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  1. Michael Spitzer (2013). Sad Flowers: Analyzing Affective Trajectory in Schubert's “Trockne Blumen”. In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oup Oxford. 7.
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  2. Michael Spitzer (2010). Introduction to the English-Language Edition. In Stefan Lorenz Sorgner & Oliver Fürbeth (eds.), Music in German Philosophy: An Introduction. The University of Chicago Press. 3.
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  3. Michael Spitzer (2004). Metaphor and Musical Thought. University of Chicago Press.
    "The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it (...)
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  4. Michael Spitzer (1996). Narratives of Self-Consciousness in Proust and Beethoven. In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical Semiotics in Growth. International Semiotics Institute. 4--329.
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