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  1. Monroe C. Beardsley & Elizabeth Lane Beardsley (2009). Do Miracles Occur? In Steven M. Cahn (ed.), Exploring Philosophy: An Introductory Anthology. Oxford University Press.
     
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  2. Monroe C. Beardsley & Elizabeth Lane Beardsley (2009). What is Philosophy? In Steven M. Cahn (ed.), Exploring Philosophy: An Introductory Anthology. Oxford University Press.
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  3. Monroe Beardsley (2005). Intrinsic Value. In. In Toni Rønnow-Rasmussen & Michael J. Zimmerman (eds.), Recent Work on Intrinsic Value. Springer. 61--75.
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  4. Monroe C. Beardsley (1992). The Authority of the Text. In Gary Iseminger (ed.), Intention and Interpretation. Temple University Press. 24--40.
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  5. Monroe C. Beardsley (ed.) (1992/2002). The European Philosophers From Descartes to Nietzsche. Modern Library.
    “Between the earliest and the latest of the works included here, we have two hundred and fifty years of vigorous and adventurous philosophizing,” Monroe Beardsley writes in his Introduction to this collection. “If the modern period can be only vaguely or arbitrarily bounded, it can at least be studied, and we can ask whether any dominant themes, overall patterns of movement, or notable achievements can be found within it. This question is one that is best asked by the reader after (...)
     
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  6. Monroe C. Beardsley (1986). Comments on Six Commentators. In Monroe C. Beardsley, Lars Aagaard-Mogensen & Luk de Vos (eds.), Text, Literature, and Aesthetics: In Honor of Monroe C. Beardsley. Rodopi. 179--186.
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  7. Monroe C. Beardsley, Lars Aagaard-Mogensen & Luk de Vos (eds.) (1986). Text, Literature, and Aesthetics: In Honor of Monroe C. Beardsley. Rodopi.
    Foreword Large parts of Monroe Beardsley's production in the field of aesthetics treat literature, the theory of meaning, and the philosophy of language. ...
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  8. Monroe C. Beardsley (1983). The Refutation of Relativism. Journal of Aesthetics and Art Criticism 41 (3):265-270.
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  9. Monroe C. Beardsley & John Fisher (eds.) (1983). Essays on Aesthetics: Perspectives on the Work of Monroe C. Beardsley. Temple University Press.
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  10. Monroe C. Beardsley (1982). The Aesthetic Point of View: Selected Essays. Cornell University Press.
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  11. Monroe C. Beardsley (1981). Expression and Meaning. International Studies in Philosophy 13 (2):116-118.
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  12. Monroe C. Beardsley (1981). Fiction as Representation. Synthese 46 (3):291 - 313.
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  13. Monroe C. Beardsley (1981). Logic and Rhetoric. Teaching Philosophy 4 (3/4):249-260.
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  14. Monroe C. Beardsley (1980). Motives and Intentions. Bowling Green Studies in Applied Philosophy 2:71-79.
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  15. Monroe C. Beardsley (1980). Critical Understanding: The Powers and Limits of Pluralism (Review). Philosophy and Literature 4 (2):257-265.
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  16. Monroe Beardsley (1979). Verbal Style and Illocutionary Action. In Leonard B. Meyer & Berel Lang (eds.), The Concept of Style. University of Pennsylvania Press. 149--168.
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  17. Monroe C. Beardsley (1979). In Defense of Aesthetic Value. Proceedings and Addresses of the American Philosophical Association 52 (6):723 - 749.
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  18. Monroe C. Beardsley (1978). Intending. In A. I. Goldman & I. Kim (eds.), Values and Morals. Boston: D. Reidel. 163--184.
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  19. Monroe C. Beardsley (1978). Languages of Art and Art Criticism. Erkenntnis 12 (1):95 - 118.
    What implications does goodman's "languages of art" have for the theory and practice of art criticism? to account for the cognitive value of pictorial representations, It apparently requires to be supplemented by a concept of depiction, Or indefinite reference. For goodman's theory of expression to be convincing, Criteria are needed to discriminate exemplification in goodman's sense from the mere possession of labels. Some of the fundamental criteria of evaluation very widely used by art critics do not seem to be those (...)
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  20. Monroe C. Beardsley (1978). Metaphorical Senses. Noûs 12 (1):3-16.
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  21. Monroe C. Beardsley (1978). Some Problems of Critical Interpretation: A Commentary. Journal of Aesthetics and Art Criticism 36 (3):351-360.
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  22. Monroe C. Beardsley (1976). Metaphor and Falsity. Journal of Aesthetics and Art Criticism 35 (2):218-222.
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  23. Monroe C. Beardsley (1976). Philosophy and the Novel: Philosophical Aspects Of_ Middlemarch, Anna Karenina, The Brothers Karamazov, A la Recherche du Temps Perdu, _and of the Methods of Criticism (Review). Philosophy and Literature 1 (1):101-106.
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  24. Monroe C. Beardsley (1975). Actions and Events: The Problem of Individuation. American Philosophical Quarterly 12 (4):263 - 276.
    For the events "e" and "f" to be identical, They must have the same subject and spatio-Temporal location, And their (participial) property-Descriptions must belong to the same "modification set" (e.G., Reddening, Reddening slowly, Reddening in july). The same criterion applies to actions, Which are here treated strictly as a proper subclass of events (john's closing the door = the door's being closed by john = the door's becoming closed). Actions related by goldman's "causal generation" are therefore distinct, But those related (...)
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  25. Monroe C. Beardsley (1975). Aesthetics From Classical Greece to the Present: A Short History. University of Alabama Press.
    The author examines all major aspects of Western aesthetic thought, and a third of the book focuses specifically on 19th-and-20th century aesthetic theory.
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  26. Monroe C. Beardsley (1975). Current Periodical Articles. American Philosophical Quarterly 12 (4).
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  27. Monroe C. Beardsley (1975). Editorial. Journal of Aesthetics and Art Criticism 33 (4):381-382.
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  28. Monroe C. Beardsley (1975). Philosophical Abstracts. American Philosophical Quarterly 12 (3).
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  29. Monroe C. Beardsley (1975). Thinking Straight. Englewood Cliffs, N.J.,Prentice-Hall.
    In writing this book I have received a considerable variety of assistance, which I am glad to acknowledge.
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  30. Monroe C. Beardsley (1973). Editorial. Journal of Aesthetics and Art Criticism 32 (2):143-145.
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  31. Monroe C. Beardsley (1973). What is an Aesthetic Quality? Theoria 39 (1-3):50-70.
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  32. Charles Hartshorne & Monroe Beardsley (1972). Fabricated Man: The Ethics of Genetic Control. Paul Ramsey. World Futures 12 (1):149-157.
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  33. Monroe C. Beardsley (1970). Aesthetic Theory and Educational Theory. In Ralph Alexander Smith (ed.), Aesthetic Concepts and Education. Urbana,University of Illinois Press. 3--20.
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  34. Monroe C. Beardsley (1970). Reply to Professor Janson. Metaphilosophy 1 (1):63–65.
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  35. Monroe C. Beardsley (1970). The Aesthetic Point of View. Metaphilosophy 1 (1):39–58.
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  36. Monroe C. Beardsley (1970). Book Review:Languages of Art: An Approach to a Theory of Symbols Nelson Goodman. [REVIEW] Philosophy of Science 37 (3):458-.
  37. Monroe C. Beardsley (1969). Aesthetic Experience Regained. Journal of Aesthetics and Art Criticism 28 (1):3-11.
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  38. Monroe C. Beardsley (1968). Order and Disorder in Art. In Paul Grimley Kuntz (ed.), The Concept of Order. Seattle, Published for Grinnell College by the University of Washington Press. 198--99.
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  39. Monroe C. Beardsley (1967). Aesthetics, History Of. In Paul Edwards (ed.), The Encyclopedia of Philosophy. New York, Macmillan. 1--18.
     
