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Profile: Mara Miller
  1. Mara Miller (1997). Review of English Gardens by David Coffin. [REVIEW] Journal of Aesthetics and Art Criticism 55 (3):333-334.
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  2. Mara Miller (2004). Four Approaches to Emotion in Japanese Visual Arts. In Paolo Santangelo (ed.), Emotion in Asia. Universita Degli Studi di Napoli "L'Orientale
  3. Mara Miller (2010). Japanese Aesthetics - Ch. 23. In Jay Garfield, William Edelglass & Koji Tanaka (eds.), Oxford Handbook of World Philosophy. Oxford University Press 317-333.
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  4. Mara Miller (2013). Terrible Knowledge And Tertiary Trauma, Part II: Suggestions for Teaching About the Atomic Bombings, with Particular Attention to Middle School. The Clearing House 86 (05):164-173.
    In a companion article, “Terrible Knowledge And Tertiary Trauma, Part I: Japanese Nuclear Trauma And Resistance To The Atomic Bomb” (this issue), I argue that we need to teach about the atomic bombings of Hiroshima and Nagasaki, even though the material is difficult emotionally as well as intellectually. Because of the nature of the information, this topic can be as difficult for graduate students (and their professors!) as for younger students. Teaching about the atomic bombings, however, demands special treatment if (...)
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  5.  87
    Mara Miller (2012). Genji’s Gardens: From Symbolism to Personal Expression and Emotion: Gardens and Garden Design in The Tale of Genji. In Giusi Paolo (ed.), States of Mind in Asia. Santangelo, Paolo & Giusi Tamburello 105-141.
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  6.  65
    Mara Miller (2007). Identity, Identification, and Temperament in Emblematic Portraits of in Edo Japanese Literati Artists Taiga & Gyokuran: A Philosophical and Theoretical Analysis of the Ming-Qing Legacy. MingQing Yanjiu (MingQing Studies):65-116.
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  7.  55
    Mara Miller (2013). Terrible Knowledge And Tertiary Trauma, Part I: Teaching About Japanese Nuclear Trauma And Resistance To The Atomic Bomb. The Clearing HouseHouse 86 (05):157-163.
    This article discusses twelve reasons that we must teach about the 1945 American atomic bombings of Hiroshima and Nagasaki. As with Holocaust studies, we must teach this material even though it is both emotionally and intellectually difficult—in spite of our feelings of repugnance and/or grief, and our concerns regarding students’ potential distress (“tertiary trauma”). To handle such material effectively, we should keep in mind ten objectives: 1) to expand students' knowledge about the subject along with the victims’ experience of it; (...)
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  8.  49
    Mara Miller (2009). Review of Denis Dutton's The Art Instinct: Beauty, Pleasure, and Human Evolution. [REVIEW] Journal of Aesthetics and Art Criticism 67 (3):333-336.
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  9.  50
    Mara Miller (1986). Gardens as Works of Art: The Problem of Uniqueness. British Journal of Aesthetics 26 (3):252-256.
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  10.  2
    Mara Miller (2016). Aesthetics as Investigation of Self, Subject, and Ethical Agency in Postwar Trauma in Kawabata's The Sound of the Mountain. Philosophy and Literature 39 (1):122-141.
    It is widely assumed that, with a few notable exceptions, Japanese literature, and especially the work of novelist Yasunari Kawabata, focuses on beauty, emotion, and psychology, and that this focus is at the expense of moral or ethical exploration.Kawabata was Japan’s first winner of the Nobel Prize in Literature, so to misunderstand his work so fundamentally is not just a matter for aficionados of arcana. The mistake deprives the international reading public of an important philosophical resource for understanding the modern (...)
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  11.  45
    Mara Miller (2009). Review of The Art Instinct: Beauty, Pleasure, and Human Evolution by Dutton, Denis. [REVIEW] Journal of Aesthetics and Art Criticism 67 (3):333-336.
  12. Mara Miller (2014). Agency, Identity, and Aesthetic Experience in Three Post-Atomic Japanese Narratives: Yasunari Kawabata’s The Sound of the Mountain, Rio Kushida’s Thread Hell, and the Anime Film Barefoot Gen. In Nguyen Minh (ed.), New Essays in Japanese Aesthetics. Lexington Books
    Since World War II Japanese artists have employed two seemingly contradictory ways of working, using aesthetics, materials, artistic methods technologies, and approaches that are either radically innovative and wildly experimental, or traditional/classical. Many other artists, however, in a move that seems paradoxical. have combined the two to explore the new themes of the post-atomic period. Three narrative works dealing with the effects of the World War II war effort and the atomic bombings that ended them, Yasunari Kawabata’s novel The Sound (...)
     
