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  1.  91 DLs
    María Pía Lara (1995). Albrecht Wellmer: Between Spheres of Validity. Philosophy and Social Criticism 21 (2):1-22.
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  2.  85 DLs
    María Pía Lara (2010). Postcard From the Periphery: A View From Mexico. Thesis Eleven 100 (1):41-45.
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  3.  71 DLs
    María Pía Lara (2004). Claudia Card's Atrocity Paradigm. Hypatia 19 (4):186 - 193.
    This paper deals with Claudia Card's important contributions to a theory of evil that steps out from traditional models of thinking about this problem (theodicies, metaphysical theories, etc.). Instead, our author seeks to explore important elements from other theorists (such as Kant and Nietzsche) in order to build up her ideas of what she calls the "atrocity paradigm." This critical essay focuses mainly in the spaces where Card's conclusions need to rethink the limits and constraints of her theory.
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  4.  52 DLs
    María Pía Lara (2003). In and Out of Terror: The Vertigo of Secularization. Hypatia 18 (1):183 - 196.
    : The key concept is "vertigo of secularization." It relates to the fears that societies experience when understanding the need to ground their political orders as separated from religion. The erosion of values produces vertigos around the world. We need to understand better these kinds of processes because only by doing so can we keep that fear and violence from taking precedence over the hard working tasks of building up a global political community.
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  5.  44 DLs
    Maria Pia Lara (1998). The Frail Emergence of Mexico's Democracy: Conquering Public Space. Thesis Eleven 53 (1):65-78.
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  6.  15 DLs
    Mariá Piá Lara (2008). The Future of Critical Theory? Constellations 15 (2):265-270.
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  7.  12 DLs
    María Pía Lara (2004). Claudia Card's. Hypatia 19 (4).
    : This paper deals with Claudia Card's important contributions to a theory of evil that steps out from traditional models of thinking about this problem (theodicies, metaphysical theories, etc.). Instead, our author seeks to explore important elements from other theorists (such as Kant and Nietzsche) in order to build up her ideas of what she calls the "atrocity paradigm." This critical essay focuses mainly in the spaces where Card's conclusions need to rethink the limits and constraints of her theory.
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  8.  7 DLs
    María Pía Lara (2000). A Reply to My Critics. Hypatia 15 (3):182-186.
    : My text is written to answer the questions asked at the APA Meeting's presentation of the book Moral Textures: Feminist Narratives in the Public Sphere by professors María Lugones and Eduardo Mendieta. The answer seeks to clarify that Lugones's infrapolitics position is not so distant from mine. I also address Mendieta's question directed more to the aesthetic domain. There, I seek to show how my position could be taken as a creative effort to extend some of Habermas's early work (...)
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  9.  6 DLs
    Maria Pia Lara & Joan B. Landes (1999). Book Review: Seyla Benhabib. The Reluctant Modernism of Hannah Arendt. Thousand Oaks, California: Sage, 1996. [REVIEW] Hypatia 14 (3):162-169.
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  10.  6 DLs
    Maria Pia Lara (2002). Democracy and Cultural Rights: Is There a New Stage of Citizenship? Constellations 9 (2):207-220.
  11.  4 DLs
    María Pía Lara (2004). Globalizing Women's Rights: Overcoming the Apartheid. Thesis Eleven 78 (1):61-84.
    This article deals with the empirical example of how social subjects, in this case women, have appropriated the language of rights in order to demand social inclusion. Since there are many different points of view in feminist theory with regard to how to deal with the idea of women’s rights, this article is divided into three sections. In the first section, I focus on how some important normative contents about democracy and rights have already been accepted by many different theorists (...)
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  12.  2 DLs
    María Pía Lara (2010). Immaginazione politica e femminismo. Iride 23 (1):87-98.
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  13.  2 DLs
    María Pía Lara (2007). Why Do We Need to Create a Moral Image of the World? Thesis Eleven 91 (1):6-26.
    This article deals with our constructed notions of evil and how an historical appraisal takes shape after specific stories and narratives become important objects of public deliberation, historical criticism, and disclosive views of what constitutes the moral harms of human cruelty. I analyze the historical representations of the meaning of evil in specific historical times through narratives that have made important contributions to our historical understanding of them. I also propose that our learning from them is the result of public (...)
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  14.  2 DLs
    María Pía Lara & Joan B. Landes (1999). The Reluctant Modernism of Hannah Arendt (Review). Hypatia 14 (3):162-169.
  15.  1 DLs
    Maria Pia Lara (2008). Reflective Judgment as World Disclosure. Philosophy and Social Criticism 34 (1-2):83-100.
    In this article I deal with Kant's concept of reflective judgment, and recover it through its links to the aesthetic dimension as its fundamental scenario. Then I go on to explain why Hannah Arendt understood this important Kantian connection, and why she thought it would allow her to develop it through a political dimension. Last, having reviewed both Kant and Arendt's contributions to the concept of reflective judgment, I recover my own input to the concept by showing its linguistic dimension (...)
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  16.  0 DLs
    Todd Calder, Claudia Card, Ann Cudd, Eric Kraemer, Alice MacLachlan, Sarah Clark Miller, María Pía Lara, Robin May Schott, Laurence Thomas & Lynne Tirrell (2009). Evil, Political Violence, and Forgiveness: Essays in Honor of Claudia Card. Lexington Books.
    Rather than focusing on political and legal debates surrounding attempts to determine if and when genocidal rape has taken place in a particular setting, this essay turns instead to a crucial, yet neglected area of inquiry: the moral significance of genocidal rape, and more specifically, the nature of the harms that constitute the culpable wrongdoing that genocidal rape represents. In contrast to standard philosophical accounts, which tend to employ an individualistic framework, this essay offers a situated understanding of harm that (...)
     
