369). These poems, in three different languages - Sanskrit, Tamil, and Maharastri Prakrit -- composed for one particular Hindu god, Vishnu Devanayaka, the "Lord of Gods" at Tiruvahindrapuram, form a microcosm of the saint-poet's work. They encompass major themes of Venkatesa's devotional poetics, from the play (...)
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  7. Richard Wollheim & James Hopkins (eds.) (1982). Philosophical Essays on Freud. Cambridge University Press.score: 60.0
    Philosophers are increasingly coming to recognize the importance of Freudian theory for the understanding of the mind. The picture Freud presents of the mind's growth and organization holds implications not just for such perennial questions as the relation of mind and body, the nature of memory and personal identity, the interplay of cognitive and affective processes in reasoning and acting, but also for the very way in which these questions are conceived and an interpretation of the mind is sought. This (...)
     
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  8. Jim Hopkins (1973). Visual Geometry. Philosophical Review 82 (1):3-34.score: 30.0
    We cannot imagine two straight lines intersecting at two points even though they may do so. In this case our abilities to imagine depend upon our abilities to visualise.
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  9. Robert Hopkins (2005). Aesthetics, Experience, and Discrimination. Journal of Aesthetics and Art Criticism 63 (2):119–133.score: 30.0
    Can indistinguishable objects differ aesthetically? Manifestationism answers ‘no’ on the grounds that (i) aesthetically significant features of an object must show up in our experience of it; and (ii) a feature—aesthetic or not—figures in our experience only if we can discriminate its presence. Goodman’s response to Manifestationism has been much discussed, but little understood. I explain and reject it. I then explore an alternative. Doubles can differ aesthetically provided, first, it is possible to experience them differently; and, second, those experiences (...)
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  10. Robert Hopkins (2004). Painting, Sculpture, Sight, and Touch. British Journal of Aesthetics 44 (2):149-166.score: 30.0
    I raise two questions that bear on the aesthetics of painting and sculpture. First, painting involves perspective, in the sense that everything represented in a painting is represented from a point, or points, within represented space; is sculpture also perspectival? Second, painting is specially linked to vision; is sculpture linked in this way either to vision or to touch? To clarify the link between painting and vision, I describe the perspectival structure of vision. Since this is the same structure we (...)
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  11. Robert Hopkins (2005). Thomas Reid on Molyneux's Question. Pacific Philosophical Quarterly 86 (3):340-364.score: 30.0
    Reid’s discussion of Molyneux’s question has been neglected. The Inquiry discusses the question twice, offering opposing answers. The first discussion treats the underlying issue as concerning common perceptibles of touch and vision, and in particular whether in vision we originally perceive depth. Although it is tempting to treat the second discussion as doing the same, this would render pointless various novel features Reid introduces in reformulating Molyneux’s question. Rather, the issue now is whether the blind can form a reasonable conception (...)
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  12. Robert Hopkins (2005). Molyneux's Question. Canadian Journal of Philosophy 35 (3):441-464.score: 30.0
    What philosophical issue or issues does Molyneux’s question raise? I concentrate on two. First, are there any properties represented in both touch and vision? Second, for any such common perceptible, is it represented in the same way in each, so that the two senses support a single concept of that property? I show that there is space for a second issue here, describe its precise relations to Molyneux’s question, and argue for its philosophical significance. I close by arguing that Gareth (...)
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  13. Robert Hopkins (2006). Painting, History, and Experience. Philosophical Studies 127 (1):19 - 35.score: 30.0
    Two themes run through Wollheim’s work: the importance of history to the practice and appreciation of the arts, and the centrality of experience in appreciation. Prima facie, these are in tension. Reconciling them requires two steps. First, adopt a notion of experience on which features can be experienced even if we must have experience-independent access to the fact that the work exhibits them. Second, state what makes a particular experience appropriate to the work. What does so? Although Wollheim toyed with (...)