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  13.  22
    Mara Miller (1993). Canons and the Challenge of Gender. The Monist 76 (4):477-493.
    Examines the role of the gender of philosopher-contributors in the constitution of a philosophical canon. Effects of the inclusion of women's voices within the canon; Development of a Japanese philosophical canon as a case in point.
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  14.  9
    Stephen C. Angle, Michael Barnhart, Carl B. Becker, Purushottama Bilimoria, Samuel Fleischacker, Alan Fox, Damien Keown, Russell Kirkland, David R. Loy, Mara Miller & Kirill Ole Thompson (eds.) (2002). Varieties of Ethical Reflection: New Directions for Ethics in a Global Context. Lexington Books.
    Varieties of Ethical Reflection brings together new cultural and religious perspectives—drawn from non-Western, primarily Asian, philosophical sources—to globalize the contemporary discussion of theoretical and applied ethics.
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  15.  3
    Mara Miller (2014). “A Matter of Life and Death”: Kawabata on the Value of Art After the Atomic Bombings. Journal of Aesthetics and Art Criticism 72 (3):261-275.
    This article explores the possible interpretations—and the implications of those interpretations—of a comment about the importance of art made by Yasunari Kawabata (1899–1972), later the first Japanese Nobel laureate for literature: that “looking at old works of art is a matter of life and death.” (In 1949, Kawabata visited Hiroshima in his capacity as president of the Japan literary society P.E.N. to inspect the damage caused by the atomic bombing of Hiroshima that helped end World War II. On his way (...)
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  16.  2
    Mara Miller (2015). TANSMAN, ALAN, The Aesthetics of Japanese Fascism, University of California Press, 2009, 368 Pp., $57.95 Cloth.; TANSMAN, ALAN, Ed., The Culture of Japanese Fascism, Duke University Press, 2009, 496 Pp., 24 Illus., $99.95 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (2):210-214.
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  17.  12
    Mara Miller (2007). A Philosophy of Gardens by Cooper, David E. Journal of Aesthetics and Art Criticism 65 (4):430–432.
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  18.  7
    Mara Miller (1993). The Garden as an Art. State University of New York Press.
    In this book Miller challenges contemporary aesthetic theory to include gardens in an expanded definition of art.
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  19. Mara Miller (2011). Twelve Reasons Hawai”I Should Lead in Social Studies Education. The Hawaii Independent Aug. 12, 2012 8 (12):2011.
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  20.  6
    Mara Miller (1988). The Garden as Significant Form. Journal of Speculative Philosophy 2 (4):267 - 287.
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  21.  1
    Mara Miller (2014). Marvin, Stephen E. Heaven Has a Face; So Does Hell: The Art of the Noh Mask. Warren, CT: Floating World Editions, 2010, 663 Pp. (Vol. 1: 402 Pp., Vol. 2: 261 Pp.), 150 Color + 220 B&W Illus., $300.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 72 (1):106-109.
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    Mara Miller (2010). Muroji: Rearranging Art and History at a Japanese Buddhist Temple by Fowler, Sherry D. Daitokuji: The Visual Cultures of a Zen Monastery by Levine, Gregory P. A. [REVIEW] Journal of Aesthetics and Art Criticism 68 (2):176-179.
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  23.  3
    Mara Miller (2009). Review of Glenn Parsons, Aesthetics and Nature. [REVIEW] Notre Dame Philosophical Reviews 2009 (11).
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  24. Mara Miller (2007). . Maahenki Oy.
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  25. Mara Miller & Koji Yamasaki (forthcoming). Ainu Aesthetics. In Minh Nguyen (ed.), New Studies in Japanese Aesthetics. Lexington Books
    Ainu artists were invited to make “replicas” of traditional Ainu arts held in an important museum collection and describe their choices, process and results. The resulting Ainu aesthetics challenges—and changes—our understanding of aesthetics and the philosophy of art, on four levels: descriptive aesthetics, categorical aesthetics (the categories through which the Ainu understand aesthetic value), implications of these aesthetics for a variety of human activities such as museum practice and daily life, and the implications of the first three for our broader (...)
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  26. Mara Miller (forthcoming). Aesthetics as Investigation of Self, Subject, and Ethical Agency Under Trauma in Kawabata's Post-War Novel The Sound of the Mountain. Philosophy and Literature.
    Yasunari Kawabata’s 1952 novel The Sound of the Mountain is widely praised for its aesthetic qualities, from its adaptation of aesthetics from the Tale of Genji, through the beauty of its prose and the patterning of its images, to the references to arts and nature within the text. This article, by contrast, shows that Kawabata uses these features to demonstrate the effects of the mass trauma following the Second World War and the complicated grief it induced, on the psychology of (...)
     
