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  1. Mark Rollins (2013). Exposure, Experience, and Intention Recognition: Take It From the Bottom. Behavioral and Brain Sciences 36 (2):154 - 155.
    The psycho-historical account implies two ways of construing the relation of basic exposure to the artistic design stance and artistic understanding. One is empirically dubious and the other does not fit well with the account. The assumption that combining psychology with history requires identifying actual intentions is undermined by the artistic design stance.
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  2. Mark Rollins (2011). Of Pictorial Style. In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. 391.
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  3. Mark Rollins (2011). Philosophical Perspectives on Depiction Edited by Abell, Catharine and Katerina Bantinaki. Journal of Aesthetics and Art Criticism 69 (4):419-421.
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  4. Mark Rollins (2006). Sight and Sensibility: Evaluating Pictures Edited by Lopes, Dominic Mciver. Journal of Aesthetics and Art Criticism 64 (4):479–482.
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  5. Mark Rollins (2004). What Monet Meant: Intention and Attention in Understanding Art. Journal of Aesthetics and Art Criticism 62 (2):175–188.
  6. Mark Rollins (2003). Perceptual Strategies and Pictorial Content. In Margaret Atherton Heiko Hecht & Robert Schwartz (eds.), Looking Into Pictures. 99--122.
     
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  7. Mark Rollins (2003). The Mind in Pictures. The Monist 86 (4):608-631.
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  8. Mark Rollins (2001). Equivalence and Format: On Strategies for Recognition. Remarks on Kosslyn's Reply. [REVIEW] Minds and Machines 11 (3):427-431.
  9. Mark Rollins (2001). Pictorial Representation. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  10. Mark Rollins (2001). The Invisible Content of Visual Art. Journal of Aesthetics and Art Criticism 59 (1):19-27.
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  11. Mark Rollins (2001). The Strategic Eye: Kosslyn's Theory of Imagery and Perception. [REVIEW] Minds and Machines 11 (2):267-286.
  12. Mark Rollins (1999). Introduction. Philosophical Psychology 12 (4):381 – 386.
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  13. Mark Rollins (1999). Pictorial Representation: When Cognitive Science Meets Aesthetics. Philosophical Psychology 12 (4):387 – 413.
    Pictorial representation is a subject of interest to both cognitive science and aesthetics. Standard theories of depiction often draw on vision science, and vision science must give an account of picture perception. I offer a critical overview of standard theories of depiction and argue that none of them is adequate. I then describe ways in which new theories of perception blend elements of representationalism with an emphasis on attention and motor control. Such theories, in effect, limit the reliance on mental (...)
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  14. Mark Rollins (1995). Sight Reading. [REVIEW] Behavior and Philosophy 23 (1):53 - 57.
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  15. Mark Rollins (1994). Deep Plasticity: The Encoding Approach to Perceptual Change. Philosophy of Science 61 (1):39-54.
    The basic problem of perceptual change is how to account for both variation and constancy in perceiving the world. Is order learned? How deep does plasticity go in that respect? I argue that different kinds of perceptual plasticity have been confused in recent debates, notably between J. Fodor and P. M. Churchland. By focusing on changes in the use of concepts, the issues in the Fodor-Churchland debate can be resolved. Beyond that debate, I propose a generalized encoding approach to perception (...)
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  16. Mark Rollins (1994). Perception and Proper Explanatory Width. PSA: Proceedings of the Biennial Meeting of the Philosophy of Science Association 1994:437 - 445.
    Marr's theory of vision is often said to exemplify wide psychology. The claim rests primarily on Marr's appeal to a high level theory of computational functions. I agree that Marr's theory embodies an exemplary form of wide psychology; what is exemplary about it is the appeal to perceptual tasks. But I argue that the result of invoking task considerations is that we should not adhere to Marr's own conception of proper explanatory width. There is no one conception of width that (...)
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  17. Mark Rollins (1994). Re: Reinterpreting Images. Philosophical Psychology 7 (3):345-358.
    The questions addressed in research on mental imagery have become more refined as experimental techniques have become more exact. One issue that has emerged in current work is whether, or in what ways, imaging is like perceiving. Daniel Reisberg and Deborah Chambers have devised a series of experiments that put that question to the test by asking whether images can be reinterpreted in the same ways that perceptual objects can be reinterpreted. They argue that the evidence points to a negative (...)
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  18. Mark Rollins (ed.) (1993). Danto and His Critics. Blackwell.
    Machine generated contents note: IntroductionPart I System and MethodPart II Intention and InterpretationPart III Philosophy of ArtPart IV Historical KnowledgePart V What Philosophy IsPart VI Responses.
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  19. Mark Rollins (1992). Content and Conformation: Isomorphism in the Neural Sway. Behavioral and Brain Sciences 15 (2):219-220.
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  20. Mark Rollins (1990). Inexhaustibility and Human Being. Review of Metaphysics 44 (1):169-170.
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  21. Mark Rollins (1989). Mental Imagery: On the Limits of Cognitive Science. Yale University Press.
     
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