J. R. and Philip Milton present the first critical edition of John Locke's Essay concerning Toleration and a number of other writings on law and politics composed between 1667 and 1683. Although Locke never published any of these works himself they are of very great interest for students of his intellectual development because they are markedly different from the early works he wrote while at Oxford and show him working out ideas that were to appear in his mature political (...) writings, the Two Treatises of Government and the Epistola de Tolerantia. The Essay concerning Toleration was written in 1667, shortly after Locke had taken up residence in the household of his patron Lord Ashley, subsequently Earl of Shaftesbury. It has been in print since the nineteenth century, but this volume contains the first critical edition based on all the extant manuscripts; it also contains a detailed account of Locke's arguments and of the contemporary debates on comprehension and toleration. Also included are a number of shorter writings on church and state, including a short set of queries on Scottish church government (1668), Locke's notes on Samuel Parker (1669), and 'Excommunication' (1674). The other two main works contained in this volume are rather different in character . One is a short tract on jury selection which was written at the time of Shaftesbury's imprisonment in 1681. The other is 'A Letter from a Person of Quality', a political pamphlet written by or for Shaftesbury in 1675 as part of his campaign against the Earl of Danby. This was published anonymously and is of disputed authorship; it was first attributed to Locke in 1720 and since then has occupied an uncertain position in the Locke canon. This volume contains the first critical edition based on contemporary printed editions and manuscripts and it includes a detailed account of the Letter's composition, authorship, and subsequent history. This volume will be an invaluable resource for all historians of early modern philosophy, of legal, political, and religious thought, and of 17th century Britain. (shrink)
John Milton was not only the greatest English Renaissance poet but also devoted twenty years to prose writing in the advancement of religious, civil and political liberties. The height of his public career was as chief propagandist to the Commonwealth regime which came into being following the execution of King Charles I in 1649. The first of the two complete texts in this volume, The Tenure of Kings and Magistrates, was easily the most radical justification of the regicide at (...) the time. In the second, A Defence of the People of England, Milton undertook to vindicate the Commonwealth's cause to Europe as a whole. They are central to an understanding both of the development of Milton's political thought and the climax of the English Revolution itself. This is the first time that fully annotated versions have been published together in one volume, and incorporates a wholly new translation of the Defence. The introduction outlines the complexity of the ideological landscape which Milton had to negotiate, and in particular the points at which he departed radically from his sixteenth-century predecessors. Further aids to students include a full chronology of Milton's life and important contemporary events, a select bibliography and biographies of persons mentioned in the text. (shrink)
This article provides current Schwartz Values Survey (SVS) data from samples of business managers and professionals across 50 societies that are culturally and socioeconomically diverse. We report the society scores for SVS values dimensions for both individual- and societal-level analyses. At the individual-level, we report on the ten circumplex values sub-dimensions and two sets of values dimensions (collectivism and individualism; openness to change, conservation, self-enhancement, and self-transcendence). At the societal-level, we report on the values dimensions of embeddedness, hierarchy, mastery, affective (...) autonomy, intellectual autonomy, egalitarianism, and harmony. For each society, we report the Cronbach’s α statistics for each values dimension scale to assess their internal consistency (reliability) as well as report interrater agreement (IRA) analyses to assess the acceptability of using aggregated individual level values scores to represent country values. We also examined whether societal development level is related to systematic variation in the measurement and importance of values. Thus, the contributions of our evaluation of the SVS values dimensions are two-fold. First, we identify the SVS dimensions that have cross-culturally internally reliable structures and within-society agreement for business professionals. Second, we report the society cultural values scores developed from the twenty-first century data that can be used as macro-level predictors in multilevel and single-level international business research. (shrink)
John Locke's earliest significant publications appeared between 1686 and 1688 in the Bibliothèque universelle et historique. They were a translation of his New Method of a Commonplace Book, an abridgment of his (as yet unpublished) Essay Concerning Human Understanding, and two reviews, of a medical work by Robert Boyle, and Isaac Newton's Principia. It is likely that he contributed some other book reviews, but these cannot now be identified. An examination of surviving copies of the Bibliothèque universelle et historique shows (...) that it had a very complicated printing history, and both the volumes (tom. 2 and tom. 8) that certainly contain items by Locke were reprinted on several occasions, in some cases in editions that probably have false dates and imprints. Though this article concentrates mainly on the two volumes known to contain material by Locke, a preliminary survey of entire printing history of the journal has also been made, with the results presented in tabular form in Appendix I. (shrink)
The main arguments of Milton Friedman's famous and influential essay are unsuccessful: He fails to prove that the exercise of social responsibility in business is by nature an unfair and socialist practice.Much of Friedman's case is based on a questionable paradigm; a key premise is false; and logical cogency is sometimes missing.
