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  1.  31
    Moreland Perkins (1983). Sensing The World. Indianapolis: Hackett.
    PREFACE In Berkeley's language, the question from which this book arises is this one: Is what we immediately perceive by the senses something that depends ...
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  2. Moreland Perkins (1952). Notes on the Pragmatic Theory of Truth. Journal of Philosophy 49 (18):573-587.
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  3. Moreland Perkins & Irving Singer (1951). Analyticity. Journal of Philosophy 48 (16):485-497.
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  4.  41
    Moreland Perkins & Irving Singer (1953). The Definition of 'More Valuable'. Analysis 13 (6):140 - 143.
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  5.  52
    Moreland Perkins (1966). Emotion and Feeling. Philosophical Review 75 (April):139-160.
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  6.  58
    Moreland Perkins (1970). The Knowing in Seeing. Analysis 30 (4):125 - 131.
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  7.  66
    Moreland Perkins (1966). Seeing and Hearing Emotions. Analysis 26 (June):193-197.
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  8. Moreland Perkins (2005). An Indirectly Realistic, Representational Account of Pain(Ed) Perception. In Murat Aydede (ed.), Pain: New Essays on its Nature and the Methodology of its Study. Cambridge Ma: Bradford Book/MIT Press
     
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  9.  34
    Moreland Perkins (1953). Intersubjectivity and Gestalt Psychology. Philosophy and Phenomenological Research 13 (June):437-451.
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  10.  19
    Moreland Perkins (1970). Matter, Sensation, and Understanding. American Philosophical Quarterly 8 (1):1-12.
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  11.  27
    Moreland Perkins (1965). Two Arguments Against a Private Language. Journal of Philosophy 62 (17):443-459.
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  12.  20
    Moreland Perkins (1970). The Picturing in Seeing. Journal of Philosophy 67 (10):321-339.
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  13.  19
    Moreland Perkins (1971). Sentience. Journal of Philosophy 68 (June):329-37.
  14.  5
    Moreland Perkins (1966). Emotion and the Concept of Behavior. American Philosophical Quarterly 3 (October):291-298.
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  15. Moreland Perkins (1979). On Expressing Feeling. Studies in Philosophy and Education 9 (4):332-344.
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  16. Moreland Perkins & Alonso Church (1952). The Definition of More Valuable. Analysis 13:140.
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  17. Irving Singer & Moreland Perkins (2010). Modes of Creativity: Philosophical Perspectives. The MIT Press.
    Philosophical reflections on creativity in science, humanities, and human experience as a whole.
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  18. Irving Singer & Moreland Perkins (2013). Modes of Creativity: Philosophical Perspectives. The MIT Press.
    In this philosophical exploration of creativity, Irving Singer describes the many different types of creativity and their varied manifestations within and across all the arts and sciences. Singer's approach is pluralistic rather than abstract or dogmatic. His reflections amplify recent discoveries in cognitive science and neurobiology by aligning them with the aesthetic, affective, and phenomenological framework of experience and behavior that characterizes the human quest for meaning. Creativity has long fascinated Singer, and in Modes of Creativity he carries forward investigations (...)
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