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  14. Burt C. Hopkins (2006). Husserl's Psychologism, and Critique of Psychologism, Revisited. Husserl Studies 22 (2):91-119.score: 30.0
  15. Robert Hopkins (1995). Explaining Depiction. Philosophical Review 104 (3):425-455.score: 30.0
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  16. Robert Hopkins (1994). Resemblance and Misrepresentation. Mind 103 (412):421-438.score: 30.0
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  17. Burt C. Hopkins (1997). Eugene Fink, Sixth Cartesian Meditation: The Idea of a Transcendental Theory of Method. [REVIEW] Husserl Studies 14 (1):61-74.score: 30.0
  18. Robert Hopkins (1997). El Greco's Eyesight: Interpreting Pictures and the Psychology of Vision. Philosophical Quarterly 47 (189):441-458.score: 30.0
    There is a common assumption about pictures, that seeing them produces in us something like the same effects as seeing the things they depict. This assumption lies behind much empirical research into vision, where experiments often expose subjects to pictures of things in order to investigate the processes involved in cognizing those things themselves. Can philosophy provide any justification for this assumption? I examine this issue in the context of Flint Schier's account of pictorial representation. Schier attempts to infer the (...)
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  19. Jasper Hopkins (2002). Nicholas of Cusa (1401–1464): First Modern Philosopher? Midwest Studies in Philosophy 26 (1):13–29.score: 30.0
    Ever since Ernst Cassirer in his epochal book Individuum und Kosmos in der Philosophie der Renaissance1 labeled Nicholas of Cusa “the first modern thinker,” interest in Cusa’s thought has burgeoned. At various times, both before and after Cassirer, Nicholas has been viewed as a forerunner of Leibniz,2 a harbinger of Kant,3 a prefigurer of Hegel,4 indeed, as an anticipator of the whole of..
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  20. Burt Hopkins (2001). The Husserl-Heidegger Confrontation and the Essential Possibility of Phenomenology: Edmund Husserl, Psychological and Transcendental Phenomenology and the Confrontation with Heidegger. [REVIEW] Husserl Studies 17 (2):125-148.score: 30.0
  21. Robert Hopkins (2000). Touching Pictures. British Journal of Aesthetics 40 (1):149-167.score: 30.0
    Congenitally blind people can make and understand ‘tactile pictures’ – representations form of raised ridges on flat surfaces. If made visible, these representations can serve as pictures for the sighted. Does it follow that we should take at face value the idea that they are pictures made for touch? I explore this question, and the related issue of the aesthetics of ‘tactile pictures’ by considering the role in both depiction and pictorial aesthetics of experience, and by asking how far the (...)
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  22. Robert Hopkins (2003). What Makes Representational Painting Truly Visual? Aristotelian Society Supplementary Volume 77 (1):149–167.score: 30.0
    I offer two, complementary, accounts of the visual nature of representational picturing. One, in terms of six features of depiction, sets an explanatory task. The other, in terms of the experience to which depiction gives rise, promises to meet that need. Elsewhere I have offered an account of this experience that allows this promise to be fulfilled. I sketch that view, and defend it against Wollheim's claim that it cannot meet certain demands on a satisfactory account. I then turn to (...)
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  23. Burt C. Hopkins (1985). Derrida's Reading of Husserl in Speech and Phenomena: Ontologism and the Metaphysics of Presence. [REVIEW] Husserl Studies 2 (2):193-214.score: 30.0
  24. Jasper Hopkins (2005). The Philosophy of Anselm. British Journal for the History of Philosophy 13 (4):745 – 753.score: 30.0
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  25. Robert Hopkins (2003). Review: Invariances: The Structure of the Objective World. [REVIEW] Mind 112 (447):558-563.score: 30.0
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  26. James Hopkins, Representation of the Inner and the Concept of Mind.score: 30.0
    Three philosophical problems -- the problem of the external world, the problem of other minds, and the problem of consciousness -- seem rooted in the way we conceive experience. We tend to think of our experiences as having a nature which is radically distinct from that of the world which they present to us. This emerges in a series of oppositions as between experience and the world, which we can set out as follows.
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  27. Burt C. Hopkins (1991). Phenomenological Self-Critique of its Descriptive Method. Husserl Studies 8 (2):129-150.score: 30.0
  28. Charles Hopkins & Rosalyn McKeown (2001). Education for Sustainable Development: Past Experience., Present Action and Future Prospects. Educational Philosophy and Theory 33 (2):231–244.score: 30.0
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  29. Willie E. Hopkins & Shirley A. Hopkins (1999). The Ethics of Downsizing: Perceptions of Rights and Responsibilities. [REVIEW] Journal of Business Ethics 18 (2):145 - 156.score: 30.0
    Within the context of employee rights and management social responsibility, this paper identifies and explores three ethical dimensions of downsizing. Using ANOVA and Scheffe post-hoc statistical techniques, groups involved in the downsizing decision making process were compared with groups affected by the process on each ethical dimension. Results indicated that those affected by the process attached greater ethical significance to these dimensions than those who were involved in formulating and implementing/communicating downsizing decisions.
