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Luca F. Ticini [3]Luca Ticini [1]Luca Francesco Ticini [1]
  1. Luca F. Ticini, Laura Rachman, Jerome Pelletier & Stephanie Dubal (2014). Enhancing Aesthetic Appreciation by Priming Canvases with Actions That Match the Artist's Painting Style. Frontiers in Human Neuroscience 8.
  2. Luca F. Ticini (2013). Does the Motor Cortex Differentiate Between Linguistic Symbols and Scribbles? Frontiers in Human Neuroscience 7.
    Does the motor cortex differentiate between linguistic symbols and scribbles?
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  3. Luca Francesco Ticini & Diana Omigie (2013). Why Do We Like What We Like? When Information Flow Matters. Frontiers in Human Neuroscience 7:731.
    Why do we like what we like? When information flow matters.
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  4. Emily Cross & Luca Ticini (2012). Neuroaesthetics and Beyond: New Horizons in Applying the Science of the Brain to the Art of Dance. [REVIEW] Phenomenology and the Cognitive Sciences 11 (1):5-16.
    Throughout history, dance has maintained a critical presence across all human cultures, defying barriers of class, race, and status. How dance has synergistically co-evolved with humans has fueled a rich debate on the function of art and the essence of aesthetic experience, engaging numerous artists, historians, philosophers, and scientists. While dance shares many features with other art forms, one attribute unique to dance is that it is most commonly expressed with the human body. Because of this, social scientists and neuroscientists (...)
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  5. Emily S. Cross, Louise Kirsch, Luca F. Ticini & Simone Schütz-Bosbach (2011). The Impact of Aesthetic Evaluation and Physical Ability on Dance Perception. Frontiers in Human Neuroscience 5.
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