Professor Thomas Mulligan undertakes to discredit Milton Friedman's thesis that The Social Responsibility of Business Is to Increase Its Profits. He attempts to do this by moving from Friedman's paradigm characterizing a socially responsible executive as willful and disloyal to a different paradigm, i.e., one emphasizing the consultative and consensus-building role of a socially responsible executive. Mulligan's critique misses the point, first, because even consensus-building executives act contrary to the will of minority shareholders, but even more importantly, because he (...) assumes that the mandate of a shareholder majority brings legitimacy to efforts of corporate managers to utilize corporate wealth in solving social problems. It is the role of our democratic institutions to deal with national agenda issues such as inflation, unemployment, and pollution, not that of the private sector. Corporations and private individuals do have a role to play in enhancing the quality of the human environment, however, and the author suggests a coherent means of developing that role in an effort rescue corporate social responsibility from Mulligan no less than from Friedman. (shrink)
This paper explores the level of obligation called for by Milton Friedman’s classic essay “The Social Responsibility of Business is to Increase Profits.” Several scholars have argued that Friedman asserts that businesses have no or minimal social duties beyond compliance with the law. This paper argues that this reading of Friedman does not give adequate weight to some claims that he makes and to their logical extensions. Throughout his article, Friedman emphasizes the values of freedom, respect for law, and (...) duty. The principle that a business professional should not infringe upon the liberty of other members of society can be used by business ethicists to ground a vigorous line of ethical analysis. Any practice, which has a negative externality that requires another party to take a significant loss without consent or compensation, can be seen as unethical. With Friedman’s framework, we can see how ethics can be seen as arising from the nature of business practice itself. Business involves an ethics in which we consider, work with, and respect strangers who are outside of traditional in-groups. (shrink)
In this article, the author offers a discussion of the evidential role of the Galilean constant in the history of physics. The author argues that measurable constants help theories constrain data. Theories are engines for research, and this helps explain why the Duhem-Quine thesis does not undermine scientific practice. The author connects his argument to discussion of two famous papers in the history of economic methodology, Milton Friedman's 'Methodology of Positive Economics', which appealed to example of Galilean Law of (...) Fall in its argument; and Vernon Smith's 'Economics in the Laboratory'. While the author offers some criticism of Friedman and Smith, most of the article is a friendly reinterpretation of their insights. (shrink)
The main point of this paper is to contribute to understanding Milton Friedman’s (1953) “The Methodology of Positive Economics” (hereafter F1953), one of the most influential statements of economic methodology of the twentieth century, and, in doing so, help discern the non trivial but complex role of philosophic ideas in the shaping of economic theorizing and economists’ self-conception. It also aims to contribute to a better understanding of the theoretical origins of the so-called ‘Chicago’ school of economics. In this (...) paper, I first present detailed textual evidence of the familiarity of George Stigler with the early work of Talcott Parsons, the most important American translator and disseminator of Max Weber’s ideas, who also helped create sociology as a distinct discipline in the United States. The Chicago-Parsons link is no surprise because historians have known that Frank Knight and Parsons corresponded, first about translating Weber and then about matters of mutual interest. Knight, who was a doctoral advisor to Stigler and teacher of Milton Friedman, was not merely the first American translator of Weber, but remained keenly and, perhaps, increasingly interested in Weber throughout his life. I am unfamiliar with any investigation of the Weberian influence on Knight’s students. I show that Stigler praises Parsons’ treatment of Alfred Marshall, who plays an outsized role in Friedman’s self-conception of economics and economic theory. I also show that Stigler calls attention to the methodological similarity between Friedman and Parsons. Finally, I turn to F1953, and I show, first, that some of its most distinctive and philosophically interesting claims echo Parsons’ treatment of methodological matters; second that once alerted one can note Weberian terminology in F1953. (shrink)
Milton Friedman had long declared himself a small “l” libertarian (to distinguish himself from members of the Libertarian Party). But, libertarianism is based on the twin pillars of the non aggression axiom and private property predicated on homesteading and peaceful exchange. Friedman adopts none of this. Instead, he undergirds his [...].