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  30. James Hopkins (1978). Mental States, Natural Kinds and Psychophysical Laws. Proceedings of the Aristotelian Society 221:221-236.score: 30.0
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  31. Robert Hopkins (1998). Book Reviews. [REVIEW] British Journal of Aesthetics 38 (3):283-286.score: 30.0
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  32. Robert Hopkins (1997). Book Reviews. [REVIEW] British Journal of Aesthetics 37 (3):283-286.score: 30.0
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  33. James Hopkins (2000). Evolution, Consciousness, and the Internality of the Mind. In Peter Carruthers & A. Chamberlain (eds.), Evolution and the Human Mind. Cambridge University Press. 276.score: 30.0
    The problem of consciousness seems to arise from experience itself. As we shall consider in more detail below, we are strongly disposed to contrast conscious experience with the physical states or events by which we take it to be realized. This contrast gives rise to dualism and other problems of mind and body. In this chapter I argue that these problems can usefully be considered in the perspective of evolution.
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  34. Steven P. Hopkins (2004). Lovers, Messengers, and Beloved Landscapes: Sandeśakāvya in Comparative Perspective. [REVIEW] International Journal of Hindu Studies 8 (1-3):29-55.score: 30.0
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  35. Louis J. Hopkins (1943). Current Thought: Scientific Method and the Concept of Emergence. Personalist 24:77-78.score: 30.0
     
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  36. C. W. Hyatt & W. Hopkins (1994). Self-Awareness in Bonobos and Chimpanzees: A Comparative Perspective. In S. T. Parker, R. Mitchell & M. L. Boccia (eds.), Self-Awareness in Animals and Humans: Developmental Perspectives. Cambridge University Press.score: 30.0
     
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  37. I. Sukhotinsky, V. Zalkind, J. Lu, D. A. Hopkins, B. Saper & M. Devor (2007). Neural Pathways Associated with Loss of Consciousness Caused by Intracerebral Microinjection of GABA-Sub(A)-Active Anesthetics. European Journal of Neuroscience 25 (5):1417-1436.score: 30.0
     
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  38. Brian Francis Scarlett (2012). Obituary: William Kevin Presa. Sophia 51 (4):581-582.score: 18.0
    In this obituary, I detail the life and contribution of William Kevin Presa.
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  39. J. Kevin O'Regan & Ned Block (2012). Discussion of J. Kevin O'Regan's “Why Red Doesn't Sound Like a Bell: Understanding the Feel of Consciousness”. Review of Philosophy and Psychology 3 (1):89-108.score: 15.0
    Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness” Content Type Journal Article Pages 1-20 DOI 10.1007/s13164-012-0090-7 Authors J. Kevin O’Regan, Laboratoire Psychologie de la Perception, CNRS - Université Paris Descartes, Centre Biomédical des Saints Pères, 45 rue des Sts Pères, 75270 Paris cedex 06, France Ned Block, Departments of Philosophy, Psychology and Center for Neural Science, New York University, 5 Washington Place, New York, NY 10003, USA Journal Review of (...)
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  40. Knight Dunlap (1917). The Johns Hopkins Chronoscope. Journal of Experimental Psychology 2 (3):249-252.score: 15.0
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  41. B. Nanay (2012). The Philosophical Implications of the Perky Experiments: Reply to Hopkins. Analysis 72 (3):439-443.score: 12.0
    The Perky experiments are taken to demonstrate the phenomenal similarity between perception and visualization. Robert Hopkins argues that this interpretation should be resisted because it ignores an important feature of the experiments, namely, that they involve picture perception, rather than ordinary seeing. My aim is to point out that the force of this argument depends on one’s views on picture perception. On what I take to be the most mainstream account of picture perception, Hopkins’s argument does not work. (...)
