Search results for 'Leni Grünbaum' (try it on Scholar)

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  1.  1
    Jasmine Abdulcadir, Fuambai Sia Ahmadu, Lucrezia Catania, Birgitta Essén, Ellen Gruenbaum, Sara Johnsdotter, Michelle C. Johnson, Crista Johnson-Agbakwu, Corinne Kratz & Carlos Londoño Sulkin (2012). Seven Things to Know About Female Genital Surgeries in Africa. Hastings Center Report 42 (6):19-27.
  2. Thor Gruenbaum & Dan Zahavi (2004). The Ambiguity of Self-Consciousness: A Preface. In Thor Gruenbaum, Dan Zahavi & Josef Parnas (eds.), The Structure and Development of Self-Consciousness: Interdisciplinary Perspectives. Amsterdam: J Benjamins
  3. Ellen Gruenbaum (2004). Nancy Rose Hunt.A Colonial Lexicon of Birth Ritual, Medicalization, and Mobility in the Congo. Xx + 475 Pp., Illus., Figs., Bibl., Index. Durham, N.C./London: Duke University Press, 1999. $59.95 ; $20.95. [REVIEW] Isis 95 (2):317-318.
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  4. Thor Gruenbaum, Dan Zahavi & Josef Parnas (eds.) (2004). The Structure and Development of Self-Consciousness: Interdisciplinary Perspectives. Amsterdam: J Benjamins.
  5. Adam S. Wilkins & Yosef Gruenbaum (2004). Exploring the Nuclear Envelope's Properties and Roles. Bioessays 26 (7):814-826.
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  6.  96
    Charles Nussbaum (1991). Habermas and Gruenbaum on the Logic of Psychoanalytic Explanations. Philosophy and Social Criticism 17 (3):193-216.
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  7. Mackenzie Michael (2003). From Athens to Berlin: The 1936 Olympics and Leni Riefenstahl's Olympia. Critical Inquiry 29 (2).
     
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  8.  15
    Michael Mackenzie (2003). From Athens to Berlin: The 1936 Olympics and Leni Riefenstahl’sOlympia. Critical Inquiry 29 (2):302-336.
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  9.  7
    Yukihiko Yoshida (2009). Leni Riefenstahl and German Expressionism: Research in Visual Cultural Studies Using the Transdisciplinary Semantic Spaces of Specialized Dictionaries. Technoetic Arts 6 (3):287-309.
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  10. Michael Polanyi (1961). Notes on Professor Gruenbaum's Observations. In H. Feigl & G. Maxwell (eds.), Current Issues in the Philosophy of Science. New York
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  11.  6
    Frederick P. Ferre (1973). Self-Determinism. American Philosophical Quarterly 10 (July):165-176.
  12. A. Fine (1993). Indeterminism and the Freedom of the Will. In John Earman (ed.), Philosophical Problems of the Internal and External World. University of Pittsburgh Press
     
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  13. Edward F. Walter & Arthur Minton (1975). Soft Determinism, Freedom, and Rationality. Personalist 56 (4):364-384.
     