Milton Friedman's book Capitalism and Freedom (1962) is divided into two parts. In the first part, consisting of the first two chapters, he lays down his two explicit political principles, and in the second part -- the rest of the book -- he allegedly applies these principles to existing society.
The version of the invisible hand argument in Adam Smith's Theory of Moral Sentiments differs in important respects from the version in The Wealth of Nations. Both are different, in turn, from the version invoked by Milton Friedman in Free to Choose. However, all three have a common structure. Attention to this structure can help sharpen our sense of their essential thrust by highlighting the questions (about the nature of economic motivation, the structure of markets, and conceptions of the (...) public interest) to which answers of certain kinds would have to be available for any of the versions to succeed. (shrink)
A critique of Milton Friedman's thesis that corporate executives have a fiduciary responsibility not to pursue socially desirable goals at the expense of profitability. The author argues that even under a libertarian conception of the nature of corporate property, Friedman's thesis does not follow. In particular, an executive's decision to prize "socially responsible behavior" above profit maximization does not necessarily violate the contractual rights of dissenting stockholders. Whether executives have obligations to refrain from such behavior depends entirely on the (...) content of the contract which actually exists between stockholders and executives. After an examination of the body of legal precedent which informs the content of that contract, the author concludes that there are clearly recognizable circumstances in which executives may legitimately pursue corporate altruism at the expense of profits, stockholder protestations notwithstanding. Since this contractual relationship with management is one in which stockholders have voluntarily engaged, libertarians have no grounds for complaining that the behavior of such executives constitutes a form of theft of the stockholders' property. (shrink)
Kant thinks poetry is the greatest of all the arts, and that Milton is one of the greatest poets. Sanford Budick, a professor of English from Hebrew University, investigates the Miltonic echoes in Kant’s work in this very thorough, dense, and deliberate study. Budick argues that Milton’s poetic form, especially his use of successive images, informs some of the most crucial and complex passages in Kant’s ethical and aesthetic theory. Budick concedes that it may seem strange to blur (...) the line between poetry and philosophy, but he also underlines the fact that “in Kant’s world poetry and philosophy had not yet experienced the virtual divorce that characterizes our own age” (119). Budick contends that the .. (shrink)
Kant and Milton: fundamentals and foundations -- Kant's journey in the constellation of German Miltonism: toward the procedure of succession -- Kant's Miltonic transfer to exemplarity: the succession to Milton's "On his blindness" in the groundwork of the Metaphysics of morals -- Kantian tragic form and Kantian "storytelling" -- The Critique of practical reason and Samson agonistes -- Kant's Miltonic procedure of succession in a key moment of the Critique of judgment.
Every day I get letters, in capitals and obsessively underlined if not actually in green ink, from flat-earthers, young-earthers, Dawkins perpetual-motion merchants, astrologers and other harmless fruitcakes. The only difference here is that Richard Milton..
