Search results for 'Margot Köstler' (try it on Scholar)

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  1. Arthur Koestler & John Raymond Smythies (1969). Beyond Reductionism New Perspectives in the Life Sciences [Proceedings of] the Alpbach Symposium 1968; Edited by Arthur Koestler & J.R. Smythies. Hutchinson.
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  2. SymposiumAlpbach, Arthur Koestler & John Raymond Smythies (1970). Beyond Reductionism New Perspectives in the Life Sciences. Edited by Arthur Koestler & J.R. Smythies. --. Macmillan.
     
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  3. Arthur Koestler (1978/1979). Janus: A Summing Up. Vintage Books.
     
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  4. Arthur Koestler & John R. Smythies (eds.) (1969). Beyond Reductionism: New Perspectives in the Life Sciences. London, Hutchinson.
     
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  5. Arthur Koestler (1965). The Act of Creation. British Journal for the Philosophy of Science 16 (63):255-257.
     
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  6.  0
    Arthur Koestler (1962). The Sleepwalkers. Journal of Philosophy 59 (18):500-503.
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  7.  20
    Arthur Koestler, Charles Hartshorne & Bernhard Rensch (1977). Free Will in a Hierarchic Context. In John B. Cobb & David Ray Griffin (eds.), Mind in Nature: The Interface of Science and Philosophy. University Press of America 60.
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  8.  12
    A. Koestler (1977). The Truth of Imagination. Diogenes 25 (100):103-110.
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  9. Arthur Koestler (1949). Insight and Outlook: An Inquiry Into the Common Foundations of Science, Art and Social Ethics. Macmillan.
     
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  10.  1
    Arthur Koestler, Giorgio de Santillana, Stillman Drake, L. Moritz & N. Jasny (1960). Notes & Correspondence. Isis: A Journal of the History of Science 51:73-84.
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  11.  9
    Jean-Paul Margot (1984). Herméneutique Et Fiction Chez M. Foucault. Dialogue 23 (04):635-648.
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  12.  1
    Jean-Paul Margot (1984). La lecture foucaldienne de Descartes : ses présupposés et ses implications. Philosophiques 11 (1):3-39.
    Archéologie d'un même geste d'exclusion dont l'internement social de la folie et l'internement métaphysique de la déraison sont les effets, l'Histoire de la folie à l'âge classique décide de voir en Descartes le théoricien de cet acte violent de fondation de la raison occidentale. Après avoir exposé la polémique Foucault — Derrida, nous nous proposons, d'une part, d'identifier la « positivité » propre au discours foucaldien de la période « archéologique » et, d'autre part, de reprendre à notre compte la (...)
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  13.  1
    Jean-Paul Margot (2008). Física y metafísica. Ideas Y Valores 112:25-35.
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  14.  1
    Jean-Paul Margot (1983). Jean-René Vernes, Critique de la Raison Aléatoire Ou Descartes Contre Kant Reviewed By. Philosophy in Review 3 (6):311-313.
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  15.  1
    Jean-Paul Margot (1988). El nombre de la rosa o los infortunios de la razón. Ideas Y Valores 76 (76):43-55.
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  16.  4
    Arthur Koestler (1975). Author's Response. World Futures 14 (3):313-316.
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  17. Arthur Koestler & John R. Smythies (1972). Beyond Reductionism, New Perspectives in the Life Sciences [Proceedings of] the Alpbach Symposium [1968]. Monograph Collection (Matt - Pseudo).
     
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  18. Arthur Koestler (1980). Bricks to Babel Selected Writings with Comments. Monograph Collection (Matt - Pseudo).
     
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  19. Arthur Koestler (1982). Bricks to Babel Selected Writings with Comments by the Author.
     
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  20. Arthur Koestler (forthcoming). Conversaciones sobre la nueva cultura. Kairos.
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  21. Arthur Koestler (1984). De menselijke tweespalt. Tijdschrift Voor Filosofie 46 (3):522-523.
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  22. Arthur Koestler (forthcoming). En busca de la utopía (1980), Ed. Kairos.
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  23.  0
    Arthur Koestler (1950). Insight and Outlook. Philosophical Review 59 (4):566-568.
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  24. Arthur Koestler (ed.) (1969). The Ethics of Change. Toronto]Canadian Broadcasting Corporation.
     
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  25. Arthur Koestler (1973). The Limits of Man and His Predicament. In Jonathan Benthall (ed.), The Limits of Human Nature. New York,Dutton
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  26. Arthur Koestler (1974). The Roots of Coincidence.
     
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  27. A. Koestler (1981). The Three Domains of Creativity. In Denis Dutton & Michael Krausz (eds.), The Concept of Creativity in Science and Art. Distributors for the U.S. And Canada, Kluwer Boston
     
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  28. Arthur Koestler (1974). Unconscious Factors in Creativity. New York,J. Norton Publishers.
     
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  29.  0
    Jean-Paul Margot (2012). Acerca Del Carácter. Estudios de Filosofía 28:9-21.
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  30. Jean-Michel Margot (2005). Histoire des études verniennes. Iris 28:25-38.
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  31. L. Margot (1966). L'enseignement pratique de la biologie au niveau secondaire. Dialectica 20 (3/4):310.
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  32. Jean-Paul Margot (2007). Modernidad, Crisis de la Modernidad y Posmodernidad. Programa Editorial Universidad Del Valle.
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  33. Roger Garaudy & Joseph M. Bernstein (1948). Literature of the Graveyard: Jean-Paul Sartre, François Mauriac, André Malraux, Arthur Koestler. International Publishers.
     
