85 found
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  1. Jaques Derrida & Maurizio Ferraris (2001). A Taste for the Secret. Polity.
    In this series of dialogues, Derrida discusses and elaborates on some of the central themes of his work, such as the problems of genesis, justice, authorship and death. Combining autobiographical reflection with philosophical enquiry, Derrida illuminates the ideas that have characterized his thought from its beginning to the present day. If there is one feature that links these contributions, it is the theme of singularity - the uniqueness of the individual, the resistance of existence to philosophy, the temporality of the (...)
     
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  2. Maurizio Ferraris (2009). Documentalità: Perché È Necessario Lasciar Tracce. Laterza.
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  3.  23
    Maurizio Ferraris & Achille C. Varzi (2013). Hylas e Philonous dieci anni dopo. SpazioFilosofico 8 (2):219–227.
    This is a sequel to our dialogue "Che cosa c'è e che cos'è (2003), focusing on the interplay between what there is and what there could be—between actuality and possibility—from the perspective of Hylas (here: the realist philosopher) and from the perspective of Philonous (here: the conventionalist anti-realist).
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  4.  72
    Maurizio Ferraris & Achille C. Varzi (2003). Che cosa c’è e che cos’è. Nous. Postille Su Pensieri 1:81–101.
    A philosophical exchange broadly inspired by the characters of Berkeley’s Three Dialogues. Hylas is the realist philosopher: the view he stands up for reflects a robust metaphysic that is reassuringly close to common sense, grounded on the twofold persuasion that the world comes structured into entities of various kinds and at various levels and that it is the task of philosophy, if not of science generally, to “bring to light” that structure. Philonous, by contrast, is the anti-realist philosopher (though not (...)
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  5. Jaques Derrida & Maurizio Ferraris (2001). A Taste for the Secret. Polity.
    In this series of dialogues, Derrida discusses and elaborates on some of the central themes of his work, such as the problems of genesis, justice, authorship and death. Combining autobiographical reflection with philosophical enquiry, Derrida illuminates the ideas that have characterized his thought from its beginning to the present day. If there is one feature that links these contributions, it is the theme of singularity - the uniqueness of the individual, the resistance of existence to philosophy, the temporality of the (...)
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  6.  8
    Maurizio Ferraris (2013). Pleurer et rire pour de vrai. Philosophiques 40 (1):23-44.
    Maurizio Ferraris | : L’une des réponses au paradoxe de la fiction consiste à dire que les émotions que nous éprouvons face aux oeuvres de fiction ne sont pas véritables. Mais qu’est-ce que pleurer ou rire pour de vrai ? En fait, presque toutes les formes de rire ou de larmes, et de réactions émotionnelles, sont compatibles avec la fiction, y compris celles qui sont des émotions vraies. Ce qui pose problème dans le paradoxe est la prémisse selon laquelle nos (...)
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  7.  2
    Maurizio Ferraris (2015). Ding an Sich. In Andreas Speer, Wolfram Hogrebe & Markus Gabriel (eds.), Das Neue Bedürfnis Nach Metaphysik / the New Desire for Metaphysics. De Gruyter 119-132.
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  8.  2
    Maurizio Ferraris (2015). Collective Intentionality or Documentality? Philosophy and Social Criticism 41 (4-5):423-433.
    In this article I defend two theses. The first is that the centrality of recording in the social world is manifested through the production of documents, a phenomenon which has been present since the earliest phases of society and which has undergone an exponential growth through the technological developments of the last decades. The second is that the centrality of documents leads to a view of normativity according to which human beings are primarily passive receptors of rules manifested through documents. (...)
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  9.  5
    Maurizio Ferraris (2003). La ontología de Kant como naturalización de la física. Laguna 13:9-39.
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  10.  10
    Maurizio Ferraris (2002). Inemendabilità, ontologia, realtà sociale. Rivista di Estetica 19 (1):160-199.
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  11.  1
    Maurizio Ferraris (2013). Silvaplana, 14 August 1881. New Nietzsche Studies 9 (1):155-166.
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  12.  9
    Maurizio Ferraris (1999). “A Psychic Which is Not the One of Psychology” (Abstract). Chiasmi International 1:135-136.
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  13.  8
    Maurizio Ferraris (2010). Scrittura, archiscrittura, pensiero. Rivista di Estetica 50 (44):45-60.
    Traditionally, from Aristotle to Hegel, has been considered as valuable the following sequence: Thought → Word → Writing. In this essay I claim that the right order of the sequence is utterly the opposite: oral language does not come first, gesture does; writing is independent from language both because gesture comes first and because writing, differently from language, can record; finally the capacity of recording and of communicating is typical of the soul seen as a tabula.
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  14. Maurizio Ferraris (1996). History of Hermeneutics. Humanities Press.
     