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  42. Herbert Hochberg & Kevin Mulligan (2005). Review of Herbert Hochberg, Kevin Mulligan (Eds.), Relations and Predicates. [REVIEW] Notre Dame Philosophical Reviews 2005 (10).score: 12.0
    This book is presumably a collection of essays delivered at a conference, though it's hard to say. There is no cover description and the editors' introduction, where this information might have been found, is missing from the volume (at least from my copy) in spite of being listed in the table of contents. A curious editorial slip. In fact, from an editorial perspective this book is a disaster. Not only is the format reminiscent of those camera ready volumes that jammed (...)
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  43. Gavin McIntosh (2003). Depiction Unexplained: Peacocke and Hopkins on Pictorial Representation. British Journal of Aesthetics 43 (3):279-288.score: 12.0
    My aim is to show that the accounts of depiction offered by Christopher Peacocke and Robert Hopkins assume rather than explain one of the central features of depiction. This feature is pictorial realism. It is a constraint upon any adequate theory of depiction that it be able to explain pictorial realism; however, Peacocke and Hopkins seek to meet this constraint by employing the notion of resemblance. I raise three problems with Peacocke's account and point out an error in (...)
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  44. C. Abell (2005). McIntosh's Unrealistic Picture of Peacocke and Hopkins on Realistic Pictures. British Journal of Aesthetics 45 (1):64-68.score: 12.0
    I defend Christopher Peacocke's and Robert Hopkins's experienced resemblance accounts of depiction against criticisms put forward by Gavin McIntosh in a recent article in this journal. I argue that, while there may be reasons for rejecting Peacocke's and Hopkins's accounts, McIntosh fails to provide any.
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  45. Christian Lotz & Corinne Painter (2012). Husserl as the Modern Plato? On Hopkins' Reading of Husserl. Comparative and Continental Philosophy 3 (2):255-268.score: 12.0
    Reviewed: The Philosophy of Husserl, by Burt C. Hopkins. Mc-Gill-Queen’s University Press, 2010. 290 pp., pb. $22.95, ISBN-13: 9780773538238; hb. $95, ISBN-13: 978-0773538221. Burt Hopkins’s The Philosophy of Husserl presents a challenging and thoughtful elucidation of Husserl’s phenomenology that pays special attention to important methodological aspects of Husserl’s philosophy, and, thereby, to Husserl’s characterization of phenomenology as a pure and transcendental philosophy. Unlike other texts that attempt to elucidate Husserl’s philosophy, Hopkins carries out his project in an (...)
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  46. Anita Konzelmann Ziv, Knowledge, Emotion, Value and Inner Normativity: KEVIN Probes Collective Persons. Philosophical Papers Dedicated to Kevin Mulligan.score: 12.0
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  47. Kevin C. Klement (2012). Kevin C. Klement. Theoria 78:146-167.score: 12.0
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  48. Nicholas Wolterstorff (2013). Reply to Kevin Carnahan and Erik A. Anderson. Philosophia 41 (2):429-435.score: 12.0
    In my response to Kevin Carnahan, I explain the concept of religion that I have been working with in my writings on the place of religious reasons in public political discourse. While acknowledging that religion is often privatized, my concern has been with religion as a way of life. It is religion so understood that raises the most serious issues concerning the role of religion in public discourse. In my response to Erik A. Anderson, I go beyond what I (...)
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  49. Kevin Kelly, Kevin Kelly, Oliver Schulte, Vincent Hendricks.score: 12.0
    Philosophical logicians proposing theories of rational belief revision have had little to say about whether their proposals assist or impede the agent's ability to reliably arrive at the truth as his beliefs change through time. On the other hand, reliability is the central concern of formal learning theory. In this paper we investigate the belief revision theory of Alchourron, Gardenfors and Makinson from a learning theoretic point of view.
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  50. Gregory E. Ganssle (2005). Metaphysics, Ethics and Personhood: A Response to Kevin Corcoran. Faith and Philosophy 22 (3):370-376.score: 12.0
    In a recent issue of this journal, Kevin Corcoran has argued that the metaphysical theory one holds to about the nature of human persons is irrelevant to the sort of ethical questions that occupy bioethicists as well as the general public. Specifically, he argues that whether one holds a constitution view of human persons, an animalist view, or a substance dualist view, the real work in one’s ethical reasoning is done by certain moral principles rather than by metaphysical ones. (...)
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