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  27. Mara Miller (forthcoming). Agricultural as the Image of Aesthetics and Ethics: A Comparative View. Pursuit of Comparative Aesthetics.
     
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  28. Mara Miller (1995). Aesthetics in Our Lives and Our World. In Kathleen Higgins (ed.). Harcourt Brace
     
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  29. Mara Miller (1999). Between Architecture and Landscape. In Jan Birksted (ed.). Chapman & Hall
     
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  30. Mara Miller (1997). Culture and Self: Philosophical and Religious Perspectives, East and West. In Douglas Allen (ed.). Westview Press
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  31. Mara Miller, Comparative Informatics: A New Information Science in the Service of Crisis Containment and Trauma Prevention and Recovery.
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  32. Mara Miller, Comparative Informatics: Disaster Management, Trauma, and Information Science.
     
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  33. Mara Miller (2000). Crossing the Bridge. In Cynthia Ho & Barbara Stevenson (eds.). St. Martins Press
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  34. Mara Miller (2011). Discovery and Praxis: Essays in Asian Studies. In David Jones & Michele Marion (eds.). Suny Press
     
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  35. Mara Miller (2014). Denis Dutton’s The Art Instinct and the Recovery of Ainu Aesthetics. Philosophy and Literature 38 (1A):A48-A59.
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  36. Mara Miller (forthcoming). East Asian Aesthetics. Teaching Asian Art.
     
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  37. Mara Miller (forthcoming). Exhibition and Symposium Review of Literati Modern: Bunjinga From Late-Edo to Twentieth-Century Japan. College Art Association on-Line Reviews.
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  38. Mara Miller (2004). Emotion in Asia. In Paolo Santangelo (ed.). Universita Degli Studi di Napoli L’Orientale 265--313.
     
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  39. Mara Miller (2010). Estetyka negatywna w sztuce, środowisku i życiu codziennym: teoria Arnolda Berleanta a powieści Kirino Natsuo. Sztuka I Filozofia (Art and Philosophy) 37.
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  40. Mara Miller (forthcoming). Engaged or Enraged. Honolulu Civil Beat.
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  41. Mara Miller (1997). Estetyka W Swiecie: Wybor Tekstow, Vol V. In Maria Golaszewskiej (ed.). Jagiellonian University Press
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  42. Mara Miller (2013). Early Feminist Aesthetics in Japan: Murasaki Shikibu, Sei Shonagon, and A Thousand Years of the Female Voice. In Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art: Critical Visions, Creative Engagements. Springer Press
     
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  43. Mara Miller (2010). Front Edge of Environmental Aesthetics. In Chen Wangheng (ed.). University of Wuhan Press
     
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  44. Mara Miller (1998). Gardens as Art.”. In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press 274--280.
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  45. Mara Miller (forthcoming). Japanese Aesthetics and the Disruptions of Identity After the Atomic Bombings. Kritische Berichte. Zeitschrift für Kunst- Und Kulturwissenschaften:73--82.
     
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  46. Mara Miller (2008). Japanese Gardens as Texts and Contexts. East-West Connections 7 (1):85-106.
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  47. Mara Miller (2012). Japanese Literary Aesthetics Today: Rewriting the Traditional in the Post-Atomic World. Apa Newsletter on Asian and Asian-American Philosophers and Philosophies 11 (2).
     
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  48. Mara Miller, Making Historic Terror Tolerable to Children: Barefoot Gen and Grave of the Fireflies.
     
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  49. Mara Miller (2010). Negative Aesthetics in Art, Environment, and Everyday Life: Arnold Berleant's Theory and the Novels of Kirino Natsuo. Sztuka I Filozofia (10):90--117.
     
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  50. Mara Miller (2005). New Dictionary of the History of Ideas. In Maryanne Kline Horowitz (ed.). Charles Scribner’s Sons
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