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  1. Moshe Barasch (forthcoming). Despair in the Medieval Imagination. Social Research.
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  2. Moshe Barasch (forthcoming). Mode and Expression in Meyer Schapiro's Writings on Art. Social Research.
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  3. Moshe Barasch (1992). Works of the Imagination A Comment. In Edna Ullmann-Margalit (ed.), The Scientific Enterprise. Kluwer. 117--121.
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  4. Moshe Barasch (1990). Modern Theories of Art. New York University Press.
    In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and (...)
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  5. Moshe Barasch (1985/2000). Theories of Art. Routledge.
    In this volume, the third in his classic series on art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from impressionism to abstract art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the emerging interrelationship between scientific (...)
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  6. Moshe Barasch (1963). Gantner's Theory of Prefiguration. British Journal of Aesthetics 3 (2):148-156.
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