66 found
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  1. Martin Jay (2002). Lafayette's Children: The American Reception of French Liberalism. Substance 31 (1):9-26.
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  2. Martin Jay (1981). Positive and Negative Totalities: Implicit Tensions in Critical Theory's Vision of Interdisciplinary Research. Thesis Eleven 3 (1):72-87.
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  3.  10
    Martin Jay (1973). The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950. University of California Press.
    Martin Jay has provided a substantial new preface for this edition, in which he reflects on the continuing relevance of the work of the Frankfurt School.
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  4. Martin Jay (2005). Songs of Experience Modern American and European Variations on a Universal Theme. Monograph Collection (Matt - Pseudo).
    Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. _Songs of Experience _is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its (...)
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  5.  1
    Martin Jay (1996). Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Journal of Aesthetics and Art Criticism 54 (2):185-188.
    Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications (...)
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  6.  71
    Martin Jay (2010). The Moment of Thesis Eleven. Thesis Eleven 100 (1):21-23.
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  7.  2
    Martin Jay (2016). Experience and History: Phenomenological Perspectives and the Historical World_ _, Written by David Carr. Journal of the Philosophy of History 10 (2):325-331.
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  8.  18
    Martin Jay (2002). Somaesthetics and Democracy: Dewey and Contemporary Body Art. Journal of Aesthetic Education 36 (4):55-69.
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  9.  3
    Martin Jay (forthcoming). Experience and History: Phenomenological Perspectives and the Historical World_ _, Written by David Carr. Brill.
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  10. Martin Jay (1984). Adorno. Harvard University Press.
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  11. Martin Jay (1993). Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. University of California Press.
    Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications (...)
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  12. Martin Jay (1986). In the Empire of the Gaze: Foucault and the Denigration of Vision in Twentieth-Century French Thought. In Michel Foucault & David Couzens Hoy (eds.), Foucault: A Critical Reader. B. Blackwell 175--204.
     
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  13. Martin Jay (2006). Songs of Experience: Modern American and European Variations on a Universal Theme. University of California Press.
    Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. _Songs of Experience _is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its (...)
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  14. Martin Jay (2013). 18. The Weimar Left: Theory and Practice. In John P. McCormick & Peter E. Gordon (eds.), Weimar Thought: A Contested Legacy. Princeton University Press 377-393.
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  15.  10
    Martin Jay (1996). For Theory. Theory and Society 25 (2):167-183.
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  16.  75
    Martin Jay (1995). The Limits of Limit-Experience: Bataille and Foucault. Constellations 2 (2):155-174.
  17.  19
    Martin Jay (1993). Force Fields: Between Intellectual History and Cultural Critique. Routledge.
    Force Fields collects the recent essays of Martin Jay, an intellectual historian and cultural critic internationally known for his extensive work on the history of Western Marxism and the intellectual migration from Germany to America.
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  18.  15
    Martin Jay (2010). The Virtues of Mendacity: On Lying in Politics. University of Virginia Press.
    In The Virtues of Mendacity, Jay resolves to avoid this conventional framing of the debate over lying and politics by examining what has been said in support of ...
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  19. Martin Jay (2010). Taking on the Stigma of Inauthenticity : Adorno's Critique of Genuineness. In Gerhard Richter (ed.), Language Without Soil: Adorno and Late Philosophical Modernity. Fordham University Press
     
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  20.  11
    Martin Jay (1990). Fieldwork and Theorizing in Intellectual History. Theory and Society 19 (3):311-321.
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  21.  1
    Martin Jay (2009). Faith‐Based History. History and Theory 48 (1):76-84.
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  22.  9
    Martin Jay (1996). Between the Norm and the Exception. International Studies in Philosophy 28 (4):153-154.
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  23.  6
    Martin Jay (1982). For Gouldner. Theory and Society 11 (6):759-778.
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  24. Martin Jay (1999). Is Experience Still in Crisis? Reflections on a Frankfurt School Lament. Kriterion: Journal of Philosophy 100:9-25.
  25.  43
    Martin Jay (1995). Book Review: Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. [REVIEW] Philosophy and Literature 19 (1):95-97.
  26.  1
    Martin Jay (forthcoming). Experience and History: Phenomenological Perspectives and the Historical World_ _, Written by David Carr. New Content is Available for Journal of the Philosophy of History.