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  40. Monroe Beardsley (1966). The Limits of Critical Interpretation. In Sidney Hook (ed.), Art and Philosophy. [New York]New York University Press. 62.
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  41. Monroe C. Beardsley (1966). Thinking Straight; Principles of Reasoning for Readers and Writers. Englewood Cliffs, N.J.,Prentice-Hall.
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  42. Monroe C. Beardsley (1965). Intrinsic Value. Philosophy and Phenomenological Research 26 (1):1-17.
    Many philosophers apparently still accept the proposition that there is such a thing as intrinsic value, i.e., that some part of the value of some things (objects, events, or states of affairs) is intrinsic value. John Dewey's attack seems not to have dislodged this proposition, for today it is seldom questioned. I propose to press the attack again, in terms that owe a great deal to Dewey, as I understand him.
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  43. Monroe C. Beardsley (1965). On the Creation of Art. Journal of Aesthetics and Art Criticism 23 (3):291-304.
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  44. Monroe C. Beardsley (1965). Philosophical Thinking. Harcourt, Brace & World.
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  45. Monroe C. Beardsley (1964). Equality and Obedience to Law. In Sidney Hook (ed.), Law and Philosophy. [New York]New York University Press.
     
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  46. Monroe C. Beardsley (1963). The Discrimination of Aesthetic Enjoyment. British Journal of Aesthetics 3 (4):291-300.
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  47. Monroe C. Beardsley (1963). Book Review:Logic: The Theory of Formal Inference Alice Ambrose, Morris Lazerowitz. [REVIEW] Philosophy of Science 30 (1):81-.
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  48. Monroe C. Beardsley (1962). Beauty and Aesthetic Value. Journal of Philosophy 59 (21):617-628.
    This paper affirms the proposition, denied by albert hofstadter ("journal of philosophy", volume 59, 1962), that the study of the meaning and ground of value judgments is a proper branch of aesthetics. hofstadter objects that the use of 'aesthetic value' involves a "category mistake"; however, this objection is based on an apparent failure to understand a derivative or instrumental definition. hofstadter's own position is also criticized. it is argued (a) that his theory of aesthetic validity, while commendable in some respects, (...)
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  49. Monroe C. Beardsley (1962). On the Generality of Critical Reasons. Journal of Philosophy 59 (18):477-486.
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