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  1. Matthew Rampley (2009). Art as a Social System: The Sociological Aesthetics of Niklas Luhmann. Telos 2009 (148):111-140.
    The work of Niklas Luhmann represents perhaps the last major body of social theory of the twentieth century. Beginning with Social Theory or Social Technology: What Does Systems Research Achieve? jointly published with Jürgen Habermas in 1971, Luhmann spent the following three decades up until his death in 1998 laying out the basis for a comprehensive theory of social systems.1 The author of some sixty books and three hundred and eighty essays and articles, Luhmann has had an enormous impact on (...)
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  2. Matthew Rampley (2000). Nietzsche, Aesthetics, and Modernity. Cambridge University Press.
    Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures (...)
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  3. Matthew Rampley (1999). Book Reviews. [REVIEW] British Journal of Aesthetics 39 (3):403-404.
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  4. Matthew Rampley (1998). Creativity. British Journal of Aesthetics 38 (3):265-278.
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  5. Matthew Rampley (1995). Book Reviews. [REVIEW] British Journal of Aesthetics 35 (2):403-404.
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  6. Matthew Rampley (1994). Book Reviews. [REVIEW] British Journal of Aesthetics 34 (1):403-404.
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  7. Matthew Rampley (1993). Physiology as Art: Nietzsche on Form. British Journal of Aesthetics 33 (3):271-282.
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  8. Matthew Rampley (1992). Book Reviews. [REVIEW] British Journal of Aesthetics 32 (1):403-404.
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  9. Matthew Rampley (1991). Book Reviews. [REVIEW] British Journal of Aesthetics 31 (3):403-404.
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