Online research in philosophy

Taking on the stigma of inauthenticity : Adorno's critique of genuineness -- Is experience still in crisis? : reflections on a Frankfurt school lament -- Mourning a metaphor: the revolution is over -- Cultural relativism and the visual turn -- Scopic regimes of modernity revisited -- No state of grace : violence in the garden -- Visual parrhesia? : Foucault and the truth of the gaze -- The Kremlin of modernism -- Phenomenology and lived experience -- Aesthetic experience and historical (...) experience : a twenty-first-century constellation -- Still waiting to hear from derrida -- Pseudology : Derrida on Arendt and lying in politics -- The menace of consilience : keeping the disciplines unreconciled -- Can there be national philosophies in a transnational world? -- Straddling a watershed? -- Allons enfants de l'humanité : the French and human rights -- Intellectual family values : William Phillips, Hannah Arendt, and the Partisan review -- Still sleeping rough : Colin Wilson's the outsider at fifty. (shrink)

In The Virtues of Mendacity, Jay resolves to avoid this conventional framing of the debate over lying and politics by examining what has been said in support of ...

This volumeincludes work from some of the most prominentcontemporary scholars in the humanities.

The popularity of films like Titanic betokens a massive shift in the nature of aesthetic spectatorship in our time. The contemplative, distanced viewer who is able to judge from afar the spectacle before him or her, has been replaced by a more proximate, involved "kinaesthetic" subject whose body is stimulated as much as his or her eye. This is evident not only in mass culture with amusement thrill rides and the return of what has been called the "cinema of attractions"; (...) this new spectator can also be discerned in avant-garde culture, as shown by the Sensation exhibition of Young British Artists which caused such a stir in London and New York. This spectator is especially attracted to simulacral scenes of destruction and catastrophe, in which he or she is virtually immersed. If aesthetic judgement is to be a model for its political counterpart, as has been argued by theorists like Lyotard and Arendt, it cannot do so on the basis of this aesthetics of violent immersion. (shrink)

Force Fields collects the recent essays of Martin Jay, an intellectual historian and cultural critic internationally known for his extensive work on the history of Western Marxism and the intellectual migration from Germany to America.