There is currently a gap between assessment and intervention in the literature concerned with climate change and food. While intervention is local and context dependent, current assessments are usually global and abstract. Available assessments are useful for understanding the scale of the effects of climate change and they are ideal for motivating arguments in favor of mitigation and adaptation. However, adaptation projects need assessments that can provide data to support their efforts. This requires the adoption of a more local and (...) context-sensitive approach to assessments. I suggest that Community-Based Participatory Research has the potential to be a tool for such an approach. (shrink)
Business ethics has gained much attention over the past decade in both work and educational settings. This study used a version of Lysonski and Gaidis' (1991) ethical vignettes to examine by gender the ethical views of 165 Canadian undergraduate management students, to examine the psychometric properties and construct validity of the instrument, and to determine if the instrument is a useful tool for introducing undergraduates to the topic of ethics in management practice. Results showed that while the instrument is (...) a useful teaching tool, it has psychometric and validity inadequacies that need to be corrected. (shrink)
This paper compares the ethical decisions and attitudes of business students and practitioners. Recent unpublished data from a national study of over 1600 students are contrasted with information reported previously. Students are found consistently to make less ethical choices than practitioners, and there is some indication that students are making less ethical choices in the 1980s than in the 1960s. In addition, both students and practitioners agree that buyers should beware, view the role of business more narrowly, and find fewer (...) incentives to behave ethically over time. Codes of ethics appear to be less influential than the individual''s strong personal value system and one''s superiors behaving ethically; support for codes is declining. The paper concludes with observations about the limitations and possibilities for survey research in this area drawing on other studies that used the same instrument utilized for this paper. Some implications for future research are suggested. (shrink)
Philosophical theories that take analysis as their methodological centerpiece compare objects and events by setting them in individual relations to one another. For Bergson, this privileging of discontinuity, which requires picking the processes of change apart, is driven by the adaptive needs of our species but does not probe into the essence of reality. For him, the ontological point of departure is not a series of discrete states or events, but rather the temporal continuity in which they flow: a qualitative (...) multiplicity he refers to as durée. In this article, I will examine the echoes of Bergson's theory of durée in two inaugural figures of architectural modernism: the Catalan Antoni Gaudí and the Austrian Adolf Loos. The deep consonance between Gaudí and Loos, all the more surprising given their antithetical aesthetics, offers a view of architecture as the framing of an unbounded flux. This is what I have called the durational life of their respective cities, captured in a state of permanent self-transformation. (shrink)
The authors present a comprehensive synthesis and evaluation of the published scales measuring the components of the decision making process in ethical situations using the Hunt-Vitell (1993) theory of ethics as a framework to guide the research. Suggestions for future scale development are also provided.
As more and more multi-national companies expand their operations globally, their responsibilities extend beyond not only the economic motive of profitability but also other social and environmental factors. The objective of this article is to examine the impact of national culture and geographic environment on firms’ corporate social performance (CSP). Empirical tests are based on a global CSP database of companies from 49 countries. Results show that the Hofstede’s cultural dimensions are significantly associated with CSP. In addition, European companies are (...) found to out-perform other regions and countries in CSP. (shrink)
Jamake Highwater is a master storyteller and one of our most visionary writers, hailed as "an eloquent bard, whose words are fire and glory" (Studs Terkel) and "a writer of exceptional vision and power" (Ana"is Nin). Author of more than thirty volumes of nonfiction, fiction, and poetry, Highwater--considered by many to be the intellectual heir of Joseph Campbell--has long been intrigued by how our mythological legacies have served as a foundation of modern civilization. Now, in The Mythology of Transgression, he (...) uses his remarkable narrative powers to offer a personal and extraordinarily far-ranging examination of how people who stand outside of society--by dint of their sexual orientation, physical appearance, ideas, artistic inclinations, or ethnic heritage--often achieve lasting, even profound influence upon the culture at large. Drawing from a stunningly rich variety of sources ranging from the arts and literature to biology, physics, psychology, and anthropology, Highwater looks at his own outsider status--as a gay man, an artist, and an orphaned Native American--in an attempt to explore how mythologies from ancient times to the present have shaped the ways we think about social "abnormality" and alienation. Throughout, he points to a paradox at the center of Western values--the competing notions that the outsider is at once sinful and wise, that in everyday life the transgressor is ostracized, while in our most durable folklore and religious legends, heroes must break the rules to achieve greatness. Focusing in particular on homosexuality as a modern metaphor of transgression, Highwater brilliantly mixes personal anecdotes with wide ranging research, leading us on a tour through the history of social conformity and rejection, citing examples that span from Judeo-Christian-Islamic doctrines of good and evil, to the Navajo Nation's ambivalence toward the nature of sexuality, to Carson McCullers's treatment of physical deformity in the novella Member of the Wedding, to Descartes's theories of dualism. He also pays special attention to the debates currently raging in science regarding the biology of homosexuality and provides an engaging discussion of why we are motivated to seek a genetic basis of sexual orientation in the first place. Jamake Highwater has long been celebrated as a writer uniquely suited to give voice to the social outsider. Often provocative, always fascinating, The Mythology of Transgression is a tour de force of eloquent scholarship, a book that will prompt discussion and debate on the subject for years to come. (shrink)