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  14. Andrea Sauchelli (2013). La Critica Etica dell'Arte. Aphex 8.
    Alcune opere d'arte manifestano (o suggeriscono di assumere) prospettive morali dubbie e, in certi casi, chiaramente deprecabili. Ad esempio, il documentario propagandista Il Trionfo della Volontà di Leni Riefensthal esprime (e cerca di evocare) ammirazione nei confronti di Adolf Hitler. Nonostante ciò, Il Trionfo della Volontà è considerato un capolavoro nel genere dei documentari. Questo e molti altri esempi simili suggeriscono le seguenti domande: É possibile considerare un'opera d'arte un capolavoro artistico e, allo stesso tempo, un esempio di immoralità? (...)
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  15.  14
    Leni Grünbaum (1997). Attitudes of Future Managers Towards Business Ethics: A Comparison of Finnish and American Business Students. [REVIEW] Journal of Business Ethics 16 (4):451-463.
    The cross-cultural survey presented here examines the attitudes towards business ethics of Finnish and American business students from the Southern states. The findings indicate that the differences between the attitudes of these groups are small and essentially linked to the strength of their position. Both see deliberation on moral issues as part of a business manager's job and believe that managers should participate in the solving of social problems. Both Finns and Americans make a distinction between acting legally and ethically, (...)
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  16.  83
    Christopher Grau (2010). American History X, Cinematic Manipulation, and Moral Conversion. Midwest Studies in Philosophy 34 (1):52-76.
    American History X (hereafter AHX) has been accused by numerous critics of a morally dangerous cinematic seduction: using stylish cinematography, editing, and sound, the film manipulates the viewer through glamorizing an immoral and hate-filled neo-nazi protagonist. In addition, there’s the disturbing fact that the film seems to accomplish this manipulation through methods commonly grouped under the category of “fascist aesthetics.” More specifically, AHX promotes its neo-nazi hero through the use of several filmic techniques made famous by Nazi propagandist Leni (...)
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  17.  68
    Ann-Louise Shapiro (1997). How Real is the Reality in Documentary Film?Jill Godmilow, in Conversation with Ann-Louise Shapiro. History and Theory 36 (4):80–101.
    Documentary film, in the words of Bill Nichols, is one of the "discourses of sobriety" that include science, economics, politics, and history-discourses that claim to describe the "real," to tell the truth. Yet documentary film, in more obvious ways than does history, straddles the categories of fact and fiction, art and document, entertainment and knowledge. And the visual languages with which it operates have quite different effects than does the written text. In the following interview conducted during the winter of (...)
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  18.  34
    Crispin Sartwell (2010). Political Aesthetics. Cornell University Press.
    Leni Riefenstahl meets Charlie Chaplin : aesthetics of the Third Reich -- Artphilosophical themes -- Dead Kennedys and Black Flags : artpolitics of punk -- Prehistory of political aesthetics -- Red, gold, black, and green : black nationalist aesthetics -- Arthistorical themes -- Political power and transcendental geometry : Republican classicism in early America.
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  19.  28
    J. J. C. Smart (1969). Causal Theories of Time. The Monist 53 (3):385-395.
    This paper expresses certain qualms about causal theories of time, Such as have been put forward by h. Mehlberg and adolf gruenbaum. These qualms arise from doubts about the clarity of the notion of causality. It is suggested that a metalinguistic concept of causality cannot occur within the object language of physics, And that any non-Metalinguistic concept of causality leads to more difficulties than do the concepts of physical geometry which a causal theory of time is supposed to elucidate.
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  20.  4
    Ann‐Louise Shapiro (1997). How Real Is the Reality in Documentary Film? History and Theory 36 (4):80-101.
    Documentary film, in the words of Bill Nichols, is one of the "discourses of sobriety" that include science, economics, politics, and history-discourses that claim to describe the "real," to tell the truth. Yet documentary film, in more obvious ways than does history, straddles the categories of fact and fiction, art and document, entertainment and knowledge. And the visual languages with which it operates have quite different effects than does the written text. In the following interview conducted during the winter of (...)
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  21.  18
    J. Q. Adams (1973). Grünbaum's Solution to Zeno's Paradoxes. Philosophia 3 (1):43-50.
    Zeno's paradoxes of motion are considered as challenges to the practice of describing motion in terms of continuous functions. A brief description of some work of adolf gruenbaum toward the resolution of these paradoxes is given. A new form of zeno's dichotomy paradox is described, And it is claimed that the paradox, In this form, Is not amenable to the explanations of gruenbaum. This is demonstrated by giving the new form of the paradox a second, More mathematical description. In a (...)
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  22.  3
    Giorgina Leni Batista, Patricia Santos da Silva & Caroline Tozzi Reppold (2010). Práticas Educativas E Estratégias de Coping Em Crianças Abrigadas. Aletheia 33:56-68.
    Este estudo investigou práticas educativas de pais e educadores sociais e estratégias de coping adotadas por crianças abrigadas. Participaram da pesquisa 20 crianças, entre sete e 11 anos. Elas responderam a duas entrevistas, que objetivavam identificar práticas educativas e problemas nos ambientes ..
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  23.  1
    Giorgina Leni Batista, Patricia Santos da Silva & Caroline Tozzi Reppold (2010). Práticas Educativas E Estratégias de Coping Em Crianças Abrigadas. Aletheia 33:56-68.
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  24.  2
    Patrick Loobuyck & Leni Franken (2012). Hoe neutraal is kerkfinanciering?: kritische analyse van het Belgische erkennings- en ondersteuningsbeleid. Netherlands Journal of Legal Philosophy 41 (1):12-27.
    In this article, the authors explore how active state support for religions and worldviews could be in accordance with the principle of liberal neutrality. They focus on the Belgian church-state policy because this policy is characterised by an explicit and extended form of active support for recognised worldviews. If this policy is in accordance with liberal neutrality, some other, weaker forms of state support for religions and worldviews may also be in accordance with this neutrality principle. In the light of (...)
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  25. Leni Franken & Patrick Loobuyck (2011). Barry and Kukathas as Inspiring Sources for a Fair Church-State System in Belgium. Journal for the Study of Religions and Ideologies 10 (28):3-20.
    Normal 0 false false false MicrosoftInternetExplorer4 In this article, we will look at the political philosophical theories of Brian Barry ( Culture and Equality , 2001) and Chandran Kukathas ( The Liberal Archipelago , 2003) and see which consequences both theories have for the Belgian model of church and state. For both authors, the liberal state should be neutral toward religion but they interpret this neutrality in a different way. According to Kukathas, neutrality implies a hands-off policy and therefore, recognizing (...)
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  26. Leni Garcia (2007). David Berreby. Us and Them: Understanding Your Tribal Mind. [REVIEW] Philosophia 36 (2).
     
