54 found
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  1. Mauro Carbone (2004). La parola dell àugure Merleau-Ponty e la «filosofia del freudismo». Daimon: Revista de Filosofia 32:95-116.
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  2.  2
    Mauro Carbone (2014). Lo Schermo, la Tela, la Finestra. Rivista di Estetica 55:21-34.
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  3.  42
    Mauro Carbone (2004). The Thinking of the Sensible: Merleau-Ponty's a-Philosophy. Northwestern University Press.
    In this first English publication of a well-known and widely respected Italian scholar, readers will encounter the preeminent interpreter of the works of Maurice Merleau-Ponty engaged in a dialogue of critical concern to contemporary philosophy. In subtle and sensitive language eminently suited to the style and substance of Merleau-Ponty's own writings, Mauro Carbone fashions four essays around a central theme-the relations of the sensible and the intelligible, and of philosophy and non-philosophy-that occupied Merleau-Ponty in his later work. An original and (...)
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  4.  22
    Mauro Carbone & Leonard Lawlor (2001). Présentation. Chiasmi International 3:9-9.
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  5.  35
    Mauro Carbone & Leonard Lawlor (2001). Presentazione. Chiasmi International 3:11-11.
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  6. Mauro Carbone (2010). An Unprecedented Deformation: Marcel Proust and the Sensible Ideas. State University of New York Press.
    Philosophical interpretation of Proust based on the work of Merleau-Ponty and Deleuze.
     
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  7.  12
    Mauro Carbone (2001). Un posto in cui si parlava Merleau-Pontiano. Chiasmi International 3:13-15.
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  8.  3
    Mauro Carbone, Federico Leoni & Ted Toadvine (2015). Note des Directeurs. Chiasmi International 17:17-18.
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  9.  10
    Mauro Carbone (2008). Abstract: Pistorius, Aesthetics and the Reversing of Platonism. Chiasmi International 10:46-46.
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  10.  9
    Mauro Carbone (1999). Les années Quatre-vingt-dix en Italie (résumé). Chiasmi International 1:18-18.
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  11.  8
    Mauro Carbone (2009). The Sensible Ideas Between Life and Philosophy. Graduate Faculty Philosophy Journal 30 (1):125-135.
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  12.  30
    Mauro Carbone (1998). The Caducity of Beauty and Aesthetic Temporality. Axiomathes 9 (1-2):125-129.
  13.  14
    Mauro Carbone (2001). Ad limina philosophiae (riassunto). Chiasmi International 3:329-330.
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  14.  2
    Mauro Carbone, Federico Leoni & Ted Toadvine (2015). Nota Dei Direttori. Chiasmi International 17:21-22.
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  15.  2
    Mauro Carbone, Federico Leoni & Ted Toadvine (2015). Note From the Editorial Team. Chiasmi International 17:19-20.
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  16.  6
    Mauro Carbone & Helen A. Fielding (2005). Presentazione. Chiasmi International 7:15-16.
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  17.  12
    Mauro Carbone (2000). Nature And Logos (Abstract). Chiasmi International 2:278-279.
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  18.  7
    Mauro Carbone (2002). résumé: Chair: Pour l'histoire d'un malentendu. Chiasmi International 4:62-63.
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  19.  12
    Mauro Carbone (2003). Sur la Possibilite de la Philosophie Aujourd'Hui. Chiasmi International 5:333-336.
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  20.  3
    Mauro Carbone (2000). Nature Et Logos. Chiasmi International 2:261-278.
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  21.  11
    Mauro Carbone (1999). Gli anni Novanta in Italia. Chiasmi International 1:15-17.
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  22.  18
    Mauro Carbone (2009). Love and Music. Chiasmi International 11:63-78.
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  23.  9
    Mauro Carbone & Helen A. Fielding (2005). Introduction. Chiasmi International 7:13-14.
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  24.  12
    Mauro Carbone (2009). Résumé : Amour et musique. Chiasmi International 11:78-79.
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  25.  5
    Mauro Carbone (2000). «Personne n'a été plus loin que Proust». Études Phénoménologiques 16 (31-32):35-66.
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  26.  9
    Mauro Carbone (2008). Résumé: Pistorius, l'esthétique et Ie renversement du platonisme. Chiasmi International 10:45-45.