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  27.  5
    Martin Jay (1972). The Frankfurt School's Critique of Marxist Humanism. Social Research 39.
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  28.  5
    Martin Jay (1986). Against Fragmentation Against Itself. Theory and Society 15 (4):583-591.
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  29.  10
    Martin Jay (2013). Intention and Irony: The Missed Encounter Between Hayden White and Quentin Skinner. History and Theory 52 (1):32-48.
    No contemporary intellectual historian has produced more influential reflections on the historian’s craft than Hayden White and Quentin Skinner, yet their legacy has never been meaningfully compared. Doing so reveals a surprising complementarity in their approach, at least to the extent that Skinner’s stress on recovering the intentionality of authors fits well with White’s observation that irony is the dominant rhetorical mode of historical narrative in our day. Irony itself, to be sure, has to be divided broadly speaking into its (...)
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  30. Martin Jay (1985). Permanent Exiles Essays on the Intellectual Migration From Germany to America. Monograph Collection (Matt - Pseudo).
     
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  31.  6
    Martin Jay (1987). Reconciling the Irreconcilable? Rejoinder to Kennedy. Telos: Critical Theory of the Contemporary 1987 (71):67-80.
    Among Carl Schmitt's most notable and controversial contributions to political theory was his claim that “all the significant concepts of the modern doctrine of the state are secularized theological concepts.” First formulated in 1922 in his Political Theology, this contention remained constant throughout his long career, as evidenced by its return in his Political Theology II, published in 1970. Here Schmitt's Cadtholic background was clearly apparent, for in so arguing, he was recapitulating the familiar topos of biblical prefiguration in which (...)
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  32.  8
    Martin Jay & Russell Jacoby (1975). Marxism and Critical Theory: Martin Jay and Russell Jacoby. [REVIEW] Theory and Society 2 (1):257-263.
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  33.  7
    Martin Jay (1982). Anamnestic totalization. Theory and Society 11 (1):1-15.
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  34. Martin Jay (1985). Hans Blumenberg, "the Legitimacy of the Modern Age". [REVIEW] History and Theory 24 (2):183.
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  35.  6
    Martin Jay (1973). Max Horkheimer (1895-1973). Proceedings and Addresses of the American Philosophical Association 47:219 - 220.
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  36.  4
    Martin Jay (1984). Hierarchy and the Humanities: The Radical Implications of a Conservative Idea. Telos: Critical Theory of the Contemporary 1984 (62):131-144.
    It is customary to begin essays of this kind with an arresting quotation from an eminent source, a practice that both displays the author's ostensible erudition and coverdy betrays his need to draw on an external authority to support the argument he is about to make. In order to remain true to this time-honored convention, I have chosen as my opening text for today the following passage from Theodor Adorno's Negative Dialectics, written in 1966: “All culture after Auschwitz, including its (...)
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  37.  19
    Martin Jay (2000). Diving Into the Wreck: Aesthetic Spectatorship at the Fin-de-Siècle. Critical Horizons 1 (1):93-111.
    The popularity of films like Titanic betokens a massive shift in the nature of aesthetic spectatorship in our time. The contemplative, distanced viewer who is able to judge from afar the spectacle before him or her, has been replaced by a more proximate, involved "kinaesthetic" subject whose body is stimulated as much as his or her eye. This is evident not only in mass culture with amusement thrill rides and the return of what has been called the "cinema of attractions"; (...)
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  38.  6
    Martin Jay (1989). The Rise of Hermeneutics and the Crisis of Ocularcentrism. In Paul Hernadi (ed.), The Rhetoric of Interpretation and the Interpretation of Rhetoric. Duke University Press 55--74.
  39.  4
    Martin Jay, Ermanno Bencivenga, Peter Burke, Christopher P. Jones, Ardis Butterfield, Mercedes García-Arenal, Avinoam Rosenak & Francis X. Clooney (2012). Introduction: Genres of Blur. Common Knowledge 18 (2):220-228.
    Ever since Clifford Geertz urged the “blurring of genres” in the social sciences, many scholars have considered the crossing of disciplinary boundaries a healthy alternative to rigidly maintaining them. But what precisely does the metaphor of “blurring” imply? By unpacking the varieties of visual experiences that are normally grouped under this rubric, this essay seeks to provide some precision to our understanding of the implications of fuzziness. It extrapolates from the blurring caused by differential focal distances, velocities of objects in (...)
