Search results for 'Kieran Mathieson' (try it on Scholar)

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  1. Kieran Mathieson (2007). Towards a Design Science of Ethical Decision Support. Journal of Business Ethics 76 (3):269 - 292.score: 120.0
    Ethical decision making involves complex emotional, cognitive, social, and philosophical challenges. Even if someone wants to be ethical, he or she may not have clearly articulated what that means, or know how to go about making a decision consistent with his or her values. Information technology may be able to help. A decision support system could offer individuals and groups some guidance, assisting them in making a decision that reflects their underlying values. The first step towards a design science of (...)
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  2. Kieran Mathieson (2005). Factors Predicting Intention to Enroll in a Philosophy of Life Course. Journal of Academic Ethics 2 (4):367-385.score: 120.0
    This research examined factors predicting university students' intentions to enroll in a philosophy of life course. One hundred and ninety subjects participated in two surveys. The first was qualitative, identifying factors students considered in forming intentions, but without ranking the factors. The second study used a quantitative model to predict student intentions from their beliefs about the course, themselves, and other people. The model was based on Ajzen's theory of planned behavior, a theory that successfully predicts many different behaviors. Analysis (...)
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  3. Matthew Kieran (2010). Teaching & Learning Guide For: Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value. Philosophy Compass 5 (5):426-431.score: 60.0
    Up until fairly recently it was philosophical orthodoxy – at least within analytic aesthetics broadly construed – to hold that the appreciation and evaluation of works as art and moral considerations pertaining to them are conceptually distinct. However, following on from the idea that artistic value is broader than aesthetic value, the last 15 years has seen an explosion of interest in exploring possible inter-relations between the appreciative and ethical character of works as art. Consideration of these issues has a (...)
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  4. Matthew Kieran (2005). Revealing Art. Routledge.score: 60.0
    Why does art matter to us, and what makes good art? Why is the role of imagination so important in art? Illustrated with carefully chosen color and black-and-white plates of examples from Michelangelo to Matisse and Poussin to Jackson Pollock, Revealing Art explores some of the most important questions we can ask about art. Matthew Kieran clearly but forcefully asks how art inspires us and disgusts us and whether artistic judgment is simply a matter of taste, and if art (...)
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  5. Matthew Kieran (2006). Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value. Philosophy Compass 1 (2):129–143.score: 30.0
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  6. Matthew Kieran & Dominic Lopes (eds.) (2003). Imagination, Philosophy, and the Arts. Routledge.score: 30.0
    Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. Imagination, Philosophy and the Arts represents the work of fifteen young yet distinguished philosophers of art, who critically examine just how and in what form the notion of imagination illuminates fundamental problems in the philosophy of art. All new papers, a strong collection on the imagination (...)
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  7. Matthew Kieran (2010). The Vice of Snobbery: Aesthetic Knowledge, Justification and Virtue in Art Appreciation. Philosophical Quarterly 60 (239):243-263.score: 30.0
    Apparently snobbery undermines justification for and legitimacy of aesthetic claims. It is also pervasive in the aesthetic realm, much more so than we tend to presume. If these two claims are combined, a fundamental problem arises: we do not know whether or not we are justified in believing or making aesthetic claims. Addressing this new challenge requires an epistemological story which underpins when, where and why snobbish judgement is problematic, and how appreciative claims can survive. This leads towards a virtue-theoretic (...)
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  8. Matthew Kieran (ed.) (2006). Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub..score: 30.0
    Contemporary Debates in Aesthetics and the Philosophy of Art features pairs of newly commissioned essays by some of the leading theorists working in the field today. Brings together fresh debates on eleven of the most controversial issues in aesthetics and the philosophy of art Topics addressed include the nature of beauty, aesthetic experience, artistic value, and the nature of our emotional responses to art. Each question is treated by a pair of opposing essays written by eminent scholars, and especially commissioned (...)
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  9. Matthew Kieran (2001). Pornographic Art. Philosophy and Literature 25 (1):31-45.score: 30.0
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  10. Matthew Kieran (1996). Art, Imagination, and the Cultivation of Morals. Journal of Aesthetics and Art Criticism 54 (4):337-351.score: 30.0
  11. Matthew Kieran (2002). On Obscenity: The Thrill and Repulsion of the Morally Prohibited. Philosophy and Phenomenological Research 64 (1):31-55.score: 30.0
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  12. Matthew Kieran (1997). Aesthetic Value: Beauty, Ugliness and Incoherence. Philosophy 72 (281):383 - 399.score: 30.0
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  13. Matthew Kieran (2008). Why Ideal Critics Are Not Ideal: Aesthetic Character, Motivation and Value. British Journal of Aesthetics 48 (3):278-294.score: 30.0
    On a contemporary Humean-influenced view, the responses of suitably idealized appreciators are presented as tracking, or even determining, facts about artistic value. Focusing on the intra-personal case, this paper argues that (i) facts about the refinement and reconfiguration of aesthetic character together with (ii) the manner in which autobiography and character are implicated in artistic appreciation make it de facto unlikely that we can reliably come to know how our ideal counterpart would respond to a given artwork. Attribution of superhuman (...)
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  14. Chris Mathieson (2000). Reining in Chalmers: On the Logical Possibility of Zombies. Canadian Undergraduate Journal of Philosophy.score: 30.0
  15. Aaron Meskin, Mark Phelan, Margaret Moore & Matthew Kieran (2013). Mere Exposure to Bad Art. British Journal of Aesthetics 53 (2):139-164.score: 30.0
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  16. Matthew Kieran (1995). The Impoverishment of Art. British Journal of Aesthetics 35 (1):15-25.score: 30.0
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  17. Matthew Kieran (2001). Hume, Holism and Miracles by David Johnson, Cornell University Press, Ithaca and London, 1999, Pp. 106 £22.95 Hb. Philosophy 76 (2):312-327.score: 30.0
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  18. Matthew Kieran (1996). In Defence of Critical Pluralism. British Journal of Aesthetics 36 (3):239-251.score: 30.0
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  19. Matthew Kieran (1997). A Divine Intimation: Appreciating Natural Beauty. [REVIEW] Journal of Value Inquiry 31 (1):77-95.score: 30.0
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  20. M. Kieran (2001). In Defence of the Ethical Evaluation of Narrative Art. British Journal of Aesthetics 41 (1):26-38.score: 30.0
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  21. Matthew Kieran (2003). Introduction. Philosophical Papers 32 (3):235-241.score: 30.0
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  22. Matthew Kieran (1998). Valuing Emotions by Michael Stocker with Elizabeth Hegeman. Cambridge University Press, 1996, Pp. XXVIII + 353. £45.00 Hb, £15.95 Pb. [REVIEW] Philosophy 73 (2):305-324.score: 30.0
  23. Matthew Kieran (ed.) (2005). Contemporary Debates in Aesthetics and Philosophy of Art. Blackwell.score: 30.0
    The contributions to this volume provide a thorough introduction to the major topics in contemporary aesthetics and the philosophy of art, in the distinctive format of philosophers engaging in head-to-head debate at a level accessible to ...
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  24. Matthew Kieran (2002). Review: A Theory of Art. [REVIEW] Mind 111 (441):81-84.score: 30.0
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  25. Matthew Kieran (1995). Against Art Theory. Cogito 9 (1):41-48.score: 30.0
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  26. Matthew Kieran (1995). Violent Films. Philosophy Now 12:15-18.score: 30.0
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  27. M. Kieran (1996). In Defence of Critical Pluralism. British Journal of Aesthetics 36 (3):239-251.score: 30.0
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  28. Matthew Kieran (1996). Book Reviews. [REVIEW] British Journal of Aesthetics 36 (4):443-445.score: 30.0
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  29. Greg Currie, Aaron Meskin, Matthew Kieran & Jon Robson (eds.) (forthcoming). Aesthetics and the Sciences of the Mind. Oxford University Press.score: 30.0
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  30. Matthew Kieran (2003). Art and Morality. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford. 451--470.score: 30.0
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  31. Matthew Kieran (2007). Artistic Character, Creativity, and the Appraisal of Conceptual Art. In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press. 197.score: 30.0
     
