Search results for 'Monroe Curtis Beardsley' (try it on Scholar)

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  1. Robert F. Bieler, Paul B. Pederson, Robert L. Church, N. Ray Hiner, Edward J. Power, Michael J. Parsons, Stewart E. Fraser, June T. Fox, Monroe C. Beardsley, Richard Gambino, Richard D. Mosier, David Lawson, Frederick C. Gruber, David L. Kirp, Russell L. Curtis, Jerry Miner, Geneva Gay, Phillip C. Smith & Emma M. Capelluzzo (1972). Book Reviews Section 2. Educational Studies 3 (2):99-112.
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  2.  43
    Monroe C. Beardsley, Lars Aagaard-Mogensen & Luk de Vos (eds.) (1986). Text, Literature, and Aesthetics: In Honor of Monroe C. Beardsley. Rodopi.
    Foreword Large parts of Monroe Beardsley's production in the field of aesthetics treat literature, the theory of meaning, and the philosophy of language. ...
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  3.  21
    Monroe C. Beardsley & John Fisher (eds.) (1983). Essays on Aesthetics: Perspectives on the Work of Monroe C. Beardsley. Temple University Press.
  4. Monroe C. Beardsley (1965). Philosophical Thinking an Introduction [by] Monroe C. Beardsley [and] Elizabeth Lane Beardsley. --. Harcourt, Brace & World.
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  5.  9
    Monroe Curtis Beardsley (1944). "Rationality" in Conduct: Wallas and Pareto. Ethics 54 (2):79-95.
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  6. Monroe Curtis Beardsley (1965). Philosophical Thinking, an Introduction. Harcourt, Brace & World.
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  7. Monroe C. Beardsley (1986). Comments on Six Commentators. In Monroe C. Beardsley, Lars Aagaard-Mogensen & Luk de Vos (eds.), Text, Literature, and Aesthetics: In Honor of Monroe C. Beardsley. Rodopi 179--186.
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  8. Monroe C. Beardsley (ed.) (1992). The European Philosophers From Descartes to Nietzsche. Modern Library.
    “Between the earliest and the latest of the works included here, we have two hundred and fifty years of vigorous and adventurous philosophizing,” Monroe Beardsley writes in his Introduction to this collection. “If the modern period can be only vaguely or arbitrarily bounded, it can at least be studied, and we can ask whether any dominant themes, overall patterns of movement, or notable achievements can be found within it. This question is one that is best asked by the (...)
     
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  9.  12
    Monroe C. Beardsley & Elizabeth L. Beardsley (1942). The Quest for Wisdom. An Introduction to Philosophy. [REVIEW] Journal of Philosophy 39 (16):446-447.
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  10. Monroe C. Beardsley & Elizabeth Lane Beardsley (2009). What is Philosophy? In Steven M. Cahn (ed.), Exploring Philosophy: An Introductory Anthology. Oxford University Press
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  11. Monroe C. Beardsley & Elizabeth Lane Beardsley (2009). Do Miracles Occur? In Steven M. Cahn (ed.), Exploring Philosophy: An Introductory Anthology. Oxford University Press
     
