26 found
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  1. Lee B. Brown (2000). Phonography, Rock Records, and the Ontology of Recorded Music. Journal of Aesthetics and Art Criticism 58 (4):361-372.
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  2.  70
    Lee B. Brown (2000). "Feeling My Way": Jazz Improvisation and its Vicissitudes-a Plea for Imperfection. Journal of Aesthetics and Art Criticism 58 (2):113-123.
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  3. David Goldblatt & Lee Brown (eds.) (2011). Aesthetics: A Reader in Philosophy of the Arts. Pearson Education.
    Painting -- Photography and film -- Architecture and the third dimension -- Music -- Literature -- Performance -- Popular art and everyday aesthetics -- Classic sources -- Contemporary sources.
     
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  4.  38
    Lee B. Brown (1996). Musical Works, Improvisation, and the Principle of Continuity. Journal of Aesthetics and Art Criticism 54 (4):353-369.
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  5.  19
    Lee B. Brown (1971). World Interpretations and Lived Experience. The Monist 55 (2):275-292.
  6.  18
    Lee B. Brown (1984). Understanding the Arts. Teaching Philosophy 7 (3):267-270.
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  7.  25
    Lee Brown (2000). Phonography, Repetition and Spontaneity. Philosophy and Literature 24 (1):111-125.
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  8.  64
    Lee M. Brown (ed.) (2004). African Philosophy: New and Traditional Perspectives. Oxford University Press.
    In the last two decades the idea of African Philosophy has undergone significant change and scrutiny. Some critics have maintained that the idea of a system of philosophical thought tied to African traditions is incoherent. In African Philosophy Lee Brown has collected new essays by top scholars in the field that in various ways respond to these criticisms and defend the notion of African Philosophy. The essays address both epistemological and metaphysical issues that are specific to the traditional conceptual languages (...)
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  9.  27
    Lee B. Brown (1980). Philosophy, Rhetoric, and Style. The Monist 63 (4):425-444.
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  10.  46
    Lee B. Brown (2002). Jazz: America's Classical Music? Philosophy and Literature 26 (1):157-172.
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  11.  50
    Lee B. Brown (1989). Resurrecting Hegel to Bury Art. British Journal of Aesthetics 29 (4):303-315.
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  12.  1
    Lee Brown (2006). Understanding and Ontology in Traditional African Thought. African Philosophy.
    This essay discusses how ontological commitments within modern Western culture are no less problematic than those within traditional African cultures. Each posits unobservable entities to explain the experiential world, and neither has ready access to those posits held as grounding or as otherwise determining what is experienced. It looks at the conceptions of persons in Western and African traditions and suggests that each tradition can learn from the other.
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  13.  38
    Lee B. Brown (2008). Art From Start to Finish: Jazz, Painting, Writing, and Other Improvisations Edited by Becker, Howard S., Robert R. Faulkner, and Barbara Kirshenblatt-Gimblett. Journal of Aesthetics and Art Criticism 66 (2):205–208.
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  14.  12
    Lee B. Brown (2002). Symposium: On Ken Burns's “Jazz”. Philosophy and Literature 26:157-172.
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  15.  30
    Lee B. Brown (1999). Postmodernist Jazz Theory: Afrocentrism, Old and New. Journal of Aesthetics and Art Criticism 57 (2):235-246.
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  16.  27
    Lee B. Brown (1991). The Theory of Jazz Music "It Don't Mean a Thing...". Journal of Aesthetics and Art Criticism 49 (2):115-127.
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  17.  7
    Lee B. Brown (2013). Can American Popular Vocal Music Escape the Legacy of Blackface Minstrelsy? Journal of Aesthetics and Art Criticism 71 (1):91-100.
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  18.  14
    Lee Brown (2002). Review of Richard H. Bell, Understanding African Philosophy: A Cross-Cultural Approach to Classical and Contemporary Issues. [REVIEW] Notre Dame Philosophical Reviews 2002 (11).
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  19.  12
    Lee B. Brown (1969). Definitions and Art Theory. Journal of Aesthetics and Art Criticism 27 (4):409-415.
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  20.  2
    Bruce Ellis Benson, Jeanette Bicknell, Stephen Blum, Lee B. Brown & Malcolm Budd (2011). Notes On. In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. Routledge
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  21.  8
    Lee B. Brown (1971). Traditional Aesthetics Revisited. Journal of Aesthetics and Art Criticism 29 (3):343-351.
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  22.  2
    Lee B. Brown (2014). A Critique of Michael Rings on Covers. Journal of Aesthetics and Art Criticism 72 (2):193-195.
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  23.  1
    Lee Rust Brown (1996). A Literary Common Ground. Philosophy and Literature 20 (1):193-196.
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  24. Lee B. Brown (forthcoming). Adorno's Critique of Popular Culture: The Case of Jazz Music. Journal of Aesthetic Education.
     
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  25. Lee M. Brown (1996). Compassion and Societal Well-Being. Pacific Philosophical Quarterly 77 (3):216-224.
     
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  26. Leeb Brown (2011). Lee B. Brown. In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. Routledge 426.
     
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