Search results for 'Literature, Modern Philosophy' (try it on Scholar)

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  1. Duncan F. Kennedy (2013). Antiquity and the Meanings of Time: A Philosophy of Ancient and Modern Literature. I.B. Tauris.score: 489.0
    Does Augustine put his finger on time? -- Time for history -- Determination -- Self-determination -- Time, knowledge and truth.
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  2. P. V. Zima (2010). Modern/Postmodern: Society, Philosophy, Literature. Continuum.score: 423.0
    Presents an original theoretical system to explain and contrast modernism and postmodernism.
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  3. Bruce Milem (2010). On What Cannot Be Said: Apophatic Discourses in Philosophy, Religion, Literature and the Arts. Volume One:Classic Formulations. Edited with Theoretical and Critical Essays by William Franke and On What Cannot Be Said: Apophatic Discourses in Philosophy, Religion, Literature and the Arts. Volume Two:Modern and Contemporary Transformations. Edited with Theoretical and Critical Essays by William Franke. [REVIEW] Heythrop Journal 51 (1):174-175.score: 405.0
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  4. Peter Anstey & Jocelyn Harris (2012). Introduction: Women, Philosophy and Literature in the Early Modern Period. Intellectual History Review 22 (3):323-325.score: 405.0
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  5. K. D. D. Henderson (1969). Religion and Contemporary Western Culture (Readings From Ayer, Brunner, Bultmann, Christopher Dawson, Freud, Fromm, the Niebuhr Brothers, Sartre, Tillich and Others. With a Bibliography for Each of Seven Sections, Covering Religion in the Context of Culture, Modern Art, Modern Literature, Philosophy, Psychotherapy, Science and Sociology.) Edited by Edward Cell. (Abingdon Press. Nashville, N.Y.) 399 Pp. 7 Plates. $7.95. [REVIEW] Religious Studies 4 (2):303.score: 405.0
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  6. Tania L. Gergel (2004). Plato as Literature (J.) Annas and (C.) Rowe Eds. New Perspectives on Plato, Modern and Ancient. Harvard UP, 2002. Pp. Xii + 270. £33.50. 0674010183. (A.) Michelini Ed. Plato as Author. The Rhetoric of Philosophy. Leiden and Boston: Brill, 2003. Pp. Vii + 359. €40/$50. 9004128786. (S.) Blondell The Play of Character in Plato's Dialogues. Cambridge UP, 2002. Pp. Xi + 452. £55/$75. 0521793009. [REVIEW] Journal of Hellenic Studies 124:174-178.score: 405.0
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  7. Harry Slochower (1945/1964). Literature and Philosophy Between Two World Wars. New York, Citadel Press.score: 384.0
     
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  8. Jason Bahbak Mohaghegh (2010). New Literature and Philosophy of the Middle East: The Chaotic Imagination. Palgrave Macmillan.score: 372.0
    Machine generated contents note: Images of Chaos: An Introduction * Tactic I: Desertion (chaotic movement) * First Annihilation: Fall of Being, Burial of the Real * Tactic II: Contagion (chaotic transmission) * Second Annihilation: Betrayal, Fracture, and the Poetic Edge * Tactic III: Shadow-Becoming (chaotic appearance) * Chaos-Consciousness: Towards Blindness * Tactic IV: The Inhuman (chaotic incantation) * Epilogue: Corollaries of Emergence.
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  9. Simon Critchley (2004). Very Little-- Almost Nothing: Death, Philosophy, Literature. Routledge.score: 363.0
    Very Little ... Almost Nothing puts the question of the meaning of life back at the center of intellectual debate. Its central concern is how we can find a meaning to human finitude without recourse to anything that transcends that finitude. A profound but secular meditation on the theme of death, Critchley traces the idea of nihilism through Blanchot, Levinas, Jena Romanticism and Cavell, culminating in a reading of Beckett, in many ways the hero of the book. For this Second (...)
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  10. Mark Edmundson (1995). Literature Against Philosophy, Plato to Derrida: A Defence of Poetry. Cambridge University Press.score: 363.0
    This timely book argues that the institutionalisation of literary theory, particularly within American and British academic circles, has led to a sterility of thought which ignores the special character of literary art. Mark Edmundson traces the origins of this tendency to the ancient quarrel between philosophy and poetry, in which Plato took the side of philosophy; and he shows how the work of modern theorists - Foucault, Derrida, de Man and Bloom - exhibits similar drives to subsume (...)
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  11. Nancy Yousef (2004). Isolated Cases: The Anxieties of Autonomy in Enlightenment Philosophy and Romantic Literature. Cornell University Press.score: 354.0
    While individuals presented in central texts of the period are indeed often alone or separated from others, Yousef regards this isolation as a problem the texts attempt to illuminate, rather than a condition they construct as normative or ...
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  12. Konstantin Kolenda (1982). Philosophy in Literature: Metaphysical Darkness and Ethical Light. Barnes & Noble Books.score: 354.0
     
