Works by Luce Irigaray ( view other items matching `Luce Irigaray`, view all matches )

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  1. Luce Irigaray (2010). The Ecstasy of the Between-Us. In Henk Oosterling & Ewa Płonowska Ziarek (eds.), Intermedialities: Philosophy, Arts, Politics. Lexington Books.
     
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  2. Luce Irigaray (2009). The Envelope : A Reading of Spinoza's Ethics, "of God". In Moira Gatens (ed.), Feminist Interpretations of Benedict Spinoza. Pennsylvania State University Press.
  3. Luce Irigaray (2007). Je, Tu, Nous: Toward a Culture of Difference: With a Personal Note by the Author. Routledge.
    A personal note : equal or different? -- The neglect of female genealogies -- Religious and civil myths -- Women's discourse and men's discourse -- On the maternal order -- The culture of difference -- Writing as a woman -- "I won't get AIDS" -- Linguistic sexes and genders -- The right to life -- Why define sexed rights? -- "More women than men" -- Your health : what, or who, is it? -- How can we create our beauty? -- (...)
     
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  4. Luce Irigaray & Karen I. Burke (2007). Beyond Totem and Idol, the Sexuate Other. Continental Philosophy Review 40 (4):353-364.
    The author interprets idolatry, totemism, sacrilege and taboo through her theory of sexual difference and her study of Eastern spirituality. She argues that the taboo on spirituality in Western culture has cancelled difference, resulting in our current forms of idolatry. Preserving difference, however, would allow the transcendence of the human other to exist. The task of learning to respect difference is central to human spirituality and spiritual progression. The article is a translation of “La transcendance de l’autre” in Autour d’idôlatrie: (...)
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  5. Luce Irigaray (2004). Luce Irigaray: Key Writings. Continuum.
    This collection of key writings, selected by Luce Irigaray herself, presents a complete picture of her work to date across the fields of Philosophy, Linguistics ...
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  6. Luce Irigaray (2004). To Paint the Invisible. Continental Philosophy Review 37 (4):389-405.
    In this essay, which is preceded by an interview with the translator, the author revisits her earlier critique of Merleau-Ponty’s privileging of the visible, but also takes further her own thinking by drawing specifically on the issues raised within the context of painting. The focal point of her discussion is Merleau-Ponty’s essay, “Eye and Mind.”.
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  7. Luce Irigaray (2003). A Future Horizon for Art? Continental Philosophy Review 36 (4):353-365.
  8. Luce Irigaray (1999). The Forgetting of Air in Martin Heidegger. University of Texas Press.
    French theorist Luce Irigaray has become one of the twentieth century's most influential feminist thinkers. Among her many writings are three books (with a projected fourth) in which she challenges the Western tradition's construals of human beings' relations to the four elements--earth, air, fire, and water--and to nature. In answer to Heidegger's undoing of Western metaphysics as a "forgetting of Being," Irigaray seeks in this work to begin to think out the Being of sexedness and the sexedness of Being. This (...)
     
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  9. Luce Irigaray (1996). I Love to You: Sketch for a Felicity Within History. Routledge.
    In I Love to You , Luce Irigaray moves from the critique of patriarchy to an exploration of the ground for a possible inter-subjectivity between the two sexes. Continuing her rejection of demands for equality, Irigaray poses the question: how can we move to a new era of sexual difference in which women and men establish lasting relations with one another without reducing the other to the status of object? Drawing upon Hegel, Irigaray proposes a dialectic appropriate to each sex (...)
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  10. Luce Irigaray (1993). An Ethics of Sexual Difference. Cornell University Press.
    This collection consists of lectures given at Erasmus University in Rotterdam. They were delivered under the provisions of the Jan Tin- bergen Chair, ...
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  11. Luce Irigaray (1993). Je, Tu, Nous: Toward a Culture of Difference. New York ;Routledge.
    Irigaray offers the clearest available introduction to her own work. Focusing on power, women, gender and patriarchal mythologies, she lays out what for her has become the central problem for women in the modern world.
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  12. Luce Irigaray (1991). Marine Lover of Friedrich Nietzsche. Columbia University Press.
  13. Luce Irigaray & Eleanor H. Kuykendall (1989). Sorcerer Love: A Reading of Plato's Symposium, Diotima's Speech. Hypatia 3 (3):32 - 44.
    "Sorcerer Love" is the name that Luce Irigaray gives to the demonic function of love as presented in Plato's Symposium. She argues that Socrates there attributes two incompatible positions to Diotima, who in any case is not present at the banquet. The first is that love is a mid-point or intermediary between lovers which also teaches immortality. The second is that love is a means to the end and duty of procreation, and thus is a mere means to immortality through (...)
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  14. Luce Irigaray & Carol Mastrangelo Bové (1987). Le Sujet de la Science Est-Ll Sexué?/Is the Subject of Science Sexed? Hypatia 2 (3):65 - 87.
    The premise of this paper is that the language of science, like language in general, is neither asexual nor neutral. The essay demonstrates the various ways in which the non-neutrality of the subject of science is expressed and proposes that there is a need to analyze the laws that determine the acceptability of language and discourse in order to interpret their connection to a sexed logic. C.B.
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