82 found
Sort by:
  1. Maurizio Ferraris (2015). Collective Intentionality or Documentality? Philosophy and Social Criticism 41 (4-5):423-433.
    In this article I defend two theses. The first is that the centrality of recording in the social world is manifested through the production of documents, a phenomenon which has been present since the earliest phases of society and which has undergone an exponential growth through the technological developments of the last decades. The second is that the centrality of documents leads to a view of normativity according to which human beings are primarily passive receptors of rules manifested through documents. (...)
    No categories
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  2. Maurizio Ferraris (2014). New Realism as Positive Realism. Meta:172-213.
    In this essay I try to give some overall statements in order to show that new realism is to be understood as a kind of positive philosophy. Against constructivism, I argue that there is a prevalence of the objects themselves on our understanding of them because reality offers a resistance to our attempt to grasp it depending on its level of dependence from our own understanding, which is different in the case of natural objects, ideal object and social object . (...)
     
    My bibliography  
     
    Export citation  
  3. Maurizio Ferraris (2014). Total Mobilization. The Monist 97 (2):200-221.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  4. Maurizio Ferraris (2013). Kant and Social Objects. In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter 587-596.
  5. Maurizio Ferraris (2013). Opera d'aura. Rivista di Estetica 53 (52):97-115.
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  6. Maurizio Ferraris (2013). Pleurer et rire pour de vrai. Philosophiques 40 (1):23-44.
    Maurizio Ferraris | : L’une des réponses au paradoxe de la fiction consiste à dire que les émotions que nous éprouvons face aux oeuvres de fiction ne sont pas véritables. Mais qu’est-ce que pleurer ou rire pour de vrai ? En fait, presque toutes les formes de rire ou de larmes, et de réactions émotionnelles, sont compatibles avec la fiction, y compris celles qui sont des émotions vraies. Ce qui pose problème dans le paradoxe est la prémisse selon laquelle nos (...)
    Translate to English
    | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  7. Maurizio Ferraris & Achille C. Varzi (2013). Hylas e Philonous dieci anni dopo. SpazioFilosofico 8 (2):219–227.
    This is a sequel to our dialogue "Che cosa c'è e che cos'è (2003), focusing on the interplay between what there is and what there could be—between actuality and possibility—from the perspective of Hylas (here: the realist philosopher) and from the perspective of Philonous (here: the conventionalist anti-realist).
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  8. Maurizio Ferraris (2012). Filosofia globalizzata. Iride 25 (2):403-412.
    No categories
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  9. Maurizio Ferraris (2012). Globalized Philosophy. Iride 25 (2):403-412.
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  10. Maurizio Ferraris (2012). 3.1. Intenzionalitagrave; E Documentalita. Rivista di Estetica 52 (49):161-182.
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  11. Maurizio Ferraris (2012). Ontologia sociale. Rivista di Estetica 52 (1).
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  12. Maurizio Ferraris (2012). Percezione. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    The essay concerns the notion of realism and its relationship with the notion of perception. The ontological meaning of aesthetics as aisthesis is in fact in the non-amendable nature of perception. From this non-amendability the essay outlines four traces through which aisthesis leads to realism: “nonconceptual content”, “object”, “naivety”, “ontology”.
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  13. Maurizio Ferraris (2012). Risposte ai miei critici. Rivista di Estetica 50 (1):391-409.
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  14. Maurizio Ferraris (2012). Responses to Quaestio. Quaestio 12:485-501.
    In this article I wish to illustrate realism’s position with regard to modern and contemporary philosophy and its transcendental turn. I will posit that new realism, while being very well aware of this turn , rejects it: in fact, from a realist perspective, the existence of ancestral beings, existing long before humans, proves that reality cannot be regarded as a correlate of human thought. I will therefore respectively refute the theories positing the dependency of reality on thought, arguing that the (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  15. Maurizio Ferraris (2011). Indiana James. In Rosa M. Calcaterra (ed.), New Perspectives on Pragmatism and Analytic Philosophy. Editions Rodopi
     
    My bibliography  
     
    Export citation  
  16. Maurizio Ferraris (2011). Nuovo Realismo. Rivista di Estetica 48 (1):69-93.
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  17. Maurizio Ferraris (2011). Nuovo Realismo FAQ: New Realism FAQ. Nóema 2:1-14.
    Il vero punto, nel confronto tra realisti e postmodernisti, non è ovviamente l’affermazione o negazione dell’esistenza del mondo esterno, ma il costruzionismo: quanto incidono gli schemi concettuali nella costruzione della realtà naturale e sociale? Infatti nessun realista negherebbe che l’IVA dipenda da schemi concettuali . Quello che il realista si chiede è, appunto, fin dove si spinge l’azione degli schemi concettuali, ed è qui che si manifesta il dissidio tra realisti e postmodernisti. Questi ultimi sono molto più generosi nella lista (...)
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  18. Adriana Cavarero & Maurizio Ferraris (2010). La bestia e il Sovrano di Jacques Derrida. Iride 23 (1):209-222.
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  19. Adriana Cavarero & Maurizio Ferraris (2010). On Jacques Derrida's The Beast and the Sovereign. Iris 2 (4):491-506.
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  20. Maurizio Ferraris (2010). Adieu, Adieu, Adieu. Remember Me. Rivista di Estetica 45 (1):135-137.
    Direct download  
     
