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  1.  1
    Regine May & M. S. Silk (2004). Aristophanes and the Definition of Comedy. Journal of Hellenic Studies 124:184.
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  2.  2
    M. S. Silk, Homer & M. Hammond (1990). The Iliad. Journal of Hellenic Studies 110:204.
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  3.  4
    M. S. Silk (1997). Segal's Sophocles. [REVIEW] The Classical Review 47 (2):250-251.
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  4.  7
    M. S. Silk (1968). Ancient Drama. The Classical Review 18 (02):182-.
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  5.  7
    M. S. Silk (1978). Ancient Poetics Manfred Fuhrmann: Einführung in die antike Dichtungstheorie. Pp. xv + 325. Darmstadt: Wissenschaftliche Buchgesellschaft, 1973. Stiff paper. [REVIEW] The Classical Review 28 (01):68-69.
  6.  12
    M. S. Silk (1968). Neil Curry: Euripides, The Trojan Women. An English Version, with an Introduction by Henry Raynor. Pp. 64. London: Methuen, 1966. Stiff Paper, 6s. Net.John Lewin: Aeschylus, The House of Atreus. Adapted From the Oresteia. With Introduction by Sir Tyrone Guthrie. Pp. 111. Minneapolis: Minnesota University Press (London: Oxford University Press), 1966. Cloth, 40s. Net. [REVIEW] The Classical Review 18 (01):107-108.
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  7.  1
    Michael N. Nagler & M. S. Silk (1988). Homer. The Iliad. Journal of Hellenic Studies 108:217.
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  8.  4
    M. S. Silk (1999). H. F LASHAR (Ed.): Tragödie. Idee Und Transformation . (Colloquium Rauricum, 5.) Pp. Xii + 389. Stuttgart and Leipzig: B.G. Teubner, 1997. ISBN: 3-519-07415-X. [REVIEW] The Classical Review 49 (01):274-.
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  9.  8
    M. S. Silk (1968). Ancient Drama Philip Whaley Harsh: A Handbook of Classical Drama. Pp. Xii+526. Stanford University Press (London: Oxford University Press), 1965. Stiff Paper, $3.45. [REVIEW] The Classical Review 18 (02):182-184.
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  10.  10
    M. S. Silk (1992). D. A. F. M. Russell: The Place of Poetry in Ancient Literature. A Valedictory Lecture Given in the Hall of St John's College on 20 May 1988. Pp. 24. Oxford: Clarendon Press, 1989. Paper, £3.50. [REVIEW] The Classical Review 42 (02):453-.
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  11.  10
    M. S. Silk (1978). Ancient Poetics. The Classical Review 28 (01):68-.
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  12.  9
    M. S. Silk (1997). Segal's Sophocles C. Segal: Sophocles' Tragic World: Divinity, Nature, Society. Pp. Xii + 276. Cambridge, MA: Harvard University Press, 1995. £25. ISBN: 0-674-82100-9. [REVIEW] The Classical Review 47 (02):250-251.
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  13.  1
    W. B. Stanford & M. S. Silk (1976). Interaction in Poetic Imagery with Special Reference to Early Greek Poetry. Journal of Hellenic Studies 96:194.
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  14.  6
    M. S. Silk (1988). Hans Wagner: Aesthetik der Tragödie: von Aristoteles bis Schiller. Pp. 112. Würzburg: Königshausen und Neumann, 1987. Paper, DM 9.80. [REVIEW] The Classical Review 38 (02):422-423.
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  15.  4
    M. S. Silk (2004). The Ninth Olympian Ode D. E. Gererr: A Commentary on Pindar Olympian Nine. ( Hermes Einzelschriften 87.) Pp. 94. Stuttgart: Franz Steiner Verlag, 2002. Paper, €34. Isbn: 3-515-08092-. [REVIEW] The Classical Review 54 (01):22-.
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  16.  1
    Jasper Griffin & M. S. Silk (1998). Review Article I: Tragedy ITragedy and the Tragic: Greek Theatre and Beyond. Journal of Hellenic Studies 118:192.
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  17.  2
    M. S. Silk (1983). LSJ and the Problem of Poetic Archaism: From Meanings to Iconyms. Classical Quarterly 33 (02):303-.
    ‘It is supposed’, declared the poet Wordsworth in 1802, ‘that by the act of writing in verse an author makes a formal engagement that he will gratify certain known habits of association; that he not only thus apprizes the reader that certain classes of ideas and expressions will be found in his book, but that others will be carefully excluded. This exponent or symbol held forth by metrical language must in different eras of literature have excited very different expectations.’ For (...)
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  18. M. S. Silk, E. Petrounias & D. Sansone (1981). Funktion Und Thematik der Bilder Bei AischylosAeschylean Metaphors for Intellectual Activity. Journal of Hellenic Studies 101:150.
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  19.  31
    M. S. Silk & J. P. Stern (1981). Nietzsche on Tragedy. Cambridge University Press.
    This is the first comprehensive study of Nietzsche's earliest (and extraordinary) book, The Birth of Tragedy (1872). When he wrote it, Nietzsche was a Greek scholar, a friend and champion of Wagner, and a philosopher in the making. His book has been very influential and widely read, but has always posed great difficulties for readers because of the particular way Nietzsche brings his ancient and modern interests together. The proper appreciation of such a work requires access to ideas that cross (...)
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  20. M. S. Silk & J. P. Stern (2016). Nietzsche on Tragedy. Cambridge University Press.
    The first comprehensive study of Nietzsche's earliest book, The Birth of Tragedy, this important volume by M. S. Silk and J. P. Stern examines the work in detail: its place in Nietzsche's philosophical career; its value as an account of ancient Greek culture; its place in the history of German ideas, and its value as a theory of tragedy and music. Presented in a fresh twenty-first-century series livery, and including a specially commissioned preface written by Lesley Chamberlain, illuminating its enduring (...)
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