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  13. Burton Frederick Porter (2006). The Head & the Heart: Philosophy in Literature. Humanity Books.score: 354.0
     
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  14. Jeremy Shaw (2001). "Single Vision and Newton's Sleep": The Enlightenment and Modern Literature: Notes on the Occlusion of Modern Consciousness, and Towards a Reparative Literary Strategy. Shaker.score: 354.0
  15. Colin Wilson (1989). Existentially Speaking: Essays on the Philosophy and Literature. Borgo Press.score: 354.0
     
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  16. Werner Hamacher (1996). Premises: Essays on Philosophy and Literature From Kant to Celan. Harvard University Press.score: 342.0
    It is quite clear to me that there is nothing presently available to rival this book." —Wlad Godzich, University of Geneva "Hamacher's Premises is the heir and successor to the most important theoretical and critical work done in American ...
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  17. Genevieve Lloyd (1993). Being in Time: Selves and Narrators in Philosophy and Literature. Routledge.score: 333.0
    Being in Time is a provocative and accessible essay on the fragmentation of the self as explored in philosophy and literature. This original study is unique in its focus on the literary aspects of philosophical writing and their interactions with philosophical content. It explores the emotional aspects of the human experience of time commonly neglected in philosophical investigation by looking at how narrative creates and treats the experience of the self as fragmented and the past as "lost." Genevieve Lloyd (...)
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  18. Alwin Nikolais (2005). The Nikolais/Louis Dance Technique: A Philosophy and Method of Modern Dance. Routledge.score: 333.0
    The Nikolais/Louis Dance Technique provides the definite resource for understanding and practicing the influential dance technique developed by two pioneers of modern dance, Alwin Nikolais and Murray Louis. The Nikolais/Louis technique is presented in a week-to-week classroom manual, providing an indispensable tool for teachers and students of this widely studied movement practice. Theoretical background for further reading is set off from the manual for those interested in deeper study. Their philosophy and methodology span a broad readership and offer (...)
     
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  19. Paul Cefalu (2007). English Renaissance Literature and Contemporary Theory: Sublime Objects of Theology. Palgrave Macmillan.score: 288.0
    Cefalu offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory -- including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Žižek, and Alenka Zupancic -- can illuminate Early Modern literature and culture. The book argues that when selected Early Modern devotional poets set out to represent subject-God relations, they often encounter some sublime aspect of God that, in Slovenian-Lacanian terms, seems "Other" to himself. This divine Other, while sometimes (...)
     
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  20. Gil Anidjar (2002). "Our Place in Al-Andalus": Kabbalah, Philosophy, Literature in Arab Jewish Letters. Stanford University Press.score: 279.0
    The year 1492 is only the last in a series of “ends” that inform the representation of medieval Spain in modern Jewish historical and literary discourses. These ends simultaneously mirror the traumas of history and shed light on the discursive process by which hermetic boundaries are set between periods, communities, and texts. This book addresses the representation of the twelfth and thirteenth centuries as the end of al-Andalus (Islamic Spain). Here, the end works to locate and separate Muslim from (...)
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  21. Vishwanath Pandey (ed.) (1976). The Orient: The World of Jainism: Jaina History, Art, Literature, Philosophy and Religion. Pandey.score: 279.0
    Pandey, V. Introduction.--Kalelkar, K. S. Jainism, a familyhood of all religions.--David, M. D. From Risabha to Mahavira.--Chalil, J. E. Glimpses of Southern Jainism.--Gopani, A. S. Life and culture in Jaina narrative literature, 8th, 9th and 10th century A.D.--Gopani, A. S. Position of women in Jaina literature.--Ranka, R. Evolution of Jaina thought.--Pandey, V. Jaina philosophy and religion.--Shah, C. C. Jainism and modern life.--Sankalia, H. D. The great renunciation.--Shah, U. P. Jaina contribution to Indian art.--Gorakshkar, S. Early metal images of (...)
     