Milton Friedman’s 1953 essay created controversy and consternation amongst economists. It provided a prescription, based on empirically generated predictive success, of how to do economics, yet many saw it as a concession of the search for truth and theoretical beauty within the discipline. This article reviews a 50th anniversary festschrift devoted to views of the essay. The purpose of the volume is to provide today’s reader with the essay, responses, and a guide to interpreting it. The volume is selective (...) and several contributors have their own agendas, but the feeling of tumult the essay still engenders is nicely conveyed. (shrink)
After outlining some of the reasons for the delayed and uninspiring Hispanophone translations of Milton's works, this essay examines the ways in which El Paraíso Perdido, Juan de Escoiquiz's translation of 1812?the first and still most readily-available Spanish verse translation of Paradise Lost (1667)?Catholicizes Milton's Protestant epic. A comparative close reading of key anti-Catholic passages in Milton's original and Escoiquiz's translation demonstrates the translator's avowed practice of excising anything ?ridiculous or indecent to the rites and practices of (...) the Catholic Church.? Silent additions, though, are the primary means by which Milton's Anglo-Protestant epic is converted into a Hispano-Catholic translation. A brief discussion of Areopagitica, in terms of its content and its popularity in Spanish translation, ties together the issues of translation, censorship, and reading reception circulating with El Paraíso Perdido. (shrink)
A Brief History of Moscovia is regarded as a minor, slightly odd composition within the Milton canon. Mostly completed before his total blindness in 1652, it stands in an awkward relationship to his other works, being largely composed of extracts from previous writers. This essay considers Milton's selection of factual content as well as his subtle deviations, at times, from his sources? wording. Milton takes us on a journey beginning with exterior landscapes and moves to graphic anthropological (...) details, in the final chapters shifting from geography to history. All these elements gradually accrue moral emphases, producing not a neutral account but an ethical critique in terms familiar from other Miltonic works, with some patriotic bias. Using R. D. Bedford's superb essay as the starting point, it explores Milton's language at the juncture of statement and evocation. Approaching nearer to the Far Eastern frontier with Cathay, one enters a mysterious realm. Here, the exotic and oriental fire Milton's descriptive imagination. In this combination of knowledge-based detail, moral energy and imaginative and poetic suggestion, Moscovia is in some ways a typically Miltonic work. (shrink)
The paper explores the ongoing debate between the narrow version of CSR proposed by Milton Friedman and the broader version of CSR, which includes additional ethical and/or philanthropic obligations. Implications are then discussed.
In this paper, I argue that John Milton, in his tragedy Smason Agonistes, raises and offers a solution to a version of the problem of evil raised by Marilyn McCord Adams. Sections I and II are devoted to the presentation of Adams’s version of the problem and its place in the current discussion of the problem of evil. In section III, I present Milton’s version of the problem as it is raised in Samson Agonistes. The solution Milton (...) offers to this problem is taken up in section IV and examined in section V. Last, in section VI, I explore briefly the existential aspect of Milton’s solution. (shrink)
Geoffrey of Monmouth's Historia Regum Britanniae (c.1136) had an enormous impact on the young Milton, so much so that in his Latin poem Mansus he imagined re-writing it as an English national epic. The fact that he could identify with the Britons against the Saxons in this imagined poem has been taken by many to prove the instability or alterity of his Early Modern national identity. In demonstrating how early in its reception Geoffrey's history had become ?Englished,? that is, (...) how early it had come to articulate the matter of Britain as England writ large, I hope to indicate that even in his earliest works?especially the Maske at Ludlow Castle, Mansus, and Epitaphium Damonis? the Londoner Milton is not so much diffident about or unrecognizable in his understanding of national identity as party, however inadvertently, to a process of relentless Anglicization. And in this I hope not to refute but to suggest the limits of contemporary Archipelagic criticism. (shrink)
I propose an ‘intellectual genealogy’ of the widespread contemporary lifestyle called ‘expressive individualism’, tracing it back first to the cult of the artist as genius, which flourished during the 19th century, but which has been democratized and universalized in our time. I then trace it back one step further, somewhat surprisingly, to the altered depiction of Lucifer John Milton gives in his poem Paradise Lost. Milton's Lucifer rejects not only Jesus as the highest creature, he rejects the Father (...) as father; he announces ‘I know none before me; I am self-begot.’ To the extent that we embrace the ethic of ‘expressive individualism’, therefore, we are implicitly committed to Milton's Lucifer as an archetype for human fulfilment, which I suggest, however, is a toxic model. (shrink)