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  40.  3
    Martin Jay (2011). Philosophy as Perpetual Motion: Pragmatism Moves On. History and Theory 50 (3):425-432.
    ABSTRACTTwo new books about the Pragmatist tradition, Richard Bernstein's The Pragmatic Turn and Colin Koopman's Pragmatism as Transition, represent respectively a summing up of the past half‐century of the tradition's history and a possible program for its future development. Bernstein ecumenically considers the achievements of a wide range of thinkers from Peirce, Dewey, and James to Brandom, Putnam, and Rorty, drawing valuable lessons from each, while not sparing criticism of their flaws. Koopman also tries to bridge the gap between what (...)
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  41.  1
    Martin Jay (1993). On Fredric Jameson, "Postmodernism, or, the Cultural Logic of Late Capitalism". [REVIEW] History and Theory 32 (3):296.
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  42.  6
    Martin Jay (2006). Review of Espen Hammer, Adorno and the Political. [REVIEW] Notre Dame Philosophical Reviews 2006 (5).
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  43.  1
    Martin Jay (2005). Intellectuals and Power, or, What's Love Got to Do with It? Modern Intellectual History 2 (2):289-297.
  44.  37
    Warren Breckman & Martin Jay (eds.) (2009). The Modernist Imagination: Intellectual History and Critical Theory: Essays in Honor of Martin Jay. Berghahn Books.
    This volumeincludes work from some of the most prominentcontemporary scholars in the humanities.
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  45.  8
    Teresa Brennan & Martin Jay (eds.) (1996). Vision in Context: Historical and Contemporary Perspectives on Sight. Routledge.
    Vision and the gaze are key issues in the analysis of racism, sexism and ethnocentrism. In recent radical theory, generally, and French theory in particular, vision has been seen as a means of control. But this view is often unnuanced. It bypasses questions such as: Why is it that contemporary theories have been so critical of vision, and generous towards listening (in psychoanalysis) and language (in philosophy)? This collection of original essays brings together historical studies and contemporary theoretical perspectives on (...)
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  46. Teresa Brennan & Martin Jay (eds.) (2013). Vision in Context: Historical and Contemporary Perspectives on Sight. Routledge.
    Vision and the gaze are key issues in the analysis of racism, sexism and ethnocentrism. In recent radical theory, generally, and French theory in particular, vision has been seen as a means of control. But this view is often unnuanced. It bypasses questions such as: Why is it that contemporary theories have been so critical of vision, and generous towards listening and language? This collection of original essays brings together historical studies and contemporary theoretical perspectives on vision. The historical papers (...)
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  47.  1
    Helmut Dubiel & Martin Jay (1985). Theory and Politics: Studies in the Development of Critical Theory. The MIT Press.
    He is currently a research fellow at the University of Frankfurt. Theory and Politics is included in the series, Studies in Contemporary German Social Thought, edited by Thomas McCarthy.
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  48. Martin Jay, Christina Gerhardt, Rob Kaufman, Detlev Claussen & J. M. Bernstein (2006). Adorno and Ethics. Duke University Press Books.
    Because of his preoccupation with the formal aspects of music and literature, Theodor W. Adorno is often regarded as the most aesthetically oriented thinker of the Frankfurt School theorists. It is Adorno’s perceived commitment to aestheticism—the study of art for art’s sake and the study of art as a source of sensuous pleasure, rather than as a vehicle for culturally constructed morality or meaning—that many scholars have criticized as hostile to genuine, concrete, substantive political, social, and ethical engagement with the (...)
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  49. Martin Jay (ed.) (1987). An Unmastered Past: The Autobiographical Reflections of Leo Lowenthal. University of California Press.
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  50. Martin Jay (2011). Essays From the Edge: Parerga and Paralipomena. University of Virginia Press.
    Taking on the stigma of inauthenticity : Adorno's critique of genuineness -- Is experience still in crisis? : reflections on a Frankfurt school lament -- Mourning a metaphor: the revolution is over -- Cultural relativism and the visual turn -- Scopic regimes of modernity revisited -- No state of grace : violence in the garden -- Visual parrhesia? : Foucault and the truth of the gaze -- The Kremlin of modernism -- Phenomenology and lived experience -- Aesthetic experience and historical (...)
     
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