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  22. Barry Stocker (2007). The Novel and Hegel's Philosophy of Literature. The Proceedings of the Twenty-First World Congress of Philosophy 12:43-48.score: 270.0
    Hegel's philosophy of literature, in the Aesthetics and other texts, gives no extended discussion of the novel. Hegel's predecessor Friedrich Schlegel had produced a philosophy of literature with a central position for the novel. Schlegel's discussion of the novel is based on a view of Irony which allows the novel to be the fusion of poetry and philosophy. Hegel retained a place for art, including poetry, below that of philosophy. The Ironic conception of the novel has (...)
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  23. Regina M. Schwartz (ed.) (2004). Transcendence: Philosophy, Literature, and Theology Approach the Beyond. Routledge.score: 261.0
    In Transcendence , thinkers from John Milbank, Graham Ward, and Kevin Hart, to Thomas Carlson, Slavoj Zizek, and Jean-Luc Marion have come together to create the definitive analysis of this key concept in modern theological and philosophical thought.
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  24. Mario C. Mapote (2013). Introduction to Philosophy as Foundation to Modern Education. Iamure International Journal of Literature, Philosophy and Religion 3 (1).score: 252.0
    Philosophy seems to be an obsolete human interest today not because it is really obsolete but because its development comes into the full and thus becomes hidden into the scene in the name of development itself. The trend of this so-called modern time is technological and practical. This is so because philosophy in the history of mankind reaches its second level i.e. the level of praxis, the practical level. Even the trend in education as well as in (...)
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  25. Maurice S. Lee (2005). Slavery, Philosophy, and American Literature, 1830-1860. Cambridge University Press.score: 248.3
    Examining the literature of slavery and race before the Civil War, Maurice Lee demonstrates for the first time exactly how the slavery crisis became a crisis of philosophy that exposed the breakdown of national consensus and the limits of rational authority. Poe, Stowe, Douglass, Melville, and Emerson were among the antebellum authors who tried - and failed - to find rational solutions to the slavery conflict. Unable to mediate the slavery controversy as the nation moved toward war, their (...)
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  26. John J. Stuhr (1994). Back to the Rough Ground:_ Phronesis _and_ Techne _in Modern Philosophy and in Aristotle (Review). Philosophy and Literature 18 (2):360-361.score: 246.0
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  27. R. G. Collingwood (2005). The Philosophy of Enchantment: Studies in Folktale, Cultural Criticism, and Anthropology. Oxford University Press.score: 228.0
    This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood (1889-1943) on critical, anthropological, and cultural themes only hinted at in his previously available work. At the core are six essays on folktale and magic in which Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. The volume opens with three substantial introductory essays by the editors, authorities in their (...)
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  28. Frank Palmer (1992). Literature and Moral Understanding: A Philosophical Essay on Ethics, Aesthetics, Education, and Culture. Clarendon Press.score: 228.0
    Recent philosophical discussion about the relation between fiction and reality pays little attention to our moral involvement with literature. Frank Palmer's purpose is to investigate how our appreciation of literary works calls upon and develops our capacity for moral understanding. He explores a wide range of philosophical questions about the relation of art to morality, and challenges theories that he regards as incompatible with a humane view of literary art. Palmer considers, in particular, the extent to which the values and (...)
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  29. Phyllis Carey (ed.) (1997). Wagering on Transcendence: The Search for Meaning in Literature. Sheed & Ward.score: 228.0
    Through essays, Mount Mary College professors from various disciplines analyze several pieces of literature from a variety of genres and authors to show how ...
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  30. Tom Jones (2005). Pope and Berkeley: The Language of Poetry and Philosophy. Palgrave Macmillan.score: 228.0
    The first study dedicated to the relationship between Alexander Pope and George Berkeley, this book undertakes a comparative reading of their work on the visual environment, economics and providence, challenging current ideas of the relationship between poetry and philosophy in early eighteenth-century Britain. It shows how Berkeley's idea that the phenomenal world is the language of God, learnt through custom and experience, can help to explain some of Pope's conservative sceptical arguments, and also his virtuoso poetic techniques.
     