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  27.  17
    Mauro Carbone (2002). Flesh: Towards the History of a Misunderstanding. Chiasmi International 4:49-62.
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  28.  8
    Mauro Carbone & Helen A. Fielding (2005). Présentation. Chiasmi International 7:11-12.
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  29.  2
    Mauro Carbone (2001). Ad Limina Philosophiae. Chiasmi International 3:311-327.
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  30.  2
    Mauro Carbone (2001). Ad limina philosophiae. Chiasmi International 3:328-329.
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  31.  2
    Mauro Carbone (2002). Présentation. Chiasmi International 4:10-10.
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  32.  2
    Mauro Carbone (2008). Presentazione. Chiasmi International 10:11-12.
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  33.  2
    Mauro Carbone (2008). Présentation. Chiasmi International 10:13-14.
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  34.  7
    Mauro Carbone (2009). Riassunto: Amore e musica. Chiasmi International 11:79-80.
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  35.  7
    Mauro Carbone (1999). The Nineties in Italy (Abstract). Chiasmi International 1:18-18.
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  36.  7
    Mauro Carbone (2008). Introduction. Chiasmi International 10:15-16.
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  37.  7
    Mauro Carbone (1999). Le temps mythique des idées (résumé). Chiasmi International 1:230-230.
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  38.  11
    Mauro Carbone (2000). Natura e Logos (riassunto). Chiasmi International 2:279-279.
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  39.  14
    Mauro Carbone (2010). Le Philosophe et Le Cinéaste (French). Chiasmi International 12:47-70.
    The Philosopher and the Moviemaker.Merleau-Ponty and the Thinking of CinemaAs its subtitle indicates, the present article is devoted to the relations between Maurice Merleau-Ponty’s philosophy and the thinking of cinema. The first section focuses on two topics, each underlying the lecture on cinema given by Merleau-Ponty in 1945. On the one hand, we find the reflection about the peculiarities of expression in film and cinematic image; on the other, we see the convergence between the inspiration of cinema and that of (...)
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  40.  5
    Mauro Carbone (2010). Le Philosophe et Le Cinéaste. Chiasmi International 12:47-70.
    The Philosopher and the Moviemaker.Merleau-Ponty and the Thinking of CinemaAs its subtitle indicates, the present article is devoted to the relations between Maurice Merleau-Ponty’s philosophy and the thinking of cinema. The first section focuses on two topics, each underlying the lecture on cinema given by Merleau-Ponty in 1945. On the one hand, we find the reflection about the peculiarities of expression in film and cinematic image; on the other, we see the convergence between the inspiration of cinema and that of (...)
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  41.  12
    Mauro Carbone (2002). riassunto: Carne. Per la storia di un fraintendimento. Chiasmi International 4:63-64.
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  42.  7
    Mauro Carbone (2008). The Mythical Time of the Ideas: Merleau-Ponty and Deleuze as Readers of Proust. Journal of the British Society for Phenomenology 39 (1):12-26.
  43.  10
    Mauro Carbone (1999). II tempo mitico delle idee. Chiasmi International 1:213-229.
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  44.  10
    Mauro Carbone (2008). Pistorius, l'estetica e il rovesciamento del platonismo. Chiasmi International 10:35-44.
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  45.  10
    Mauro Carbone (1999). The Mythical Time of Ideas (Abstract). Chiasmi International 1:231-231.
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  46.  3
    Liliana Albertazzi, Ignacio Angelelli, David Armstrong, Lewis Beck, Bruce Bégout, Jocelyn Benoist, Laura Boella, Eugen V. Bohm-Bawerk, Léon Brunschvicg & Mauro Carbone (2009). Buonarroti, Michelangelo 284. In Beatrice Centi & Huemer Wolfgang (eds.), Values and Ontology. Ontos 293.
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  47.  1
    Mauro Carbone (2013). O Que É Uma Filosofia-Cinema? Revista de Filosofia Aurora 25 (511):343.
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  48. Mauro Carbone (2013). La Déformation En Tant Que Principe de Déreprésentation. Nouvelle Revue D’Esthétique 12 (2):201.
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  49. Mauro Carbone (2010). Merleau-Ponty at the Limits Of. In Alan D. Schrift (ed.), The History of Continental Philosophy. The University of Chicago Press 4--111.
     
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  50. Mauro Carbone (2002). Presentazione. Chiasmi International 4:9-9.
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