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  1. Mark Poster (1984). Foucault, Marxism and History Mode of Production Versus Mode of Information. Monograph Collection (Matt - Pseudo).
     
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  2.  6
    Mark Poster (1990). The Mode of Information: Poststructuralism and Social Context. University of Chicago Press.
    This book explores these differences and in particular considers various theoretical perspectives that might be useful for opening new interpretive strategies for critical social theory in relation to these differences.
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  3. Jean Baudrillard & Mark Poster (1988). Selected Writings. Monograph Collection (Matt - Pseudo).
  4. Mark Poster (1974). Althusser on History Without Man. Political Theory 2 (4):393-409.
  5. Mark Poster (1989). Critical Theory and Poststructuralism: In Search of a Context. Cornell University Press.
  6.  29
    Mark Poster (1980). Existential Marxism in Postwar France, From Sartre to Althusser. Noûs 14 (4):653-656.
  7.  11
    Mark Poster (1982). Foucault and History. Social Research 49.
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  8.  6
    Mark Poster & M. A. Y. Christopher (2006). Technology, Social Revolution and the Information Age. Historical Materialism 14 (1):311-325.
  9. Mark Poster (forthcoming). The Question of Agency: Michel de Certeau and the History of Consumerism. Diacritics.
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  10.  5
    Mark Poster & Andy White (2007). Information Please. Contemporary Political Theory 6 (4):500-502.
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  11. Mark Poster (1986). Foucault and the Tyranny of Greece. In Michel Foucault & David Couzens Hoy (eds.), Foucault: A Critical Reader. B. Blackwell 205--20.
     
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  12.  7
    Mark Poster (1989). Why Not to Read Foucault. Critical Review 3 (1):155-160.
    FOUCAULT by J. G. Merquior Berkeley: University of California Press, 1985. 188pp., $8.95 (paper).
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  13.  25
    Mark Poster, Foucault, Marxism, and History.
  14. Mark Poster (1982). Sartre's Marxism. Cambridge University Press.
  15.  5
    Mark Poster (2010). McLuhan and the Cultural Theory of Media. Mediatropes 2 (2):1-18.
    Media are surely central to Western societies of the past several centuries and to the emerging global societies of the contemporary era and the future. There is a thickening, an intensification and an increasing complexity to the use of information machines, technologies that are necessary in the production, reproduction, storing and distribution of texts, images and sounds, the constituent elements of culture. The phenomenon has been termed a “media ecology,” adding a new layer to the ecologies of animal, vegetable and (...)
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  16.  3
    Mark Poster (1973). The Hegel Renaissance. Telos: Critical Theory of the Contemporary 1973 (16):109-127.
    Before World War II French intellectuals had paid little attention to Hegel. Only offbeat intellectuals like André Breton's surrealists and a circle of young Marxists in the 1920s paid tribute to the German dialectician. Among the reasons suggested by Alexandra Koyré for the lack of interest were the obscurity of Hegel's writing, the strength of Cartesian and Kantian traditions, Hegel's Protestantism, but, above all, the incredulity of the French toward Hegel's “strict identity of logical synthesis and historical becoming.” If this (...)
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  17.  1
    Mark Poster (2005). Medienphilosophie Des Internet. In Ludwig Nagl & Mike Sandbothe (eds.), Systematische Medienphilosophie. De Gruyter 359-380.
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  18. Mark Poster (1997). Cultural History and Postmodernity Disciplinary Readings and Challenges. Monograph Collection (Matt - Pseudo).
     
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  19. Mark Poster (1983). Charles Lemert and Garth Gillan, "Michel Foucault: Social Theory as Transgression". Telos: Critical Theory of the Contemporary 56:206.
     
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  20. Mark Poster (1978). Christopher Lasch, "Haven in a Heartless World". Telos: Critical Theory of the Contemporary 35:226.
     
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  21. Mark Poster (1975). Dominique Desanti, "Les Staliniens". [REVIEW] Telos: Critical Theory of the Contemporary 23:183.
     
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  22. Mark Poster (1976). Edward Shorter, "The Making of the Modern Family". [REVIEW] Telos: Critical Theory of the Contemporary 29:212.
     
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  23. Mark Poster (1986). Foucault, Marxism and History. Mode of Production Vs Mode of Information. Tijdschrift Voor Filosofie 48 (3):531-531.
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  24. Mark Poster (1984). Hubert Dreyfus and Paul Rabinow, "Michel Foucault: Beyond Structuralism and Hermeneutics". Telos: Critical Theory of the Contemporary 60:224.
     
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  25. Mark Poster (1973). Jean Baudrillard, "Le Miroir de la Production". Telos: Critical Theory of the Contemporary 18:171.
     
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  26. Mark Poster & Jacques Mourrain (eds.) (2002). Jean Baudrillard: Selected Writings: Second Edition. Stanford University Press.
    This is an expanded edition of the first comprehensive overview of the work of Jean Baudrillard, one of the most fascinating thinkers on the French intellectual scene. To the original selection of his writings from 1968 to 1985, this new edition adds examples of Baudrillard's work since that time. _Reviews of the First Edition_ "This is a good book, and the author of its selected writings, Jean Baudrillard, deserves only a share of the compliment. It is difficult to introduce a (...)
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  27. Mark Poster (1974). Juliet Mitchell, "Psychoanalysis and Feminism". Telos: Critical Theory of the Contemporary 21:213.
     
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  28. Mark Poster (2007). Manifesto for a History of the Media. In Keith Jenkins, Sue Morgan & Alun Munslow (eds.), Manifestos for History. Routledge
     
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  29. Mark Poster (1974). Review. [REVIEW] History and Theory 13:326-335.
     
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  30. Mark Poster (1974). Raymond Aron, "Histoire Et Dialectique de la Violence". [REVIEW] History and Theory 13 (3):326.
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