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  17.  0 DLs
    María Pía Lara (2004). Una arqueología en torno a lo que comunican los silencios y lo que callan las palabras en la filosofía. Revista Internacional de Filosofía Política 24:169-172.
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  18.  0 DLs
    María Pía Lara & Robert Fine (2007). Justice and the Public Sphere : The Dynamics of Nancy Fraser's Critical Theory. In Terry Lovell (ed.), (Mis)Recognition, Social Inequality and Social Justice: Nancy Fraser and Pierre Bourdieu. Routledge
  19.  0 DLs
    Heidi Grasswick, Cressida J. Heyes, Cheryl L. Hughes, Alison M. Jaggar, Marìa Pìa Lara, Bonnie Mann, Norah Martin, Diana Tietjens Meyers, Kate Parsons, Misha Strauss, Margaret Urban Walker, Abby Wilkerson & IrisMarion Young (2002). Recognition, Responsibility, and Rights: Feminist Ethics and Social Theory. Rowman & Littlefield Publishers.
    This collection of papers by prominent feminist thinkers advances the positive feminist project of remapping the moral by developing theory that acknowledges the diversity of women.
     
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  20.  0 DLs
    María Pía Lara (2009). Narrar El Mal: Una Teoría Posmetafísica Del Juicio Reflexionante. Editorial Gedisa.
    En este libro, la autora desarrolla su concepción del juicio reflexionante inspirada en Emmanuel Kant y en Hannah Arendt para concentrarse en cómo cierto tipo de narraciones modelan nuestras nociones de lo que consideramos moral. Lara nos ofrece distintas concepciones sobre el mal en su formulación histórica mediante los ejemplos de las tragedias griegas, las diferentes concepciones sobre el mal en la obra de Shakespeare, el uso literario de la metáfora en la obra de Joseph Conrad y en narraciones fílmicas (...)
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  21.  0 DLs
    Bat-Ami Bar On, Claudia Card, Drucilla Cornell, Alison Jaggar, Maria Pia Lara, Constance Mui, Julien S. Murphy, Sherene Razack, Sara Ruddick & Iris Marion Young (2003). Forum on the War on Terrorism. Hypatia 18 (1):157.
     
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  22.  0 DLs
    Maria Pia Lara (2007). Narrating Evil: A Postmetaphysical Theory of Reflective Judgment. Columbia University Press.
    Turning to such philosophers and writers as Jürgen Habermas, Walter Benjamin, Primo Levi, Giorgio Agamben, and Ariel Dorfman, Lara defines a reflexive relationship between an event, the narrative of the event, and the public reception of ...
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  23.  0 DLs
    María Pía Lara (2007). Rorty: Intelectual, liberal, etnocentrista Y también un sorprendente personaje moral. Signos Filosóficos 9 (18):219-220.
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  24.  0 DLs
    Maria Pia Lara (2013). The Disclosure of Politics: Struggles Over the Semantics of Secularization. Columbia University Press.
    María Pía Lara explores the ambiguity of secularization and the theoretical potential of a structural break between politics and religion.
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  25.  0 DLs
    María Pía Lara (2005). El Problema de la Autoridad Política En Un Mundo Global. In Gustavo Leyva & Víctor Alarcón (eds.), La Teoría Crítica y Las Tareas Actuales de la Crítica. Universidad Autónoma Metropolitana, Unidad Iztapalapa, División de Ciencias Sociales y Humanidades
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