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  1. M. S. Silk (forthcoming). Segal's Sophocles. Classical Review.
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  2. Regine May & M. S. Silk (2004). Aristophanes and the Definition of Comedy. Journal of Hellenic Studies 124:184.
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  3. M. S. Silk (2004). The Ninth Olympian Ode D. E. Gererr: A Commentary on Pindar Olympian Nine. ( Hermes Einzelschriften 87.) Pp. 94. Stuttgart: Franz Steiner Verlag, 2002. Paper, €34. Isbn: 3-515-08092-. [REVIEW] The Classical Review 54 (01):22-.
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  4. M. S. Silk (1999). H. F LASHAR (Ed.): Tragödie. Idee Und Transformation . (Colloquium Rauricum, 5.) Pp. Xii + 389. Stuttgart and Leipzig: B.G. Teubner, 1997. ISBN: 3-519-07415-X. [REVIEW] The Classical Review 49 (01):274-.
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  5. Jasper Griffin & M. S. Silk (1998). Review Article I: Tragedy ITragedy and the Tragic: Greek Theatre and Beyond. Journal of Hellenic Studies 118:192.
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  6. M. S. Silk (1997). Segal's Sophocles C. Segal: Sophocles' Tragic World: Divinity, Nature, Society. Pp. Xii + 276. Cambridge, MA: Harvard University Press, 1995. £25. ISBN: 0-674-82100-9. [REVIEW] The Classical Review 47 (02):250-251.
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  7. M. S. Silk (1992). D. A. F. M. Russell: The Place of Poetry in Ancient Literature. A Valedictory Lecture Given in the Hall of St John's College on 20 May 1988. Pp. 24. Oxford: Clarendon Press, 1989. Paper, £3.50. [REVIEW] The Classical Review 42 (02):453-.
  8. M. S. Silk, Homer & M. Hammond (1990). The Iliad. Journal of Hellenic Studies 110:204.
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  9. Michael N. Nagler & M. S. Silk (1988). Homer. The Iliad. Journal of Hellenic Studies 108:217.
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  10. M. S. Silk (1988). Hans Wagner: Aesthetik der Tragödie: von Aristoteles bis Schiller. Pp. 112. Würzburg: Königshausen und Neumann, 1987. Paper, DM 9.80. [REVIEW] The Classical Review 38 (02):422-423.
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  11. M. S. Silk (1983). LSJ and the Problem of Poetic Archaism: From Meanings to Iconyms. Classical Quarterly 33 (02):303-.
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  12. M. S. Silk (1981). Nietzsche on Tragedy. Cambridge University Press.
    This is the first comprehensive study of Nietzsche's earliest (and extraordinary) book, The Birth of Tragedy (1872). When he wrote it, Nietzsche was a Greek scholar, a friend and champion of Wagner, and a philosopher in the making. His book has been very influential and widely read, but has always posed great difficulties for readers because of the particular way Nietzsche brings his ancient and modern interests together. The proper appreciation of such a work requires access to ideas that cross (...)
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  13. M. S. Silk, E. Petrounias & D. Sansone (1981). Funktion Und Thematik der Bilder Bei AischylosAeschylean Metaphors for Intellectual Activity. Journal of Hellenic Studies 101:150.
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  14. M. S. Silk (1978). Ancient Poetics. The Classical Review 28 (01):68-.
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  15. M. S. Silk (1978). Ancient Poetics Manfred Fuhrmann: Einführung in die antike Dichtungstheorie. Pp. xv + 325. Darmstadt: Wissenschaftliche Buchgesellschaft, 1973. Stiff paper. [REVIEW] The Classical Review 28 (01):68-69.
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  16. W. B. Stanford & M. S. Silk (1976). Interaction in Poetic Imagery with Special Reference to Early Greek Poetry. Journal of Hellenic Studies 96:194.
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  17. M. S. Silk (1968). Ancient Drama. The Classical Review 18 (02):182-.
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  18. M. S. Silk (1968). Ancient Drama Philip Whaley Harsh: A Handbook of Classical Drama. Pp. Xii+526. Stanford University Press (London: Oxford University Press), 1965. Stiff Paper, $3.45. [REVIEW] The Classical Review 18 (02):182-184.
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  19. M. S. Silk (1968). Neil Curry: Euripides, The Trojan Women. An English Version, with an Introduction by Henry Raynor. Pp. 64. London: Methuen, 1966. Stiff Paper, 6s. Net.John Lewin: Aeschylus, The House of Atreus. Adapted From the Oresteia. With Introduction by Sir Tyrone Guthrie. Pp. 111. Minneapolis: Minnesota University Press (London: Oxford University Press), 1966. Cloth, 40s. Net. [REVIEW] The Classical Review 18 (01):107-108.
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