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Profile: Michael Kelly
Profile: Michael Kelly (Washington State University)
Profile: Michael Kelly
Profile: Michael R. Kelly (University of San Diego)
  1. Michael Kelly (ed.) (forthcoming). Encyclopedia of Aesthetics, 2d, Rev. Ed. Oxford UP.
     
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  2. Frederic G. Reamer & Michael J. Kelly (forthcoming). Case Studies: Should Competence Be Coerced? Hastings Center Report.
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  3. Michael Kelly (ed.) (2104). Encyclopedia of Aesthetics. 2nd Edition (Oxford University Press).
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  4. Michael Kelly (2014). Danto, Arthur C. What Art Is. Yale University Press, 2013, Xii + 192 Pp., $24.00 Cloth, $15.00 Paper. [REVIEW] Journal of Aesthetics and Art Criticism 72 (2):201-203.
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  5. Michael Kelly (2014). Husserl's Account of Our Consciousness of Time. By James R. Mensch. Pp. 278, Milwaukee, Marquette University Press, 2010, $29.00. [REVIEW] Heythrop Journal 55 (4):721-724.
  6. Michael R. Kelly (2014). The Uses and Abuses of Husserl's Doctrine of Immanence: The Specter of Spinozism in Phenomenology's Theological Turn. Heythrop Journal 55 (4):553-564.
  7. Michael Kelly (2010). A Glimpse of Envy and its Intentional Structure. New Yearbook for Phenomenology and Phenomenological Philosophy 10 (1):283-302.
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  8. Michael Kelly (2010). A Phenomenological (Husserlian) Defense of Bergson's “Idealistic Concession”. Epoché: A Journal for the History of Philosophy 14 (2):399-415.
    When summarizing the findings of his 1896 Matter and Memory, Bergson claims: “That every reality has . . . a relation with consciousness—this is what we concede to idealism.” Yet Bergson’s 1896 text presents the theory of “pure perception,” which, since it accounts for perception according to the brain’s mechanical transmissions, apparently leaves no room for subjective consciousness. Bergson’s theory of pure perception would appear to render his idealistic concession absurd. In this paper, I attempt to defend Bergson’s idealistic concession. (...)
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  9. Michael R. Kelly (ed.) (2010). Bergson and Phenomenology. Palgrave Macmillan.
  10. Michael R. Kelly (2010). Memory, History, Forgetting. Review of Metaphysics 59 (3):675-677.
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  11. Michael Kelly (2009). Review of Peter de Bolla, Stefan H. Uhlig (Eds.), Aesthetics and the Work of Art: Adorno, Kafka, Richter. [REVIEW] Notre Dame Philosophical Reviews 2009 (4).
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  12. Michael Kelly (2009). The Richter Effect on the Regeneration of Aesthetics. In Francis Halsall, Julia Jansen & Tony O'Connor (eds.), Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.
     
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  13. Michael G. Kelly (2009). Du Droit à la Littérature. International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 22 (3):343-353.
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  14. Michael R. Kelly (2009). Quand l'esprit « dit » le temps : la conscience du temps chez Aristote, Augustin et Husserl. Methodos 9.
    Cet essai met en cause la comparaison historique courante qui relie le traitement husserlien de la conscience du temps à la tradition philosophique occidentale par le biais du livre IX des Confessions d’Augustin. Je soutiens notamment que cette comparaison n’est valable qu’à l’égard des leçons sur le temps de 1905 (qui expliquent l’appréhension du temps par le recours à l’étirement de la conscience opéré par la mémoire) et non pour la théorie husserlienne ultérieure, que l’on peut dater autour de 1908 (...)
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  15. Michael R. Kelly (2009). The Consciousness of Succession. American Catholic Philosophical Quarterly 83 (1):127-139.
    For all its subtle differences, Husserl scholarship on time-consciousness has reached a consensus that Husserl’s theory underwent a significant interpretiveimprovement starting around 1908 / 1909. On this advance, which concerned the intentional structure and directedness of absolute consciousness, I have cautioned against reading Augustine’s theory of time as a philosophical predecessor to Husserl’s. In a recent “confrontation” with my efforts, Roger Wasserman tried to defend a reading of Augustine’s influence on Husserl’s theory of time by criticizing my reading of Augustine (...)
