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  1. Lawrence W. Hyman (1989). Art's Autonomy is its Morality: A Reply to Casey Haskins on Kant. Journal of Aesthetics and Art Criticism 47 (4):376-377.
  2. Lawrence W. Hyman (1986). A Defence of Aesthetic Experience: In Reply to George Dickie. British Journal of Aesthetics 26 (1):62-63.
    Our response to representational art can be called "aesthetic" even if we are not "detached from cognitive and moral matters." for the pleasure we receive from "huckleberry finn" (dickie's example) is not based on its historical or sociological accuracy, Or on our agreement with its moral statements. We enjoy and value the novel because of its wit and irony, Which subvert and so transcend its cognitive and moral truths.
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  3. Lawrence W. Hyman (1984). Morality and Literature—the Necessary Conflict. British Journal of Aesthetics 24 (2):149-155.
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  4. Lawrence W. Hyman (1981). The New Irrelevance of the Truth-Standard. Journal of Aesthetics and Art Criticism 40 (2):199.
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  5. Lawrence W. Hyman (1980). A Defense of Intrinsic Criticism. Journal of Aesthetics and Art Criticism 38 (4):451.
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  6. Lawrence W. Hyman (1980). Harpsichord Exercises and the My Lai Massacre. Critical Inquiry 6 (4):739.
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  7. Lawrence W. Hyman (1979). Moral Attitudes and the Literary Experience. Journal of Aesthetics and Art Criticism 38 (2):159-165.
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  8. Lawrence W. Hyman (1975). The "New Contextualism" Has Arrived: A Reply to Edward Wasiolek. Critical Inquiry 2 (2):380.
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  9. Lawrence W. Hyman (1973). Autonomy and Distance in a Literary Work: A New Approach to Contextualism. Journal of Aesthetics and Art Criticism 31 (4):467-471.
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  10. Lawrence W. Hyman (1971). Literature and Morality in Contemporary Criticism. Journal of Aesthetics and Art Criticism 30 (1):83-86.
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  11. Lawrence W. Hyman (1966). Moral Values and the Literary Experience. Journal of Aesthetics and Art Criticism 24 (4):539-547.
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  12. Salvator Cannavo & Lawrence W. Hyman (1965). Literary Uniqueness and Critical Communication. British Journal of Aesthetics 5 (2):144-158.
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