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  15.  2
    Maurizio Ferraris (2013). Kant and Social Objects. In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter 587-596.
  16.  6
    Maurizio Ferraris (2012). Percezione. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    The essay concerns the notion of realism and its relationship with the notion of perception. The ontological meaning of aesthetics as aisthesis is in fact in the non-amendable nature of perception. From this non-amendability the essay outlines four traces through which aisthesis leads to realism: “nonconceptual content”, “object”, “naivety”, “ontology”.
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  17.  1
    Maurizio Ferraris (2014). Total Mobilization. The Monist 97 (2):200-221.
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  18.  12
    Maurizio Ferraris (2009). Documentality, or Europe. The Monist 92 (2):286-314.
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  19.  5
    Maurizio Ferraris (2009). Documentalità e ontologia sociale. Quaestio 9 (1):389-406.
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  20.  2
    Maurizio Ferraris (2003). A Che punto è la notte. Dialogo sull'ontologia dell'arte. Rivista di Estetica 43 (23):48-54.
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  21.  2
    Maurizio Ferraris (2011). Nuovo Realismo FAQ: New Realism FAQ. Nóema 2:1-14.
    Il vero punto, nel confronto tra realisti e postmodernisti, non è ovviamente l’affermazione o negazione dell’esistenza del mondo esterno, ma il costruzionismo: quanto incidono gli schemi concettuali nella costruzione della realtà naturale e sociale? Infatti nessun realista negherebbe che l’IVA dipenda da schemi concettuali . Quello che il realista si chiede è, appunto, fin dove si spinge l’azione degli schemi concettuali, ed è qui che si manifesta il dissidio tra realisti e postmodernisti. Questi ultimi sono molto più generosi nella lista (...)
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  22. Maurizio Ferraris (2011). Nuovo Realismo. Rivista di Estetica 48 (1):69-93.
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  23.  1
    Maurizio Ferraris (2008). Science of Recording. In Alois Pichler & Herbert Hrachovec (eds.), Philosophy of the Information Society: Proceedings of the 30th International Ludwig Wittgenstein-Symposium in Kirchberg, 2007. De Gruyter 109-124.
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  24.  15
    Maurizio Ferraris (2007). Jacques Derrida's Writing and Difference. Topoi 26 (2):279-286.
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  25. Maurizio Ferraris (2013). Opera d'aura. Rivista di Estetica 53 (52):97-115.
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  26.  3
    Maurizio Ferraris (1999). “Un psychique qui n'est pas celui de la psychologie” (résumé). Chiasmi International 1:135-135.
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  27.  2
    Maurizio Ferraris (2012). Globalized Philosophy. Iride 25 (2):403-412.
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  28.  6
    Maurizio Ferraris (1999). “Uno psichico che non è quello della psicologia”. Chiasmi International 1:121-134.
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  29. Maurizio Ferraris (2012). 3.1. Intenzionalitagrave; E Documentalita. Rivista di Estetica 52 (49):161-182.
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  30.  1
    Maurizio Ferraris (2010). The Philosopher-Son. The European Legacy 12 (4):409-418.
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  31. Maurizio Ferraris (2012). Risposte ai miei critici. Rivista di Estetica 50 (1):391-409.
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  32.  2
    Adriana Cavarero & Maurizio Ferraris (2010). La bestia e il Sovrano di Jacques Derrida. Iride 23 (1):209-222.
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  33. Maurizio Ferraris (2010). Adieu, Adieu, Adieu. Remember Me. Rivista di Estetica 45 (1):135-137.
     
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  34. Adriana Cavarero & Maurizio Ferraris (2010). On Jacques Derrida's The Beast and the Sovereign. Iris 2 (4):491-506.
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  35. Jacques Derrida & Maurizio Ferraris (1997). Il Gusto Del Segreto. Monograph Collection (Matt - Pseudo).
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  36. Maurizio Ferraris & Pietro Kobau (1994). Analogon Rationis. Cuem.
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  37. Maurizio Ferraris (2007). Badola e gavagai. Rivista di Estetica 47 (34):251-262.
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  38. Maurizio Ferraris (2006). Cocktail di Searle. Rivista di Estetica 46 (33):205-209.
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  39. Maurizio Ferraris (2006). Come guarire dal nichilismo con meno di 1 euro. Rivista di Estetica 46 (32):151-156.
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  40. Maurizio Ferraris (1997). Cristo è veramente risorto? L’estetica come filosofia prima. Rivista di Estetica 37 (1).
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  41. Maurizio Ferraris, Gianni Carchia, Piero Palmero, Gianni Vattimo & Franco Rella (1983). Dibattito: Interventi di: Maurizio Ferraris, Gianni Carchia, Piero Palmero, Gianni Vattimo, Franco Rella, Fausto Curi. Studi di Estetica 2:90-112.
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  42. Maurizio Ferraris (2007). Documentalità: Ontologia Del Mondo Sociale. Etica E Politica 9 (2):240-329.
    Objects come in three kinds: physical objects that exist in space and in time, and are independent from subjects knowing them, even though they may have built them, as for artifacts ; ideal objects that exist outside of space and time, and are independent from the subjects knowing them, but which, after having been discovered, can be socialized; social objects, that do not exist as such in space, since their physical presence is limited to the inscription, but last in time, (...)
     
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  43. Maurizio Ferraris (2006). Discorso per il conferimento del Premio Castiglioncello, 25 febbraio 2006. Rivista di Estetica 46 (31):215-220.
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  44. Maurizio Ferraris (2008). Editoriale. Rivista di Estetica 48 (2):5-6.
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  45. Maurizio Ferraris (1997). Estetica Razionale.
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  46. Maurizio Ferraris (2012). Filosofia globalizzata. Iride 25 (2):403-412.
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  47. Maurizio Ferraris (2005). Goodman e San Gennaro. Nuova Civiltà Delle Macchine 23 (1):122-132.
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  48. Maurizio Ferraris (2004). Goodbye, Kant!: Cosa Resta Oggi Della Critica Della Ragion Pura. Tascabili Bompiani.
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  49. Maurizio Ferraris (2008). Idioms. Encyclopaideia 23:45-64.
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  50. Maurizio Ferraris (2009). Imitazione E convenzione. Rivista di Estetica 49 (41):125-139.
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