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  16. Michael R. Kelly (2008). Husserl, Deleuzean Bergsonism and the Sense of the Past in General. Husserl Studies 24 (1):15-30.
    Those familiar with contemporary continental philosophy know well the defenses Husserlians have offered of Husserl’s theory of inner time-consciousness against post-modernism’s deconstructive criticisms. As post-modernism gives way to Deleuzean post-structuralism, Deleuze’s Le bergsonisme has grown into the movement of Bergsonism. This movement, designed to present an alternative to phenomenology, challenges Husserlian phenomenology by criticizing the most “important… of all phenomenological problems.” Arguing that Husserl’s theory of time-consciousness detailed a linear succession of iterable instants in which the now internal to consciousness (...)
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  17. Michael R. Kelly (2008). Le strade maestre del senso: la critica di Husserl alle Neuroscienze. Encyclopaideia 23:151-170.
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  18. Michael R. Kelly (2006). Memory, History, Forgetting, by P. Ricoeur. [REVIEW] Review of Metaphysics 59 (3):675-677.
  19. Michael Kelly (2005). Making a Case for Husserl in The Philosophy of Technology. Philosophy Today 49 (3):225-235.
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  20. Michael R. Kelly (2005). Routledge Philosophy Guidebook to Husserl and the Cartesian Meditations. International Philosophical Quarterly 45 (2):257-258.
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  21. Michael R. Kelly (2005). What's Phenomenological About Bergsonism (?): Critical Notice of Leonard Lawlor's' The Challenge of Bergsonism.'. International Journal of Philosophical Studies 13:103 - 118.
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  22. : Nicholas C. Lund-Molfese, Michael Kelly, Francis Cardinal George, Jean Bethke Elshtain, Patrick Lee, Peter Kreeft, Charles E. Rice & Gerard V. Bradley (2004). Bioethics: A Culture War. University Press of America.
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  23. Michael R. Kelly (2004). On the Mind's Pronouncement of Time. Proceedings of the American Catholic Philosophical Association 78:247-262.
    This essay contests the standard historical comparison that links Husserl’s account of time-consciousness to the tradition by way of Book XI of Augustine’sConfessions. This comparison rests on the mistaken assumption that both thinkers attribute the soul’s distention and corresponding apprehension of time to memory. While true for Augustine and Husserl’s 1905 lectures on time, Husserl concluded after 1907 that these lectures advanced the flawed and counter-intuitive position that memory extends perception. I will trace the shortcomings of Augustine’s and Husserl’s conflation (...)
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  24. Michael R. Kelly (2004). Time, Technology and Globalization. Philosophy in the Contemporary World 11 (2):45-56.
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  25. Michael Kelly (2003). Iconoclasm in Aesthetics. Cambridge University Press.
    Although philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, art historians emphasize the concrete, historical location of the individual work of art. Is aesthetics capable of sustaining these two approaches? Or, as Michael Kelly argues: Is art actually determined by its historical particularity? His book covers the views of four philosophers--Heidegger, Adorno, Derrida, and Danto--ultimately iconoclasts, despite their significant philosophical engagement with the arts.
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  26. Michael Kelly (2003). Information Technology and Cyberspace [Book Review]. Australasian Catholic Record, The 80 (2):266.
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  27. William F. Vallicella, Keith Burgess-Jackson, Philip E. Devine, John Pepple & Michael Kelly (2003). Letters to the Editor. Proceedings and Addresses of the American Philosophical Association 77 (2):85 - 87.
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  28. Michael Kelly (2002). Self-Awareness and Ontological Monism. Idealistic Studies 32 (3):237-254.
    Any convincing theory of self-awareness must do the following: (a) avoid what Henry terms “ontological monism” (OM), the belief that there is only one kind of awareness, namely, object-awareness; for as long as we stick to OM, we remain wedded to the reflection theory of self-awareness and its well-known difficulties (the infinite regress being the worst). And, (b) account for the concrete personal facts about self-awareness: familiarity, unity, identity, etc. First, I go through the tradition, starting with Descartes, of accounts (...)
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  29. Michaeleen Kelly & Kate Villaire (2002). The Michigan Militia and Emerson's Ideal of Self-Reliance. Journal of Social Philosophy 33 (2):282–296.