How do creative people think? Do great works of the imagination originate in words or in images? Is there a rational explanation for the sudden appearance of geniuses like Mozart or Einstein? Such questions have fascinated people for centuries; only in recent years, however, has cognitive psychology been able to provide some clues to the mysterious process of creativity. In this revised edition of Notebooks of the Mind, Vera John-Steiner combines imaginative insight with scientific precision to produce a startling account (...) of the human mind working at its highest potential. To approach her subject John-Steiner goes directly to the source, assembling the thoughts of "experienced thinkers"--artists, philosophers, writers, and scientists able to reflect on their own imaginative patterns. More than fifty interviews (with figures ranging from Jessica Mitford to Aaron Copland), along with excerpts from the diaries, letters, and autobiographies of such gifted giants as Leo Tolstoy, Marie Curie, and Diego Rivera, among others, provide illuminating insights into creative activity. We read, for example, of Darwin's preoccupation with the image of nature as a branched tree while working on his concept of evolution. Mozart testifies to the vital influence on his mature art of the wondrous "bag of memories" he retained from childhood. Anais Nin describes her sense of words as oppressive, explaining how imagistic free association freed her as a writer. Adding these personal accounts to laboratory studies of thought process, John-Steiner takes a refreshingly holistic approach to the question of creativity. What emerges is an intriguing demonstration of how specific socio-cultural circumstances interact with certain personality traits to encourage the creative mind. Among the topics examined here are the importance of childhood mentor figures; the lengthy apprenticeship of the talented person; and the development of self- expression through highly individualistic languages, whether in images, movement or inner speech. Now, with a new introduction, this award-winning book provides an uniquely broad-based study of the origins, development and fruits of human inspiration. (shrink)
In 1931, Wittgenstein listed ten influences on his intellectual development: ‘I don’t believe I have ever invented a line of thinking,’ he wrote, ‘I have always taken one over from someone else. I have simply straightway seized upon it with enthusiasm for my work of clarification. That is how Boltzmann, Hertz, Schopenhauer, Frege, Russell, Kraus, Loos, Weininger, Spengler, Sraffa have influenced me.’1 The order in which these names occurs is probably the order in which Wittgenstein encountered them, or their ideas. (...) As we shall see, the title of this article derives from Kraus. But its subject is Loos’s influence on Wittgenstein. Loos is unique among the influences Wittgenstein acknowledged. He is the only one who made a major contribution to the arts - as an architect, and as a pioneer of modernism. He was not merely a critical and prophetic voice, as Kraus and Weininger and Spengler were, but a seminal force in the principal artistic movement of the twentieth century. Moreover, his influence on Wittgenstein is an especially interesting one, given this book’s theme, because it involves both Wittgenstein’s philosophical writings and the only other significant contribution he made to the arts, namely, the house which he built for his sister Margaret Stonborough- Wittgenstein between 1926 and 1928. As we shall see, Wittgenstein’s early conception of the nature and purpose of philosophy, which unfolded between 1914 and 1919, was influenced by Loos’s cultural criticism and theory of design. And the design of the house in Kundmanngasse would have been inconceivable without the example of Loos’s work, and the influence of his ideas. Accordingly, I shall divide this article into three parts. I shall begin by describing Loos’s principal ideas. Then I shall consider the house which Wittgenstein built for his sister. Finally, I shall comment on Loos’s influence on Wittgenstein’s philosophy. (shrink)
This collection of essays explores what makes modern mathematics ‘modern’, where ‘modern mathematics’ is understood as the mathematics done in the West from roughly 1800 to 1970. This is not the trivial matter of exploring what makes recent mathematics recent. The term ‘modern’ (or ‘modernism’) is used widely in the humanities to describe the era since about 1900, exemplified by Picasso or Kandinsky in the visual arts, Rilke or Pound in poetry, or Le Corbusier or Loos in architecture (a building (...) by the latter graces the cover of this book’s dust jacket). (shrink)
Toward the end of his monograph The Craftsman, the American philosopher Richard Sennett describes two different ways of building a house.1 The designer of the first house is the philosopher Ludwig Wittgenstein, and the designer of the second house is the architect Adolf Loos. Though both men embrace the same principles of the New Realism—"purity," "simplicity," and "honesty"—the results of these two builders are fundamentally different. Wittgenstein was not satisfied at all with his abode in the end. Though he says (...) it has "good manners," he accuses it of lacking a great deal of "primordial life." Therefore the Jewish philosopher will never build a house again, apart from his hut in Norway and his one house on the .. (shrink)
Paul Engelmann hat über zwanzig Jahre seines Lebens an einer systematischen Darstellung der Psychologie mittels einer von ihm entwickelten graphischen Methode gearbeitet. Das Resultat dieser Arbeit bildet seine Psychologie graphisch dargestellt, die sich in seinem Nachlaß befindet. In diesem Werk will Engelmann die Klärung geistiger Aufgabengebiete, wie sie seine Lehrer Karl Kraus, Adolf Loos und Ludwig Wittgenstein betrieben haben, in der Psychologie fortsetzen. Hierbei fiihrt er Freuds Methode weiter, psychische Erscheinungen räumlich darzustellen, und wendet die Bildtheorie Wittgensteins auf seine Theorie (...) psychischer Vorgänge an. (shrink)
Ontology of Construction explores theories of construction in modern architecture, with a particular focus on the relationship between nihilism of technology and architecture. Providing an historical context to the concept of making, the essays collected in this volume articulate the implications of technology in works by such architects as Le Corbusier, Frank Lloyd Wright, Adolf Loos, and Mies van der Rohe. Also provided is an interpretation of Gottfried Semper's discourse on the Tectonic and the relationship between architecture and other crafts. (...) Emphasising 'fabrication' as a critical theme for contemporary architectural theory and practice, Ontology of Construction is a provocative contribution to the current debate in these areas. (shrink)