Using various meanings of ?visit? and ?friend? this essay freely explores connections between Milton's cultivation of fame in Europe, leading to reports in the early lives of visits of scholarly foreigners to his door, and the extraordinary concentration on scenarios of human and divine visitation in the late poems. Social, political and religious strands are followed, from humanist self-presentation in the sonnets through to prophetic isolation in the late poems. Codes of friendship are rehearsed concerning confidentiality and betrayal, and (...) attention is paid to the effect of blindness on the activities of the humanist writer, the need for supporting visits, and an increasing interiority and preoccupation with the responsibilities of those engaged with God's special causes. The proto-humanist visit of Raphael to Adam in Paradise Lost and the many guiding visitations in that poem are contrasted with the situation in Samson Agonistes, where divine guidance is presented as clearer in the past than the present, and the reader is invited to share difficulties of discernment in the Restoration world, prefigured in Judges. The essay ends with the simultaneous publication of Milton's humanist legacy and sale of many of his foreign-language books. (shrink)
Most economists will agree that Milton Friedman is a brilliant economist. Yet, the majority assessment is that his work is ideologically flawed, and that the Marshallian economics he advocates has been superseded by Walrasian economics. In this paper I argue that the reason for this negative assessment is that Friedman, like Alfred Marshall before him, tried to straddle a fence between policy and logical-deductive theory, combining the artistic science of the historical and institutional school with the logical-deductive science of (...) economics under a single category which Friedman called positive economics. This combination worked for Marshall, but did not work for Friedman, I argue that the profession's criticisms of Friedman stand, if he is viewed as a positive scientist as the profession currently defines positive economics - as logical deductive exercises. But that, I argue, is not how Friedman should be viewed; he should, instead, be viewed as an economic artist - as an applied policy economist extraordinaire - whose primary flaw has been his failure to make clear the importance of the artistic component of his economic science. (shrink)
Resumo: Existe uma acirrada discussao entre os estudiosos do classico ingles Paradise Lost (John Milton, 1674) sobre o suposto misogenismo do autor. A maioria dos estudiosos, inclusive mulheres sustentam que n áo . A analise da Eva Miltoniana apresentada abaixo deixa claro que n áo so Milton de é fato misogenista, mas seu misogenismo vai alem da opini áo comum de uma epoca que via a mulher como encarnaç áo do mal. Milton, atraves de sua Eva, justifica (...) esta vis áo da mulher, aprofundando e perpetuando com sua mitopoetica a vis áo etica-teologica da mulher. Sua vis áo , longe de ser "moderna ", representa a reafirmaç áo do ethos paternalistico da tradic áo judaico-crist á. (shrink)
Although relatively neglected, Milton's three Latin poems for his school friend Charles Diodati are arguably amongst the most self-revelatory poems in the 1645 collection. As well as evidence of the strength of their literary friendship, each of these poems adumbrates aspects of Milton's vocational dilemma and provides an intriguing example of how Latin afforded Milton an imaginative freedom that he did not exercise when composing in English at this time. The disillusionment that clouded Milton's first impressions (...) of Cambridge is voiced feelingly in the wittily nuanced Elegia Prima, while Elegia Sexta, for all its affable and accommodating manner, also offers serious reflections on the conditions necessary to nurture poetic creativity, and captures what seems to be a pivotal moment in Milton's understanding of his own poetic vocation. Although both these verse-epistles are directed at Diodati as their immediate recipient, they enabled Milton to engage a European audience when recitations of his Latin verses won him acclaim in the Florentine academies. The Epitaphium Damonis, written after Milton's return from Italy, laments the death of Diodati, his first ?fit audience,? and celebrates the literary fellowship he had enjoyed in Florence. Separated from his school-friend by death and the Florentine literary community by the unbridgeable distance between them, the full force of his isolation found expression in a letter to Carlo Dati in which he described his feelings of inner exile. (shrink)
"Not but by the spirit understood" : Milton's plain style and present-day Messianism -- Areopagitica and the ethics of reading -- Liberty before and after liberalism : Milton's politics and the post-secular state -- Samson, the peacemaker : enlightened slaughter in Samson Agonistes -- Can the suicide bomber speak?