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  30. Joseph Margolis, Tom Rockmore, Lisa Dolling, Jaakko Hintikka, Anton Alterman, Stephen Toulmin, Michel Paty, John Stachel, Gregg Horowitz, Michael Kelly, Tom Huhn, Barbara Savedoff, Saul Fisher, Sybil Schwarzenbach, John Pittman, Raphael Sassower & MaryAnn Cutter (2002). Constructivism and Practice: Toward a Historical Epistemology. Rowman & Littlefield Publishers.
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  31. Michael Kelly (2000). A Philosophy of Mass Art. Philosophy and Phenomenological Research 61 (2):481-485.
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  32. Michael Kelly (2000). The Political Autonomy of Contemporary Art: The Case of the 1993 Whitney Biennial. In Salim Kemal & Ivan Gaskell (eds.), Politics and Aesthetics in the Arts. Cambridge University Press. 221--263.
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  33. Michael Kelly (2000). The Wired World Seeking a Confessing Community. Australasian Catholic Record 77 (4):387.
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  34. Kimberly Wright Cassidy, Michael H. Kelly & Lee'at J. Sharoni (1999). Inferring Gender From Name Phonology. Journal of Experimental Psychology: General 128 (3):362.
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  35. Michael Kelly (1999). Consequences of Enlightenment. Journal of Philosophy 96 (12):630-637.
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  36. Michael Kelly (1999). Towards a Heuristic Method: Sartre and Lefebvre. Sartre Studies International 5 (1):1-15.
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  37. Michael H. Kelly (1999). Indirect Representation of Grammatical Class at the Lexeme Level. Behavioral and Brain Sciences 22 (1):49-50.
    Lexemes supposedly represent phonological but not grammatical information. Phonological word substitutions pose problems for this account because the target and error almost always come from the same grammatical class. This grammatical congruency effect can be explained within the Levelt et al. lexicon given that (1) lexemes are organized according to phonological similarity and (2) lexemes from the same grammatical category share phonological properties.
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  38. Casey Haskins & Michael Kelly (1998). Autonomy: Historical Overview. In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. 170--174.
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  39. Michael Kelly (ed.) (1998). . Oxford University Press.
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  40. Michael Kelly, André Glucksmann.
    More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include: * advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth culture Entries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents (...)
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  41. Michael Kelly (1998). Essentialism and Historicism in Danto's Philosophy of Art. History and Theory 37 (4):30–43.
  42. Michael Kelly (ed.) (1998). Encyclopedia of Aesthetics. Oxford University Press.
    The first reference of its kind surveys the full breadth of critical thought on art, culture, and society--from classical philosophy to contemporary critical theory. Featuring 600 original articles by distinguished scholars from many fields and countries, it is a comprehensive survey of major concepts, thinkers, and debates about the meaning, uses, and value of all the arts--from painting and sculpture to literature, music, theater, dance, television, film, and popular culture. Of special interest are in-depth surveys of Western aesthetics and broad (...)
     
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  43. Michael Kelly, Henri Lefebvre.
    More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include: * advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth culture Entries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents (...)
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  44. Michael Kelly, Jacques Chevalier.
    The most comprehensive reference work in its field, this book covers a broad range of topics--military, political, economic, social, painting, literature, music, cinema, dance, theater, sports, and daily life--related to France and her empire during World War II. Starting with the 1938 Munich Crisis and continuing through the 1940 defeat, Occupation, Vichy, Resistance, Liberation, and the establishment of the post-Liberation Provisional Government, the work also addresses such legacies of the wartime experience as the role of former President François Mitterrand and (...)
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  45. Michael Kelly (1998). Mimesis. In , Encyclopedia of Aesthetics. Oxford University Press. 3.
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  46. Michael Kelly, New Philosophers.
    More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include: * advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth culture Entries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents (...)
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  47. Michael Kelly, Paul Ricoeur.
    More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include: * advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth culture Entries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents (...)
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  48. Michael Kelly, Edgar Morin: Introduction (Special Issue Edited by Michael Kelly).
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  49. Michael Kelly (ed.) (1997). Encyclopedia of Aesthetics, V. 3. Oxford University Press.
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  50. Michael Kelly (1997). The Politics of Language in France at the Liberation (1944–47). The European Legacy 2 (3):444-449.
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