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  12. Monroe C. Beardsley (1962). The Metaphorical Twist. Philosophy and Phenomenological Research 22 (3):293-307.
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  13. Monroe C. Beardsley (1978). Metaphorical Senses. Noûs 12 (1):3-16.
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  14.  70
    Monroe C. Beardsley (1958). Aesthetics. Harcourt, Brace.
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  15.  77
    Monroe C. Beardsley (1982). The Aesthetic Point of View: Selected Essays. Cornell University Press.
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  16. Monroe C. Beardsley (1965). Intrinsic Value. Philosophy and Phenomenological Research 26 (1):1-17.
    Many philosophers apparently still accept the proposition that there is such a thing as intrinsic value, i.e., that some part of the value of some things (objects, events, or states of affairs) is intrinsic value. John Dewey's attack seems not to have dislodged this proposition, for today it is seldom questioned. I propose to press the attack again, in terms that owe a great deal to Dewey, as I understand him.
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  17.  6
    Monroe C. Beardsley (1961). Aesthetics. Problems in the Philosophy of Criticism. Philosophical Review 70 (2):275-279.
  18. Monroe C. Beardsley (1962). Beauty and Aesthetic Value. Journal of Philosophy 59 (21):617-628.
    This paper affirms the proposition, denied by albert hofstadter ("journal of philosophy", volume 59, 1962), that the study of the meaning and ground of value judgments is a proper branch of aesthetics. hofstadter objects that the use of 'aesthetic value' involves a "category mistake"; however, this objection is based on an apparent failure to understand a derivative or instrumental definition. hofstadter's own position is also criticized. it is argued (a) that his theory of aesthetic validity, while commendable in some respects, (...)
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  19. Monroe C. Beardsley (1973). Editorial. Journal of Aesthetics and Art Criticism 32 (2):143-145.
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  20. Monroe C. Beardsley (1983). The Refutation of Relativism. Journal of Aesthetics and Art Criticism 41 (3):265-270.
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  21.  99
    Monroe C. Beardsley (1969). Aesthetic Experience Regained. Journal of Aesthetics and Art Criticism 28 (1):3-11.
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  22. Monroe C. Beardsley (1978). Some Problems of Critical Interpretation: A Commentary. Journal of Aesthetics and Art Criticism 36 (3):351-360.
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  23.  18
    Monroe C. Beardsley (1950). Practical Logic. New York, Prentice-Hall.
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  24.  75
    Monroe C. Beardsley (1965). On the Creation of Art. Journal of Aesthetics and Art Criticism 23 (3):291-304.
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  25.  99
    Monroe C. Beardsley (1943). Berkeley on "Abstract Ideas". Mind 52 (206):157-170.
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  26.  13
    Monroe Beardsley & Elizabeth Beardsley (1944). Leadership and Isolation: A Study of Personality in Inter-Personal Relations. [REVIEW] Journal of Philosophy 41 (6):166-167.
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  27.  16
    Monroe C. Beardsley (1978). Intending. In A. I. Goldman & I. Kim (eds.), Philosophical Review. Boston: D. Reidel 163--184.
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  28.  66
    Monroe C. Beardsley (1978). Languages of Art and Art Criticism. Erkenntnis 12 (1):95 - 118.
    What implications does goodman's "languages of art" have for the theory and practice of art criticism? to account for the cognitive value of pictorial representations, It apparently requires to be supplemented by a concept of depiction, Or indefinite reference. For goodman's theory of expression to be convincing, Criteria are needed to discriminate exemplification in goodman's sense from the mere possession of labels. Some of the fundamental criteria of evaluation very widely used by art critics do not seem to be those (...)
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  29.  86
    Monroe C. Beardsley (1961). Representation and Presentation: A Reply to Professor Dickie. Journal of Philosophy 58 (9):238-241.
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  30.  12
    Monroe C. Beardsley (1960). Aesthetics and Philosophy of Art Criticism; a Critical Introduction. [REVIEW] Journal of Philosophy 57 (19):623-625.
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  31.  12
    Monroe C. Beardsley (1953). Aesthetics and the Problem of Meaning. The Application to Aesthetics of the Logical Positivists' Verifiability Criterion of Cognitive Meaning. [REVIEW] Journal of Philosophy 50 (1):22-23.
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  32.  11
    Monroe C. Beardsley (1960). Art and the Human Enterprise. [REVIEW] Journal of Philosophy 57 (5):163-167.
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  33.  11
    Monroe Beardsley & Elizabeth Beardsley (1944). The Expression of Personality: Experimental Depth Psychology. [REVIEW] Journal of Philosophy 41 (7):190-193.
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  34.  62
    Monroe C. Beardsley (1973). What is an Aesthetic Quality? Theoria 39 (1-3):50-70.
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  35.  71
    Monroe C. Beardsley (1981). Fiction as Representation. Synthese 46 (3):291 - 313.
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  36.  33
    Monroe C. Beardsley (1975). Actions and Events: The Problem of Individuation. American Philosophical Quarterly 12 (4):263 - 276.
    For the events "e" and "f" to be identical, They must have the same subject and spatio-Temporal location, And their (participial) property-Descriptions must belong to the same "modification set" (e.G., Reddening, Reddening slowly, Reddening in july). The same criterion applies to actions, Which are here treated strictly as a proper subclass of events (john's closing the door = the door's being closed by john = the door's becoming closed). Actions related by goldman's "causal generation" are therefore distinct, But those related (...)
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  37.  59
    Monroe C. Beardsley (1970). The Aesthetic Point of View. Metaphilosophy 1 (1):39–58.
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  38.  8
    Monroe C. Beardsley (1973). The Possibility of Criticism. Journal of Philosophy 70 (22):832-836.
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  39. Monroe C. Beardsley (1975). Aesthetics From Classical Greece to the Present: A Short History. University of Alabama Press.
    The author examines all major aspects of Western aesthetic thought, and a third of the book focuses specifically on 19th-and-20th century aesthetic theory.
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  40.  38
    Monroe C. Beardsley (1976). Metaphor and Falsity. Journal of Aesthetics and Art Criticism 35 (2):218-222.
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  41.  8
    Monroe C. Beardsley (1992). The Authority of the Text. In Gary Iseminger (ed.), Intention and Interpretation. Temple University Press 24--40.
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  42.  53
    Monroe C. Beardsley (1963). The Discrimination of Aesthetic Enjoyment. British Journal of Aesthetics 3 (4):291-300.
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  43.  38
    Alan Ross Anderson, Monroe Beardsley, Richard Rorty, Abner Shimony, Frederick Sontag & Francis V. Raab (1955). Comments on Harrah's Theses. Review of Metaphysics 9 (1):118 - 124.
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  44.  39
    Monroe C. Beardsley (1962). On the Generality of Critical Reasons. Journal of Philosophy 59 (18):477-486.
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  45.  21
    Monroe C. Beardsley (1975). Aesthetics From Classical Greece to the Present: A Short History. University Alabama Press.
    "For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful.”—The Philosophical Review At once a treatise for professionals and a guide for newcomers to the subject, ...
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  46.  1
    Monroe C. Beardsley (1966). Aesthetics From Classical Greece to the Present. Journal of Aesthetics and Art Criticism 25 (2):213-215.
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  47.  18
    Monroe C. Beardsley (1979). In Defense of Aesthetic Value. Proceedings and Addresses of the American Philosophical Association 52 (6):723 - 749.
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  48. William K. Wimsatt & Monroe C. Beardsley (1970). The Verbal Icon Studies in the Meaning of Poetry.
     
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  49.  44
    Monroe C. Beardsley (1942). Phenomenalism and Determinism. Journal of Philosophy 39 (26):711-717.
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  50.  6
    Monroe C. Beardsley & The Editors (1942). Dostoyevsky's Metaphor of the Underground. Journal of the History of Ideas 3 (3):265.
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