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Martin Kemp [9]Martin J. Kemp [1]
  1. Martin Kemp (2012). “The Testimony of My Own Eyes”: The Strange Case of the Mammal with a Beak. Spontaneous Generations 6 (1):43-49.
    There has always been a significant element of trust when we look at an image of something we have not seen, above all when it looks naturalistic and convincing. Illustrators often employ naturalistic tricks in the service of the “rhetoric of reality.” The case study is the Australian Duck-Billed Platypus, which stretched credibility when it was first discovered, resembling an artificially confected monster. The first scientific account, by George Shaw in T he Naturalist’s Miscellany in 1799, is a masterpiece of (...)
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  2. Mengfei Huang, Holly Bridge, Martin J. Kemp & Andrew J. Parker (2011). Human Cortical Activity Evoked by the Assignment of Authenticity When Viewing Works of Art. Frontiers in Human Neuroscience 5:134-134.
  3. Assimina Kaniari, Marina Wallace & Martin Kemp (eds.) (2009). Acts of Seeing: Artists, Scientists and the History of the Visual: A Volume Dedicated to Martin Kemp. Artakt & Zidane Press.
     
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  4. Martin Kemp (2006). Seen | Unseen: Art, Science, and Intuition From Leonardo to the Hubble Telescope. OUP Oxford.
    Seen | Unseen is a deep, richly illustrated, and erudite analysis of the interconnections between science and the visual arts. Martin Kemp explores the responses of artists, scientists, and their instruments, to the world - ranging from early representations of perspective, to pinhole cameras, particle accelerators and the Hubble telescope. -/- From Leonardo, Durer, and the inventors of photography to contemporary sculptors, and from Galileo and Darwin to Stephen J. Gould, Kemp considers the way in which scientists and artists have (...)
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  5. Martin Kemp (2005). First Page Preview. International Studies in the Philosophy of Science 19 (3).
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  6. Martin Kemp (1997). Book Reviews. [REVIEW] British Journal of Aesthetics 37 (2):175-177.
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  7. Martin Kemp (1981). Navis Ecclesiae: An Ambrosian Metaphor in Leonardo's Allegory of the Nautical Wolf and Imperious Eagle. Bibliothèque d'Humanisme Et Renaissance 43 (2):257-268.
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  8. Martin Kemp (1977). Leonardo and the Visual Pyramid. Journal of the Warburg and Courtauld Institutes 40:128-149.
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  9. Martin Kemp (1972). Dissection and Divinity in Leonardo's Late Anatomies. Journal of the Warburg and Courtauld Institutes 35:200-225.
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  10. Martin Kemp (1971). 'Il Concetto Dell'anima' in Leonardo's Early Skull Studies. Journal of the Warburg and Courtauld Institutes 34:115-134.
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