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  1. Leonard B. Meyer (1983). Innovation, Choice, and the History of Music. Critical Inquiry 9 (3):517.
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  2. Leonard B. Meyer (1979). Toward a Theory of Style. In Leonard B. Meyer & Berel Lang (eds.), The Concept of Style. University of Pennsylvania Press. 3--44.
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  3. Leonard B. Meyer & Berel Lang (eds.) (1979). The Concept of Style. University of Pennsylvania Press.
     
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  4. Leonard B. Meyer (1976). Grammatical Simplicity and Relational Richness: The Trio of Mozart's G Minor Symphony. Critical Inquiry 2 (4):693.
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  5. Gunther S. Stent & Leonard B. Meyer (1975). On Art and Science: A Reply to Leonard B. Meyer. Critical Inquiry 1 (3):683.
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  6. Leonard B. Meyer (1974). Concerning the Sciences, the Arts: And the Humanities. Critical Inquiry 1 (1):163.
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  7. Leonard B. Meyer (1969). The Arts Today and Tomorrow. [Saskatoon]University of Saskatchewan.
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  8. Leonard B. Meyer (1967). Music, the Arts, and Ideas. Chicago, University of Chicago Press.
    The Postlude, written for this edition, looks back at the predictions made more than twenty-five years ago and speculates about what the coming decades may hold ...
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  9. Leonard B. Meyer (1959). Some Remarks on Value and Greatness in Music. Journal of Aesthetics and Art Criticism 17 (4):486-500.
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  10. Leonard B. Meyer (1957). Meaning in Music and Information Theory. Journal of Aesthetics and Art Criticism 15 (4):412-424.
  11. Leonard B. Meyer (1956). Emotion and Meaning in Music. [Chicago]University of Chicago Press.
    Analyzes the meaning expressed in music, the social and psychological sources of meaning, and the methods of musical communication This is a book meant for ...
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