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  1. Mauro Carbone (2013). O Que É Uma Filosofia-Cinema? Revista de Filosofia Aurora 25 (511):343.
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  2. Mauro Carbone & Caterina Croce (eds.) (2012). Pensare (Con) Patočka Oggi: Filosofia Fenomenologica E Filosofia Della Storia. Orthotes.
    «È ancora necessario, oggi in Italia, sforzarsi di sottolineare l’importanza e l’attualità del pensiero di Jan Patočka?» – si chiede Mauro Carbone presentando questo volume.
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  3. Mauro Carbone (2010). An Unprecedented Deformation: Marcel Proust and the Sensible Ideas. State University of New York Press.
    Philosophical interpretation of Proust based on the work of Merleau-Ponty and Deleuze.
     
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  4. Mauro Carbone (2010). Le Philosophe et Le Cinéaste (French). Chiasmi International 12:47-70.
    The Philosopher and the Moviemaker.Merleau-Ponty and the Thinking of CinemaAs its subtitle indicates, the present article is devoted to the relations between Maurice Merleau-Ponty’s philosophy and the thinking of cinema. The first section focuses on two topics, each underlying the lecture on cinema given by Merleau-Ponty in 1945. On the one hand, we find the reflection about the peculiarities of expression in film and cinematic image; on the other, we see the convergence between the inspiration of cinema and that of (...)
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  5. Mauro Carbone (2010). Merleau-Ponty at the Limits Of. In Alan D. Schrift (ed.), The History of Continental Philosophy. The University of Chicago Press. 4--111.
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  6. Liliana Albertazzi, Ignacio Angelelli, David Armstrong, Lewis Beck, Bruce Bégout, Jocelyn Benoist, Laura Boella, Eugen V. Bohm-Bawerk, Léon Brunschvicg & Mauro Carbone (2009). Buonarroti, Michelangelo 284. In Beatrice Centi & Huemer Wolfgang (eds.), Values and Ontology. Ontos. 293.
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  7. Mauro Carbone (2009). Love and Music. Chiasmi International 11:63-78.
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  8. Mauro Carbone (2009). Résumé : Amour et musique. Chiasmi International 11:78-79.
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  9. Mauro Carbone (2009). Riassunto: Amore e musica. Chiasmi International 11:79-80.
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  10. Mauro Carbone (2009). The Sensible Ideas Between Life and Philosophy. Graduate Faculty Philosophy Journal 30 (1):125-135.
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  11. Mauro Carbone (2009). Variations of the Sensible, Truth of Ideas, and Idea of Philosophy, Moving From the Later Merleau-Pponty. In Robert Vallier, Wayne Jeffrey Froman & Bernard Flynn (eds.), Merleau-Ponty and the Possibilities of Philosophy: Transforming the Tradition. State University of New York Press.
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  12. Mauro Carbone (2008). Abstract: Pistorius, Aesthetics and the Reversing of Platonism. Chiasmi International 10:46-46.
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  13. Mauro Carbone (2008). Introduction. Chiasmi International 10:15-16.
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  14. Mauro Carbone (2008). Pistorius, l'estetica e il rovesciamento del platonismo. Chiasmi International 10:35-44.
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  15. Mauro Carbone (2008). Résumé: Pistorius, l'esthétique et Ie renversement du platonisme. Chiasmi International 10:45-45.
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  16. Mauro Carbone (2008). The Mythical Time of the Ideas: Merleau-Ponty and Deleuze as Readers of Proust. Journal of the British Society for Phenomenology 39 (1):12-26.
  17. Mauro Carbone & Helen A. Fielding (2005). Introduction. Chiasmi International 7:13-14.
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  18. Mauro Carbone & Helen A. Fielding (2005). Presentazione. Chiasmi International 7:15-16.
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  19. Mauro Carbone & Helen A. Fielding (2005). Présentation. Chiasmi International 7:11-12.
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  20. Mauro Carbone (2004). La parola dell àugure Merleau-Ponty e la «filosofia del freudismo». Daimon 32:95-116.
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  21. Mauro Carbone (2004). The Thinking of the Sensible: Merleau-Ponty's a-Philosophy. Northwestern University Press.
    In this first English publication of a well-known and widely respected Italian scholar, readers will encounter the preeminent interpreter of the works of Maurice Merleau-Ponty engaged in a dialogue of critical concern to contemporary philosophy. In subtle and sensitive language eminently suited to the style and substance of Merleau-Ponty's own writings, Mauro Carbone fashions four essays around a central theme-the relations of the sensible and the intelligible, and of philosophy and non-philosophy-that occupied Merleau-Ponty in his later work. An original and (...)
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  22. Mauro Carbone (2004). Una Deformazione Senza Precedenti: Marcel Proust E le Idee Sensibili. Quodlibet.
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  23. Mauro Carbone (2003). Sur la Possibilite de la Philosophie Aujourd'Hui. Chiasmi International 5:333-336.
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  24. Mauro Carbone (2002). Flesh: Towards the History of a Misunderstanding. Chiasmi International 4:49-62.
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  25. Mauro Carbone (2002). riassunto: Carne. Per la storia di un fraintendimento. Chiasmi International 4:63-64.
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  26. Mauro Carbone (2002). résumé: Chair: Pour l'histoire d'un malentendu. Chiasmi International 4:62-63.
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  27. Mauro Carbone (2001). Ad limina philosophiae (riassunto). Chiasmi International 3:329-330.
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  28. Mauro Carbone (2001). Un posto in cui si parlava Merleau-Pontiano. Chiasmi International 3:13-15.
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  29. Mauro Carbone & Leonard Lawlor (2001). Présentation. Chiasmi International 3:9-9.
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  30. Mauro Carbone & Leonard Lawlor (2001). Presentazione. Chiasmi International 3:11-11.
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  31. Mauro Carbone (2000). Nature And Logos (Abstract). Chiasmi International 2:278-279.
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  32. Mauro Carbone (2000). Natura e Logos (riassunto). Chiasmi International 2:279-279.
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  33. Mauro Carbone (2000). «Personne n'a été plus loin que Proust». Études Phénoménologiques 16 (31-32):35-66.
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  34. Mauro Carbone (1999). Gli anni Novanta in Italia. Chiasmi International 1:15-17.
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  35. Mauro Carbone (1999). II tempo mitico delle idee. Chiasmi International 1:213-229.
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  36. Mauro Carbone (1999). Le temps mythique des idées (résumé). Chiasmi International 1:230-230.
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  37. Mauro Carbone (1999). The Mythical Time of Ideas (Abstract). Chiasmi International 1:231-231.
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  38. Mauro Carbone (1999). Les années Quatre-vingt-dix en Italie (résumé). Chiasmi International 1:18-18.
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  39. Mauro Carbone (1999). The Nineties in Italy (Abstract). Chiasmi International 1:18-18.
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  40. Mauro Carbone (1998). The Caducity of Beauty and Aesthetic Temporality. Axiomathes 9 (1-2):125-129.
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