    My bibliography  
     
    Export citation  
  21. Maurizio Ferraris (2010). Le Rivelazioni Della Tecnica. Kainós 10.
    No categories
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  22. Maurizio Ferraris (2010). Ricostruire la Decostruzione: Cinque Saggi a Partire da Jacques Derrida. Bompiani.
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  23. Maurizio Ferraris (2010). Scrittura, archiscrittura, pensiero. Rivista di Estetica 50 (44):45-60.
    Traditionally, from Aristotle to Hegel, has been considered as valuable the following sequence: Thought → Word → Writing. In this essay I claim that the right order of the sequence is utterly the opposite: oral language does not come first, gesture does; writing is independent from language both because gesture comes first and because writing, differently from language, can record; finally the capacity of recording and of communicating is typical of the soul seen as a tabula.
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  24. Maurizio Ferraris (2010). The Philosopher-Son. The European Legacy 12 (4):409-418.
    No categories
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  25. Maurizio Ferraris (2010). Writing, Archwriting, Thought. Rivista di Estetica 50 (2):45-60.
     
    My bibliography  
     
    Export citation  
  26. Maurizio Ferraris (2009). Documentalità e ontologia sociale. Quaestio 9 (1):389-406.
    No categories
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  27. Maurizio Ferraris (2009). Documentality, or Europe. The Monist 92 (2):286-314.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  28. Maurizio Ferraris (2009). Documentalità: Perché È Necessario Lasciar Tracce. Laterza.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  29. Maurizio Ferraris (2009). Imitazione E convenzione. Rivista di Estetica 49 (41):125-139.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  30. Maurizio Ferraris (2008). Editoriale. Rivista di Estetica 48 (2):5-6.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  31. Maurizio Ferraris (2008). Idioms. Encyclopaideia 23:45-64.
    No categories
     
    My bibliography  
     
    Export citation  
  32. Maurizio Ferraris (2008). Such a nice man. Laudatio di Arthur Coleman Danto. Rivista di Estetica 48 (2).
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  33. Maurizio Ferraris (ed.) (2008). Storia Dell'ontologia. Bompiani.
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  34. Maurizio Ferraris (2008). Suchaniceman laudatio di Arthur Coleman Danto: Torino, 2 ottobre 2007. Rivista di Estetica 48 (38):21-23.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  35. Maurizio Ferraris (2008). Science of Recording. In Alois Pichler & Herbert Hrachovec (eds.), Philosophy of the Information Society: Proceedings of the 30th International Ludwig Wittgenstein-Symposium in Kirchberg, 2007. De Gruyter 109-124.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  36. Maurizio Ferraris (2007). Badola e gavagai. Rivista di Estetica 47 (34):251-262.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  37. Maurizio Ferraris (2007). Documentalità: Ontologia Del Mondo Sociale. Etica E Politica 9 (2):240-329.
    Objects come in three kinds: physical objects that exist in space and in time, and are independent from subjects knowing them, even though they may have built them, as for artifacts ; ideal objects that exist outside of space and time, and are independent from the subjects knowing them, but which, after having been discovered, can be socialized; social objects, that do not exist as such in space, since their physical presence is limited to the inscription, but last in time, (...)
     
    My bibliography  
     
    Export citation  
  38. Maurizio Ferraris (2007). Jacques Derrida's Writing and Difference. Topoi 26 (2):279-286.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  39. Maurizio Ferraris (2007). Mondo dell'arte e mondo delle opere. Rivista di Estetica 47 (35):169-187.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  40. Maurizio Ferraris (2007). Ontologia sociale e documentalità. Rivista di Estetica 47 (3).
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  41. Maurizio Ferraris (2006). Cocktail di Searle. Rivista di Estetica 46 (33):205-209.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  42. Maurizio Ferraris (2006). Come guarire dal nichilismo con meno di 1 euro. Rivista di Estetica 46 (32):151-156.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  43. Maurizio Ferraris (2006). Discorso per il conferimento del Premio Castiglioncello, 25 febbraio 2006. Rivista di Estetica 46 (31):215-220.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  44. Maurizio Ferraris (2006). Jackie Derrida: Ritratto a Memoria. Bollati Boringhieri.
    No categories
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  45. Maurizio Ferraris (2005). Goodman e San Gennaro. Nuova Civiltà Delle Macchine 23 (1):122-132.
    No categories
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  46. Maurizio Ferraris (2005). Lineamenti di una teoria degli oggetti sociali. Rivista di Estetica 45 (3).
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  47. Maurizio Ferraris (2005). Nietzsche e bernazza. Rivista di Estetica 45 (28):25-32.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  48. Maurizio Ferraris (2004). Goodbye, Kant!: Cosa Resta Oggi Della Critica Della Ragion Pura. Tascabili Bompiani.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  49. Maurizio Ferraris (2004). L'opera d'Arte come fidanzata automatica. Rivista di Estetica 44 (26):153-170.
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  50. Maurizio Ferraris (2004). Ontologia ansiosa. Rivista di Estetica 44 (3).
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
1 — 50 / 82