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  1.  42
    Matthew Rampley (1991). Book Reviews. [REVIEW] British Journal of Aesthetics 31 (3):403-404.
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  2.  37
    Matthew Rampley (1995). Book Reviews. [REVIEW] British Journal of Aesthetics 35 (2):403-404.
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  3.  32
    Matthew Rampley (1992). Book Reviews. [REVIEW] British Journal of Aesthetics 32 (1):403-404.
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  4.  35
    Matthew Rampley (1994). Book Reviews. [REVIEW] British Journal of Aesthetics 34 (1):403-404.
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  5.  36
    Matthew Rampley (1999). Book Reviews. [REVIEW] British Journal of Aesthetics 39 (3):403-404.
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  6.  9
    Matthew Rampley (2009). Art as a Social System: The Sociological Aesthetics of Niklas Luhmann. Telos: Critical Theory of the Contemporary 2009 (148):111-140.
    The work of Niklas Luhmann represents perhaps the last major body of social theory of the twentieth century. Beginning with Social Theory or Social Technology: What Does Systems Research Achieve? jointly published with Jürgen Habermas in 1971, Luhmann spent the following three decades up until his death in 1998 laying out the basis for a comprehensive theory of social systems.1 The author of some sixty books and three hundred and eighty essays and articles, Luhmann has had an enormous impact on (...)
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  7.  24
    Matthew Rampley (1998). Creativity. British Journal of Aesthetics 38 (3):265-278.
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  8.  11
    Matthew Rampley (1993). Physiology as Art: Nietzsche on Form. British Journal of Aesthetics 33 (3):271-282.
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  9. Matthew Rampley, Thierry Lenain, Hubert Locher, Andrea Pinotti, Charlotte Schoell-Glass & C. J. M. Zijlmans (eds.) (2012). Art History and Visual Studies in Europe: Transnational Discourses and National Frameworks. Brill.
    This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.
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  10. Matthew Rampley (1991). In the Presence of the Sensuous. [REVIEW] Radical Philosophy 59.
     
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  11.  28
    Matthew Rampley (2000). Nietzsche, Aesthetics, and Modernity. Cambridge University Press.
    Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures (...)
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  12. Matthew Rampley (2010). Nietzsche, Aesthetics and Modernity. Cambridge University Press.
    Nietzsche, Aesthetics and Modernity analyses Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures (...)
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  13. Matthew Rampley (2011). Nietzsche, Aesthetics and Modernity. Cambridge University Press.
    Nietzsche, Aesthetics and Modernity analyses Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures (...)
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  14. Matthew Rampley (2007). Nietzsche, Aesthetics and Modernity. Cambridge University Press.
    Nietzsche, Aesthetics and Modernity analyses Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures (...)
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  15. Matthew Rampley (1999). Nietzsche, Aesthetics and Modernity. Cambridge University Press.
    Nietzsche, Aesthetics and Modernity analyses Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures (...)
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  16. Matthew Rampley (1993). Thinking Art: Beyond Traditional Aesthetics. [REVIEW] Radical Philosophy 63.
     
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  17. Matthew Rampley (1991). The Anatomy of Philosophical Style. [REVIEW] Radical Philosophy 59.
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  18. Matthew Rampley (1993). The Cambridge Companion to Kant. [REVIEW] Radical Philosophy 63.
     
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  19. Matthew Rampley (1992). The Problems of Modernity: Adorno and Benjamin. [REVIEW] Radical Philosophy 61.
     
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  20. Matthew Rampley (2000). The Remembrance of Things Past on Aby M. Warburg and Walter Benjamin. Monograph Collection (Matt - Pseudo).
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