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  1. Massimiliano Carrara & Marzia Soavi (2010). Copies, Replicas, and Counterfeits of Artworks and Artefacts. The Monist 93 (3):414-432.
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  2. Marzia Soavi & Massimiliano Carrara (2010). Copies, Replicas, and Counterfeits of Artworks and Artefacts. The Monist 93 (3):414-432.
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  3. Marzia Soavi (2009). Antirealism and Artefact Kinds. Techné 13 (2):93-107.
    Many realists on kinds deem it highly controversial to consider artefact kinds real kinds on a par with natural ones. There is a built-in tendency in realism to conceive of artefact kinds as merely a conventional classification used for practical purposes. One can individuate three main different approaches characterizing real kinds and accordingly three different types of arguments against viewing artefact kinds as real kinds: the metaphysical, the epistemological and the semantic arguments. The aim of this contribution is to undermine (...)
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  4. Marzia Soavi (2009). Realism and Artifact Kinds. In Ulrich Krohs & Peter Kroes (eds.), Functions in Biological and Artificial Worlds: Comparative Philosophical Perspectives. Mit Press.
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  5. Marzia Soavi (2009). Realism, Antirealism and Artefact Kinds. Cleup.
     
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  6. Massimiliano Carrara & Marzia Soavi (2008). Ontology for Information Systems: Artefacts as a Case Study. [REVIEW] Mind and Society 7 (2):143-156.
    The goal of the paper is to analyse some specific features of a very central concept for top-level ontologies for information systems: i.e. the concept of artefact. Specifically, we analyse the relation to be a copy of that is strongly linked to the notion of artefact and—as we will demonstrate—could be useful to distinguish artefacts from objects of other kinds. Firstly, we outline some intuitive and commonsensical reasons for the need of a clarification of the notion of artefact in ontologies (...)
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  7. Marzia Soavi, Massimiliano Carrara & Pierdaniele Giaretta (2008). È un uccello, è un aereo, è Superman! Visione E identificazione sortale. Rivista di Estetica 48 (39):265-280.
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