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  34.  44
    Walter Gulick (2003). Letters About Polanyi, Koestler, and Eva Zeisel. Tradition and Discovery 30 (2):6-10.
    Illuminating letters by Barbara Striker and Bela Hidegkuti respond to Walter Gulick’s review of David Cesarani’s book, Arthur Koestler: The Homeless Mind in Tradition and Discovery 29:2 (2002-2003), 50-55. The letters and accompanying commentary shed light on the details of Eva Striker Zeisel’s USSR imprisonment and release, her relationship to Arthur Koestler, the lives of George and Barbara Striker (Polanyi’s nephew and wife), and the circumstances and sources of Cesarani’s biography.
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  35.  0
    B. A. Sparkes, N. Kunisch, Julius C. Funcke & Margot Funcke (1973). Antiken der Sammlung Julius C. und Margot Funcke. Journal of Hellenic Studies 93:271.
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  36. Roger Berkowitz (2009). Approaching Infinity: Dignity in Arthur Koestler's Darkness at Noon. Philosophy and Literature 33 (2):pp. 296-314.
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  37.  8
    Michel Lerner (2012). Le �Copernic� de Koestler dans les «Somnambules» ou de d�art de (mal)traiter les sources. Giornale Critico Della Filosofia Italiana 2:514-529.
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  38.  3
    William G. Holzberger (1996). Obituary: Margot Cory. Overheard in Seville 14 (14):37-38.
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  39.  10
    Erica R. Meiners (2011). The Straight State: Sexuality and Citizenship in Twentieth Century America; Impossible Subjects: Illegal Aliens and the Making of Modern America: Margot Canaday. Princeton: Princeton University Press, 2009; Mae Ngai. Princeton: Princeton University Press, 2004. [REVIEW] Educational Studies 47 (4):402-408.
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  40.  5
    Bernard McGinn (1989). Rudolf von Biberach, De septem itineribus aeternitatis: Nachdruck der Ausgabe von Peltier 1866 mit einer Einleitung in die lateinische Überlieferung und Corrigenda zum Text, ed. Margot Schmidt.(Mystik in Geschichte und Gegenwart, 1: Christliche Mystik, 1.) Stuttgart (Bad-Cannstatt): Frommann-Holzboog, 1985. Pp. xlvi, 93. Rudolf von Biberach, Die siben strassen zu got: Revidierte hochalemannische Übertragung nach der Handschrift Einsiedeln 278 mit hochdeutscher Übersetzung, ed. and trans,(into German ... [REVIEW] Speculum 64 (1):213-214.
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  41.  5
    John A. Miles (1975). Arthur Koestler/Part Two. Zygon 10 (2):191-210.
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  42.  1
    Walter Gulick (2002). Arthur Koestler. Tradition and Discovery 29 (2):50-55.
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  43.  17
    N. T. Gridgeman (1975). The Roots of Coincidence: An Excursion Into Parapsychology, Arthur Koestler. World Futures 14 (3):307-312.
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  44.  1
    M. P. (1980). Margot H. King and Wesley M. Stevens, Eds., Saints, Scholars and Heroes: Studies in Medieval Culture in Honour of Charles W. Jones, 1: The Anglo-Saxon Heritage, 2: Carolingian Studies, Collegeville, Minn.: Hill Monastic Manuscript Library, Saint John's Abbey and University, 1979. Paper. 1: Pp. 300; Frontispiece Portrait. 2: Pp. 417. $39 North America; $44.75 Elsewhere. May Be Ordered From University Microfilms, Ann Arbor, Mich. [REVIEW] Speculum 55 (4):868-869.
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  45.  1
    Sally Harper (2003). Margot E. Fassler and Rebecca A. Baltzer, Eds., The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography. Written in Honor of Professor Ruth Steiner. Oxford: Oxford University Press, 2000. Pp. Xxiv, 632; Black-and-White Frontispiece, Black-and-White Figures, Tables, and Musical Examples. $65. [REVIEW] Speculum 78 (2):499-501.
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  46.  2
    Mary E. Wolinski (2012). Margot E. Fassler, The Virgin of Chartres: Making History Through Liturgy and the Arts. New Haven and London: Yale University Press, 2010. Pp. Xiii, 612; 16 Color Plates, B&W Frontispiece, Many B&W Figs., Tables, and Musical Examples. $55. ISBN: 9780300110883. [REVIEW] Speculum 87 (2):547-548.
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  47.  2
    Angelus A. Häußling (1970). Richard von St. Viktor: Über die Gewalt der Liebe. Ihre vier Stufen. Einführung und Übersetzung von Margot Schmidt (Münchener Universitäts-Schriften, Theologische Fakultät. Veröffentlichungen des Grabmann-Institutes, Neue Folge 8). Ferdinand Schöningh, München/Paderborn/Wien 1969, XII, 75 pp. [REVIEW] Zeitschrift für Religions- Und Geistesgeschichte 22 (3):279-280.
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  48.  4
    John A. Miles (1974). Arthur Koestler/Part One. Zygon 9 (4):339-351.
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  49.  1
    Alison Altstatt (2013). Margot E. Fassler, Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. 2nd Ed. Notre Dame: University of Notre Dame Press, 2011. Paper. Pp. Xxxix, 487; 15 Black-and-White Figures. $55. ISBN: 9780268028893. [REVIEW] Speculum 88 (4):1087-1089.
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  50.  3
    James Duban (2011). "Oceanic Wonder": Arthur Koestler and Melville's Castaway. Philosophy and Literature 35 (2):371-374.
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