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  27. Leni Garcia (2009). Of Super-Evos and Non-Evos: Imagining Karmic Law in the 23rd Century. Philosophia 38 (2).
    The philosophical musings in this article are inspired by Laura Esquivel’s multimedia novel, The Law of Love, set in a world of high-end technological gadgets in the 23rd century where people are aware that their lives are governed by the law of karma. The reflections try to show that although sophisticated technology might be able to help in tracking one’s spiritual growth in many ways, in the long run it will only hamper the true evolution of the soul.
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  28. Leni Garcia (2008). Speech Acts and Poetry. Philosophia 37 (2).
    Contrary to Austin's view that a fanciful use of language, like poetry, does not carry illocutionary acts and is therefore "parasitic," the author follows through C. Carroll Hollis' work in showing that poets use illocutionary acts in a certain way that may be studied meaningfully, thereby making a speech act a form of literary criticism. She does this by applying the categories of speech acts in her study of some of the love poems of a Filipino poet, Dr. Elynia Mabanglo. (...)
     
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  29. Patrick Loobuyck & Leni Franken (2011). Een Neutrale Overheid: What's in a Name? Een Discussiebijdrage. Filosofie En Praktijk 32 (4):69.
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  30.  20
    Erin Manning (2009). Relationscapes: Movement, Art, Philosophy. MIT Press.
    Prelude -- What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Perceptions in folding -- Grace taking form : Marey's movement machines -- Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl (...)
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  31.  1
    Erin Manning (2012). Relationscapes: Movement, Art, Philosophy. The MIT Press.
    With _Relationscapes_, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity--the incipiency at the heart of movement--Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form. (...)
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  32. Sarah Nuttall (ed.) (2007). Beautiful/Ugly: African and Diaspora Aesthetics. Duke University Press Books.
    In Cameroon, a monumental “statue of liberty” is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage (...)
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  33. Sarah Nuttall (ed.) (2007). Beautiful/Ugly: African and Diaspora Aesthetics. Duke University Press Books.
    In Cameroon, a monumental “statue of liberty” is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage (...)
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  34. Francesco Leni Spadafora (1952). La Conoscenza Come Approssimazione. Journal of Philosophy 49 (20):650-651.
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