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  32. Matthew Kieran (2009). Artistic Character, Creativity, and the Appreciation of Conceptual Art. In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oup Oxford.score: 30.0
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  33. Matthew Kieran (2002). A Theory of Art. Mind 111 (441):81-84.score: 30.0
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  34. Matthew Kieran (1997). Book Reviews. [REVIEW] British Journal of Aesthetics 37 (3):443-445.score: 30.0
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  35. Matthew Kieran (2012). Creative Characters. The Philosophers' Magazine 58:13-15.score: 30.0
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  36. Flanagan Kieran, Copland David, Chenery Helen, Byrne Gerard & Angwin Anthony (2012). Distinctive Semantic Feature Loss in Alzheimer's Disease. Frontiers in Human Neuroscience 6.score: 30.0
  37. Matthew Kieran (2009). Emotions, Art, and Immorality. In Peter Goldie (ed.), The Oxford Handbook of Philosophy of Emotion. Oup Oxford.score: 30.0
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  38. Matthew Kieran (1992). Euro Disney: European Fantasia or Nightmare? Animus: A Cultural Review 1:27-31.score: 30.0
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  39. Matthew Kieran (2003). Forbidding Knowledge: The Challenge of Immoralism. In Jose Luis Bermudez & Sebastian Gardner (eds.), Art and Morality. Routledge.score: 30.0
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  40. Matthew Kieran (2012). For the Love of Art: Artistic Values and Appreciative Virtue. Royal Institute of Philosophy Supplement 71:13-31.score: 30.0
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  41. Matthew Kieran (forthcoming). Incoherence and Musical Appreciation. Journal of Aesthetic Education.score: 30.0
     
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  42. Matthew Kieran (2003). In Search of a Narrative. In Matthew Kieran & Dominic Lopes (eds.), Imagination, Philosophy, and the Arts. Routledge. 69--87.score: 30.0
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  43. David Kieran (2012). Invisible War: The United States and the Iraq Sanctions by Joy Gordon. Human Rights Review 13 (1):125-127.score: 30.0
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  44. Matthew Kieran (2011). Knowledge: Aesthetic Psychology and Appreciative Virtues. In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. 32.score: 30.0
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  45. M. Kieran (1998). O'Neill, O.-Towards Justice and Virtue. Philosophical Books 39:202-203.score: 30.0
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  46. Matthew Kieran (2012). Painter at the Court of Milan. The Philosophers' Magazine 57 (57):12-15.score: 30.0
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  47. Matthew Kieran (forthcoming). Relative Values in Art. Journal of Aesthetic Education.score: 30.0
     
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  48. Dan Kieran (2012). The Idle Traveller. Aa.score: 30.0
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  49. M. L. Kieran (2013). Tragedy Versus Comedy: On Why Comedy is the Equal of Tragedy. Ethical Perspectives 20 (2).score: 30.0
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  50. Matthew Kieran (2001). Value of Art. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.score: 30.0
     
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