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  1. Marian Hobson (2013). Diderot's Encyclopédie and the French Enlightenment: Summarizing Knowledge and Questioning Knowledge. Frontiers of Philosophy in China 8 (2):215-229.
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  2. Marian Hobson (2012). Apparitions of 'Freedom' (the Word). Derrida Today 5 (1):39-54.
    Derrida thematises his writing through a change of perspective which moves from very detailed examination of an argument to more general statements. This paper is a consideration of how Derrida anchors his close attention to the detail of an argument in a wider philosophical-historical and indeed social framework. In this paper, the word in question is ‘freedom’, discussed with the philosopher and psychoanalyst Elisabeth Roudinesco; this paper moves back chronologically to Force of Law, and finally to a passage in Of (...)
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  3. Marian Hobson (2011). Diderot and Rousseau: Networks of Enlightenment. Voltaire Foundation.
     
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  4. Marian Hobson (2010). Laws and Universality, Laws and History. International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 23 (3):265-281.
    The article begins by examining two arguments used by Derrida in work published in 1967. The first claims against Lévi-Strauss that an empirical pattern of events cannot be injected into or superimposed onto an historical pattern claiming universality, for then there can be no disconfirmation of what is said. (This argument is used against Marxian history by some who write in the wake of Existentialism, Paul Roubiczek for instance.) The second claims against Foucault that he does not distinguish between reason (...)
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  5. Marian Hobson (2009). Malcolm MacNaughtan Bowie 1943-2007. Proceedings of the British Academy 161:41.
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  6. Marian Hobson (2008). Derrida's Irony? : Or, In Order That Homeland Security Do Not Come Too Early to the Case. In Robert Eaglestone & Simon Glendinning (eds.), Derrida's Legacies: Literature and Philosophy. Routledge.
     
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  7. Marian Hobson (2008). Le point et le rétroviseur : Diderot ou comment figurer le temps. Archives de Philosophie 1:37-51.
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  8. Marian Hobson (2007). Le Temps de la Couleur: Le "Salon de 1763" de Diderot. Diderot Studies 30:113 - 123.
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  9. Marian Hobson (2006). Hostilities and Hostages (to Fortune). Epoché: A Journal for the History of Philosophy 10 (2):303-314.
    This piece asks a simple question, one simply obvious after the New York Times obituary of Jacques Derrida: how is it, why is it, that his work has been attacked in act and in words? And why more violently than the other great contemporaries of that period, of whom only Kristeva is still alive: Deleuze, Foucault, Lyotard, Lacan? It tries out various possibilities: envy, power struggles among various intellectual groupings of the same generation, the location of philosophy in the present (...)
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  10. Marian Hobson (2005). Certains étonnements que j'ai pu avoir à propos de Jacques Derrida. Rue Descartes 2 (2):79-81.
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  11. Marian Hobson (2004). Review: Rousseau. [REVIEW] Mind 113 (452):771-774.
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  12. Marian Hobson (2003). The Purest of Bastards. International Studies in Philosophy 35 (1):147-149.
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  13. Marian Hobson (2001). Derrida and Representation: Mimesis, Presentation, and Representation. In Tom Cohen (ed.), Jacques Derrida and the Humanities: A Critical Reader. Cambridge University Press. 132--151.
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  14. Marian Hobson (1998). Jacques Derrida: Opening Lines. Routledge.
    This book explores the language and arguments Jacques Derrida uses in his writings, and how this is at the core of his work. Marian Hobson explores the French language in which Derrida's philosophy is written in, and the ways his ideas are organized, to suggest that this has an overriding affect on how his translated work affects our understanding of his thought.
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  15. Marian Hobson (1987). History Traces. In Derek Attridge, Geoffrey Bennington & Robert Young (eds.), Post-Structuralism and the Question of History. Cambridge University Press. 105--115.
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  16. Marian Hobson (1984). Pantomime, spasme et parataxe : « Le Neveu de Rameau ». Revue de Métaphysique et de Morale 89 (2):197 - 213.
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  17. Marian Hobson (1982). The Object of Art: The Theory of Illusion in Eighteenth-Century France. Cambridge University Press.
     
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  18. Marian Hobson (1977). Sensibilité et spectacle : le contexte médical du « Paradoxe sur le comédien » de Diderot. Revue de Métaphysique et de Morale 82 (2):145 - 164.
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  19. Marian Hobson (1976). La Lettre Sur Les Sourds Et Muets de Diderot: Labyrinthe Et Langage. Semiotica 16 (4).
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  20. Marian Hobson (1975). Quelques Références dans la "Lettre sur les sourds et muets". Diderot Studies 18:111 - 119.
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