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  1. Michael Krausz (2014). A Reply to Vaidya. Comparative Philosophy 5 (1).
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  2. Michael Krausz (2011). Dialogues on Relativism, Absolutism, and Beyond: Four Days in India. Rowman & Littlefield Publishers.
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  3. Michael Krausz (2010). Mapping Relativism. In Michael Kausz (ed.), Relativism: A Contemporary Anthology. Columbia University Press. 13--30.
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  4. Michael Krausz (ed.) (2010). Relativism: A Contemporary Anthology. Columbia University Press.
    The thirty-three essays in <I>Relativism: A Contemporary Anthology</I> grapple with one of the most intriguing, enduring, and far-reaching philosophical problems of our age. Relativism comes in many varieties. It is often defined as the belief that truth, goodness, or beauty is relative to some context or reference frame, and that no absolute standards can adjudicate between competing reference frames. Michael Krausz's anthology captures the significance and range of relativistic doctrines, rehearsing their virtues and vices and reflecting on a spectrum of (...)
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  5. Karen Bardsley, Denis Dutton & Michael Krausz (eds.) (2009). The Idea of Creativity. Brill.
    Is creativity essentially inspirational or rationalistic? What role does skill play in creativity? What are the criteria of creativity? Should we assign logical priority to creative persons, creative processes, or creative products?
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  6. Michael Krausz (2006). Review of Pol Vandevelde, The Task of the Interpreter: Text, Meaning, and Negotiation. [REVIEW] Notre Dame Philosophical Reviews 2006 (10).
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  7. Michael Krausz (2005). Replies. Philosophy in the Contemporary World 12 (1):103-114.
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  8. Michael Krausz (2005). The Possessor and the Possessed. International Studies in Philosophy 37 (4):144-148.
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  9. Michael Krausz (2004). Note on an Alleged Mistake in the Interpretation of Collingwood. Collingwood and British Idealism Studies 10:98-102.
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  10. Michael Krausz (2002). Is There a Single Right Interpretation? Penn State University Press.
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  11. Michael Krausz (2000). Interpretation and its ���Metaphysical��� Entanglements. Metaphilosophy 31 (1-2):125-147.
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  12. Michael Krausz (2000). Limits of Rightness. Rowman & Littlefield Publishers.
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  13. Michael Krausz & Richard Shusterman (eds.) (1999). Interpretation, Relativism, and the Metaphysics of Culture: Themes in the Philosophy of Joseph Margolis. Humanity Books.
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  14. Michael Krausz (1997). Rightness and Reasons: A Reply to Stecker. Journal of Aesthetics and Art Criticism 55 (4):415-418.
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  15. Michael Krausz & Mary Patterson McPherson (1996). Jean Potter 1923-1995. Proceedings and Addresses of the American Philosophical Association 69 (5):135 -.
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  16. Michael Krausz (1993). Rightness and Reasons: Interpretation in Cultural Practices. Cornell University Press.
    Introduction Vv hich interpretation of Beethoven's First Symphony is the single right one: one that strictly adheres to the score or one that does not? ...
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  17. Michael Krausz (ed.) (1993). The Interpretation of Music: Philosophical Essays. Oxford University Press.
    This volume looks at the symbiotic relationship between the philosophical inquiry into the presuppositions of musical interpretation and the interpretation of particular musical works by musicians. Characteristically, interpreters of music entertain philosophical views about musical interpretation. For example, an interpreter's decision whether to play one or another version of a piece, whether to use one instrument or another, whether to emphasize certain elements, depends in part upon certain convictions of a philosophical nature. An interpreter's resolution of such questions will involve (...)
     
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  18. Michael Krausz (1991). Crossing Cultures: Two Universalisms and Two Relativisms. In Marcelo Dascal (ed.), Cultural Relativism and Philosophy: North and Latin American Perspectives. E.J. Brill. 233.
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  19. Michael Krausz (1991). History and Its Objects. The Monist 74 (2):217-229.
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  20. Michael Krausz (1990). Interpretation and Its Art Objects. The Monist 73 (2):222-232.
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  21. Michael Krausz (1990). Philip Alperson, Ed., What is Music?: An Introduction to the Philosophy of Music Reviewed By. Philosophy in Review 10 (2):47-51.
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  22. Michael Krausz (1987). History As a Science. International Studies in Philosophy 19 (3):117-119.
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  23. Michael Krausz (1986). Art and Its Mythologies: A Relativist View. In. In Joseph Margolis, Michael Krausz & Richard M. Burian (eds.), Rationality, Relativism, and the Human Sciences. M. Nijhoff. 189--208.
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  24. Joseph Margolis, Michael Krausz & Richard M. Burian (eds.) (1986). Rationality, Relativism, and the Human Sciences. M. Nijhoff.
    The Greater Philadelphia Philosophy Consortium was launched in the early eighties. It began during a particularly lean period in the American economy.
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  25. Michael Krausz (1984). Relativism and Foundationalism. The Monist 67 (3):395-404.
  26. Michael Krausz (1984). The Tonal and the Foundational: Ansermet on Stravinsky. Journal of Aesthetics and Art Criticism 42 (4):383-386.
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  27. Denis Dutton & Michael Krausz (eds.) (1981). The Concept of Creativity in Science and Art. Distributors for the U.S. And Canada, Kluwer Boston.
  28. Michael Krausz (1980). Historical Explanation, Re-Enactment, and Practical Inference. Metaphilosophy 11 (2):143–154.
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  29. Michael Krausz (1974). Popper's Objective Knowledge. Dialogue 13 (02):347-351.
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  30. Michael Krausz (1974). Book Review:Karl Popper Bryan Magee. [REVIEW] Philosophy of Science 41 (4):426-.
  31. Michael Krausz (1973). Human Understanding. By Stephen Toulmin. Princeton University Press. 1972. 520 Pages. $13.50. [REVIEW] Dialogue 12 (02):356-359.
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  32. Michael Krausz (1973). Relativism and Rationality. American Philosophical Quarterly 10 (4):307 - 312.
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  33. Michael Krausz (ed.) (1972). Critical Essays on the Philosophy of R. G. Collingwood. Oxford,Clarendon Press.
     
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  34. Michael Krausz (1971). Mind, History, and Dialectic: The Philosophy of R. G. Collingwood. By Louis O. Mink. Bloomington: Indiana University Press; Toronto: Fitzhenry and Whiteside. 1969. Pp. 276. $12.50. [REVIEW] Dialogue 10 (01):151-154.
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