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  1. Leo Treitler (1997). Language and the Interpretation of Music. In Jenefer Robinson (ed.), Music & Meaning. Cornell University Press.
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  2. Leo Treitler (1993). History and the Ontology of the Musical Work. Journal of Aesthetics and Art Criticism 51 (3):483-497.
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  3. Leo Treitler (1989). Music and the Historical Imagination. Harvard University Press.
    In this elegant book he develops a powerful statement of what music analysis and criticism in relation to historical understanding can be.
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  4. Leo Treitler (1976). "Wozzeck" and the Apocalypse: An Essay in Historical Criticism. Critical Inquiry 3 (2):251.
    Among the central meanings in Büchner's Woyzeck, there is one that comes clear only when we read the play in the context of the history of ideas—specifically in the light of certain currents of thought about human history and eschatology. Aspects of the play's expression are thereby elucidated, that are forcefully brought forward through the organization and compositional procedures of Berg's Wozzeck. Near the end of the long third scene of the opera, Wozzeck appears suddenly at Marie's window and alludes (...)
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