Milton and the Ineffable offers a comprehensive reassessment of Milton's poetic oeuvre in light of the literary and conceptual problem posed by the poet's attempt to put into words that which is unsayable and beyond representation. The struggle with the ineffability of sacred or transcendental subject matter in many ways defines Milton's triumphs as a poet, especially in Paradise Lost, and goes to the heart of the central critical debates to engage his readers over the centuries and (...) decades. Taking an interdisciplinary conceptual approach, this study sheds fresh light on many of these debates by situating his poetics of ineffability in the context of the intellectual cross-currents of Renaissance humanism and Protestant theology. The book plots an ongoing narrative in Milton's poetry about silence and ineffable mystery which forms the intellectual framework within which Milton continually shapes and reshapes his poetic vision of the created universe and the elect man's singular place within it. From the free paraphrase of Psalm 114 to Paradise Regained, the presence of the ineffable insinuates itself into Milton's poetry as both the catalyst and check for his poetic creativity, where the fear of silence and ineffable mystery on the one hand, and the yearning to lose himself and his readers in unspeakable rapture on the other, becomes a struggle for poetic self-determination and finally redemption. (shrink)
Epitaphium Damonis, Milton's lament for his friend Charles Diodati, is usually described as most strongly indebted to Theocritus? idylls, to Virgil's eclogues, and to Ovid's lament for Tibullus. However, closer examination reveals that Milton was even more closely indebted to Neo-Latin poets such as Sannazaro, Buchanan, Castiglione, Mantuan, and Zanchi. Whereas there are lines in Epitaphium Damonis that resemble those in Virgil and Ovid, there are just as many that resemble those in Neo-Latin poets. Although a pastoral, the (...) tone and atmosphere of the epitaph resemble more its Renaissance contemporaries than its more distant Latin and Greek forebears. This is especially evident in the intimate tone Milton assumes in addressing Damon-Diodati and in the elaborate digression he incorporates into the poem when he confides to his dead friend his plans for a future epic on an Arthurian theme. Milton's attempt to wed a Christian sensibility to a classical form also signals his indebtedness to his Renaissance predecessors, who similarly used classical pastoral to express Christian consolation. (shrink)
This book reads Milton’s Paradise Lost as a poem that seeks to educate its readers by narrating the education of its main characters. Many of Milton’s characters enter the action in late adolescence, newly independent and eager to test themselves, to discover who they are and their place in the world. The poem charts their progress into moral adulthood. Taking as its premise that attention to the moral development of the poem’s main characters will open the poem to (...) most undergraduate readers, this book explores both the pedagogical activity within Paradise Lost and the pedagogical activity that the poem encourages. (shrink)
This paper assesses Milton Friedman’s (1962, 1970) strongly negative view of corporate social responsibility (CSR) and his influence among managers and academics. The subtitle reflects the theme of the IABS 2007 conference: advising practitioners, illustrated by Machiavelli’s The Prince (1513). The paper develops two general arguments. The first argument is that Professor Friedman was a highly academic theoretician arguing the general merits of basically simple theoretical ideas. The second argument concerns advising practitioners. While Friedman’s advice is theoretical (i.e., abstract) (...) rather than practical (i.e., pragmatic), this very characteristic may have increased his influence. There are important lessons to study concerning academic influence among practitioners. Simple ideas may facilitate dissemination and persuasiveness. It is thus worth studying Friedman’s approach to controversy. (shrink)
In this paper I study how the theoretical categories of consumption theory were used by Milton Friedman in order to classify empirical data and obtain predictions. Friedman advocated a case by case definition of these categories that traded theoretical coherence for empirical content. I contend that this methodological strategy puts a clear incentive to contest any prediction contrary to our interest: it can always be argued that these predictions rest on a wrong classification of data. My conjecture is that (...) this methodological strategy can contribute to explain why Friedman’s predictions never generated the consensus he expected among his peers. (shrink)