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  31. Anthony J. Cascardi (1992). The Subject of Modernity. Cambridge University Press.score: 225.0
    The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Our own self-styled postmodern age has seen no end to this debate, which now receives a major and wide-ranging intervention from the theorist and critic Anthony J. Cascardi. Offering an historical account of the origins and transformations of the rational subject or self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth, he carries his argument across the (...)
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  32. Dimitris Vardoulakis (2010). The Doppelgänger: Literature's Philosophy. Fordham University Press.score: 222.3
    It becomes the emblematic subject of modernity. This is the first significant study of the doppelganger's influence on philosophical thought.
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  33. Donald R. Wehrs & David P. Haney (eds.) (2009). Levinas and Nineteenth-Century Literature: Ethics and Otherness From Romanticism Through Realism. University of Delaware Press.score: 219.0
    The third section considers the relevance of Levinas's work for reassessments of the realist novel through essays on Austen, Dickens, and George Eliot.
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  34. Walter Pape & Frederick Burwick (eds.) (1995). Reflecting Senses: Perception and Appearance in Literature, Culture, and the Arts. W. De Gruyter.score: 219.0
    Introduction In "search of instances where the American imagination demands the real thing, and, to attain it, must fabricate the absolute fake," Umberto ...
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  35. Charles W. Mulligan (1935). Literature and Philosophy? Modern Schoolman 12 (4):91-93.score: 219.0
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  36. Dmytro Drozdovsʹkyĭ (2006). Kod Maĭbutnʹoho: Kryza Li͡udyny V Evropeĭsʹkiĭ Filosofiï Vid Ekzystent͡sializmu Do Ukraïnsʹkoho Shistdesi͡atnyt͡stva = Code of the Future: The Crisis of Human Being in the European Philosophy From Existentialism to the Period of the Ukrainian ʻsixties. Vsesvit.score: 219.0
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  37. Tony Neville (1977). The Challenge of Modern Thought. University Tutorial Press.score: 219.0
     
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  38. Merle L. Perkins (1982). Diderot and the Time-Space Continuum: His Philosophy, Aesthetics, and Politics. Voltaire Foundation at the Taylor Institution.score: 219.0
     
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  39. Michael Roberts (1937/1968). The Modern Mind. Freeport, N.Y.,Books for Libraries Press.score: 219.0
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  40. David James (2011). Civil Society and Literature: Hegel and Lukács on the Possibility of a Modern Epic. The European Legacy 16 (2):205-221.score: 216.0
    It is claimed that Hegel denies the possibility of a modern epic and that his lectures on aesthetics demand the condemnation of all the art of his own time. I use the available student transcripts of his lectures on aesthetics, in conjunction with Lukács's views on the novel, to show that Hegel suggests that the novel might count as a modern epic and that it may perform a significant function in modern ethical life (Sittlichkeit) as presented in (...)
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  41. Willard Bohn (1993). Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought (Review). Philosophy and Literature 17 (2):367-368.score: 216.0
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  42. Susan Brill (1990). The Thinking Muse: Feminism and Modern French Philosophy (Review). Philosophy and Literature 14 (2):418-420.score: 216.0
  43. Michael Winkler (1989). Nietzsche and Modern Literature: Themes in Yeats, Rilke, Mann, and Lawrence (Review). Philosophy and Literature 13 (2):382-384.score: 216.0
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  44. Gaetano DeLeonibus (1999). In Praise of Antiheroes: Figures and Themes in Modern European Literature, 1830-1980 (Review). Philosophy and Literature 23 (2):436-438.score: 216.0
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  45. Patrick Brady (1986). The Innocent Eye: On Modern Literature and the Arts (Review). Philosophy and Literature 10 (1):98-99.score: 216.0
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  46. David Rudrum (ed.) (2006). Literature and Philosophy: A Guide to Contemporary Debates. Palgrave Macmillan.score: 216.0
    This collection charts the origins and consequences of the literature/philosophy dialogue, providing an overview of the field as well as discussing new developments in literary and philosophical scholarship. The collection is divided into four main parts: introductory perspectives; an overview of the key schools of thought; a discussion of debates between literature and philosophy; and an engagement with specific texts.
     
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  47. Brett Bourbon (2004). Finding a Replacement for the Soul: Mind and Meaning in Literature and Philosophy. Harvard University Press.score: 212.0
    Approaching the study of literature as a unique form of the philosophy of language and mind--as a study of how we produce nonsense and imagine it as sense--this ...
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  48. Kaja Silverman (2009). Flesh of My Flesh. Stanford University Press.score: 210.0
    Through a wide-ranging discussion, that extends from Ovid and Leonardo da Vinci to Gerhard Richter, and from philosophy and literature to time-based art, Kaja ...
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  49. Yuval N. Harari (2008). The Ultimate Experience: Battlefield Revelations and the Making of Modern War Culture, 1450-2000. Palgrave Macmillan.score: 207.0
    For millennia, war was viewed as a supreme test. In the period 1750-1850 war became much more than a test: it became a secular revelation. This new understanding of war as revelation completely transformed Western war culture, revolutionizing politics, the personal experience of war, the status of common soldiers, and the tenets of military theory.
     
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  50. Patrick Grant (1992). Literature and Personal Values. St. Martin's Press.score: 207.0
     
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